Tag: the f art

Creatures losing the war on nature: an exhibition in Redfern Sydney

fire and water

Longtime Mambo Artists Reg Mombassa & Glenn “Glenno” Smith have joined forces for a highly anticipated exhibition, ‘Creatures – Losing the War on Nature’, currently showing at the Rogue Pop-Up Gallery in Redfern.  The idea for this exhibition, and formidable collaboration, was originally spawned by the question: “What would Reg’s Art look like in Glenno’s lino-print style?” This question ultimately became the seeds of ‘Creatures-’.  We caught up with Glenn to learn a little more about his art, his recent collaboration with Reg Mombassa, and what’s next for this Sydney-based artist.  Glenn Smith is a Sydney-based artist renowned for his incredibly recognisable lino works.  Working independently for over 30 years, Glenn has gained considerable notoriety developing the art and cover work for international and local rock bands and events, as well as collaborating with the globally recognised Mambo Australia. A self-proclaimed art mercenary, Glenn has proven to endure and rise above the sometimes ruthless nature of the art world, remaining concrete in his vision and creative process. Glenn offers passionate advocacy for any person that has an artistic affliction. “The art world is so impenetrable. It’s also not such a nice place BUT making art and keeping to a personal truth as you go is the best thing anyone with a bit of originality of vision should strive for.”  Personal truths and art with an original vision are very evident in the works and worlds of Glenno and Reg as they collaborate for Creatures – Losing the War on Nature.  When asked how this concept… Read More

Am I art? I don’t know: see inside the latest works by Queensland artist Michael Zavros

Sydney art gallery, Sullivan+Strumpf in Zetland have partnered with Michael Zavros to present something truly unique. A  Guy Like Me is the latest body of work by Zavros, opening Thursday 15 October until 14 November.  Best known for his beautifully realised award-winning paintings, this upcoming exhibition marks a detour into new and exciting territory, in which Michael introduces us to his avatar: a plastic mannequin modelled on himself but better –  6 foot 3, broader, more cut, a bit younger and a whole lot smoother.  This fascinating creature, which Zavros refers to as “Dad” may also be a better human being, as the artist ponders the improvements that are possible in constructing art to imitate (and enhance) his very life itself.   Captured in a series of sumptuously styled large-scale magazine-style photographs, Dad is perfectly at home stepping into Michael’s designer shoes. Head to the Sullivan+Strumpf website for more.

Dark Mofo exhibition in Hobart: Mines; from the mind of Simon Denny

Simon Denny Mines Dark Mofo

An unnervingly vibrant dystopia opened on the eve of the madness that is Dark MOFO 2019. Curated by Jarrod Rawling and Emma Pike and taking two and half years from conception to exhibition, Mines will leave you feeling helpless. In the bowels of MONA is a colourful sign, “Mines”. Fittingly its physical location is buried beneath the earth.  But this is less about our traditional mineral past and more about the collection and manipulation of what we may see as intangible. Data. Our data. Metric monitoring of our behaviours and patterns. Allowing corporate entities to manipulate what we love, what we hate, what we must have. Using the bones of the classic boardgame, Squatter, Denny has amended its gameplay and thematics to reflect our era, our data.  Denny lulls us with space. He gives us room to move and the freedom to interact. With intelligent use of “The O”, augmented reality, designed by the MONA boffins, we are able to see how our interactions with the exhibit are collated and displayed real time. This speaks to the reality of our digital presence being commoditised and with the information space changing around us thanks to surveillance capitalism, one thing is clear, we are the resource. Come and see. Don’t be helpless, all alone. Mines is open until the 13th April 2020. Remember to download “The O”, from the iTunes App Store before you arrive, or collect a device from the lovely crew at MONA. Entry is $28, $25 concession, Tasmanians and under 18s get in for free.

What to see at Somerset House London: Get Up, Stand Up Now

Somerset House Get Up

Celebrating generations of Black Creative Pioneers, the new exhibition at Somerset House, right in the heart of London, will put on a showcase of art, film and photography. There’ll be 100 artists represented, whose work will be presented to articulate and address the black experience and sensibility from the post-war era to the present day. The whole collection will showcase works and new commissions alongside items from personal archives, much of which has never been seen before. The whole thing has been curated by acclaimed artist Zak Ové, who’s invited each artist to exhibit on account of their significant contribution to shaping the cultural landscape.  You’ll see works from the likes of Zak and Horace Ove, Armet Francis, Charlie Phillips, Sonia Boyce and Steve McQueen and many more. See more of what’s on at the Somerset House website.

Life behind the palace walls: New exhibition tells the story of Queen Victoria

Queens Gallery

Queen Victoria was a boss. She took the throne at age 18 and made it hers from the get-go. A lot of that revolved around her moving into Buckingham Palace right in the middle of London. Three weeks into her reign, she moved into Buckingham Palace, despite the building being incomplete and many of the rooms undecorated and unfurnished. The Palace had been empty for seven years following the death of Victoria’s uncle, George IV, who had commissioned at great expense the conversion of Buckingham House into a Palace to the designs of John Nash. The King never occupied the Palace, and his successor, William IV, preferred to live at Clarence House during his short reign. The Queen’s ministers advised her to stay at Kensington Palace, her childhood home, until Buckingham Palace could be brought up to a suitable standard, but Victoria wanted to move immediately and begin her new life. Artist Thomas Sully then painted Victoria shortly after she moved in. Then after that, a whole bunch of other works were created, items and changes made that typified her reign. To celebrate, Buckingham Palace is putting on an exhibition, Queen Victoria’s Palace, curated by the historian and biographer Dr Amanda Foreman and Lucy Peter, Assistant Curator of Paintings, Royal Collection Trust. It’s all part of a visit to the Summer Opening of the State Rooms at Buckingham Palace, 20 July – 29 September 2019. The exhibition is accompanied by the publication Inside Queen Victoria’s Buckingham Palace by Dr Amanda Foreman and Lucy Peter. It… Read More

Mine: Mona’s new exhibition explores extraction

Mona Mine

Until 13 April next year, Mona will explore the concept of mining and its varying forms. Super topical with conversations around the Adani Mine in Queensland circulating and the constant mining of individuals’ data for commercial use, it’s a range of work that is sure to stir-up excitement for the Hobart gallery. From 8 June 2019, Simon Denny’s deep dig into the topic of extraction will star sculpture, a giant board game and augmented reality in a series of works that that draw inextricable links between resource and data mining. It’ll mark the largest exhibition by the New Zealand artist to date. Exploring themes of work and automation, the exhibition takes the Australian mining industry as a case study to interrogate the effects of technology on human labour. In Mine, Denny—whose previous work has examined cryptocurrency, capitalism and surveillance—connects mineral and resource mining with the more opaque world of data collection. Setting these extractive practices against a backdrop of colonisation, ethics and economics, Mine reflects on them in terms of both hope and anxiety about the environment, technology, and development. See more and make your next trip to mona a reality at the Mona website. Mine will open on 8 June 2019 and runs until 12 April 2020. The exhibition is curated by Jarrod Rawlins with Emma Pike from Mona.

Eat The Problem: MONA’s Kirsha Kaechele opens the new exhibiton

Mona Eat The Problem Kirsh Kaechele dining table

Everything you’d be loathed to see in your kitchen, presented in a striking contemporary compendium of graphic imagery, inspiring recipes, underpinned by social-political commentary: this is Eat The Problem. A book and exhibition by Kirsha Kaechele from MONA in Hobart – read more about the gallery here – Eat The Problem is a sensory experience of overloaded proportions, forcing its viewers to see, feel, smell and taste like never before. Or at least, insanely rarely. Fuelled by the reality that faces the Australian ecological system, that is invasive species, creatures and experiences, the Eat The problem exhibition startles visitors through dazzling light, permitting them to taste colour, feel sound vibrations and participate in movement and music. In a nutshell, Eat the Problem lets visitors engage in various acts of transformation as part of Kaechele’s surrealist exploration of turning flaw into feature using invasive species—including humans—in food and art. Heralded by a gigantic glockenspiel (like a xylophone), that assumes the role of a dining table that’s been illuminated in the full colour spectrum, MONA’s executive chef Vince Trim has designed a menu that uses invasive species such as deer, sea urchin and thistle and transforms them into sumptuous monochromatic dishes for visitors to eat. And if you’re not hungry or would like the full experience, the exhibition allows you to book a session to undergo a range of transformative healing sessions in the gallery, including sound baths, reflexology, massage and hot and cold treatments. “Eat the Problem brings to life the practice of transforming shit into… Read More

Dumplings and art: Melbourne’s National Gallery of Victoria joins with Hutong Dumpling Bar for winter Friday Nights series

NGAIIRE Photo by Emele Ugavule

The NGV’s Friday Night Series is back again and this time; they’re doing dumplings. Appropriate for a city like Melbourne to shine a light on its awesome cuisine and art, coming together in one culmination of sensational experience for locals and visitors alike. And only ’til 12 October. As part of the new collaboration, Melbourne’s Hutong Dumpling Bar takes over NGV’s Gallery Kitchen for the 2019 Melbourne Winter Masterpieces NGV Friday Nights series, transforming it into a Shanghai-inspired dumpling bar. It’ll all involve a Friday night feature headline act, showcasing the best of Australia’s vibrant and diverse musical talent.  This season’s headliners include performers such as self-made Melbourne performer Maribelle, soulful Sydney vocalist Thandi Phoenix, Brisbane’s Young Franco, Sydney’s NGAIIRE and songwriter and producer GRAACE. Here’s what’s on… NGV Friday Nights full line-up: Friday 31 May – Husky Friday 7 June – Amaya Laucirica Friday 14 June – NGAIIRE Friday 21 June – Approachable Members Of Your Local Community Friday 28 June – Sloan Peterson Friday 5 July – I Know Leopard Friday 12 July – Sui Zhen Friday 19 July – Adrian Eagle Friday 26 July – Rainbow Chan Friday 2 August – Kira Puru Friday 9 August – Hobsons Bay Coast Guard Friday 16 August – CLYPSO Friday 30 August – Slum Sociable Friday 6 September – The Audreys Friday 13 September – Maribelle Friday 20 September – LÂLKA Friday 27 September – GRAACE Friday 4 October – Thandi Phoenix Friday 11 October – Yumi Zouma Saturday 12 October – Young Franco Head to the NGV on any Friday of choice… Read More

China’s Terracotta Warriors are coming to the National Gallery of Victoria

Terracotta Warriors

This is quite possibly one of the most exciting achievements of the National Gallery of Victoria – NGV – in quite some time. And that’s taking into consideration their constant sessions with world renowned artists and designers as an ongoing thing. Alongside the world of Chinese artist Cai Guo-Qiang, the Terracotta Warriors of Shaanxi, China will make their way to Melbourne for the second time at the Gallery. “Thirty-six years ago, in 1982, the National Gallery of Victoria presented the first international exhibition of China’s ancient Terracotta Warriors only several years after their discovery. History will be made again in 2019, when the Qin Emperor’s Terracotta Army will return to the NGV for the 2019 Melbourne Winter Masterpieces exhibition series – this time in a sophisticated dialogue with the work one of China’s most celebrated contemporary artists, Cai Guo-Qiang,” said director of the NGV, Tony Ellwood. As part of the Gallery’s 2019 Melbourne Winter Masterpieces presentation: China’s ancient Terracotta Warriors alongside a parallel display of new works by one of the world’s most exciting contemporary artists, Cai Guo-Qiang will make their way to the city of Melbourne in a large scale exhibition from China that is set to outlast the memories of most. The exhibition is aptly named Terracotta Warriors: Guardians of Immortality and is a large-scale presentation of the Qin Emperor’s Terracotta Warriors, which, discovered in 1974 in China’s Shaanxi province, are regarded as one of the greatest archaeological finds of the twentieth century and widely described as the eighth wonder of the world. They’re from c.200 BCE and… Read More