Tag: sydney opera house

Why you shouldn’t miss La Boheme according to its stars

The cafe in La Boheme by Opera Australia

In celebration of the Sydney Opera House‘s 50th birthday this year, Opera Australia, its resident opera and performing arts company, is putting on one heck of a line-up. With the renowned and favourite La Boheme currently on stage until THIS weekend, 11 March, your chance to see it for the season is almost up! It’s a moving story of love gained, shaken and then lost forever, written by famed Italian composer – who wrote quite accessible operas for those who are new to the whole experience – Giacomo Puccini. It’s even got those two renowned arias placed strategically back-to-back in the first act of the performance, that do their job in honing you in and driving you (or maybe just me?) to tears every time. They are: Che gelida manina and Si mi chiamano Mimi. They highlight the very moment Rodolfo and Mimi fall in love and do the best job at positioning Mimi as a delicate flower of a woman, who Rodolfo can’t but help being totally taken with immediately. Have a listen here: You can check out our other thoughts and reviews on the La Boheme production here. To find out why La Boheme is so good and such a must-see, we spoke to the latest lead singers, Atalla Ayan and Rebecca Gulinello who play Rodolfo and Mimi, the main lovers’ storyline, through the production. “Singing La Boheme taught me something beautiful about life: The passion and the joy of living every moment, every second as the last one of your existence. Living for the… Read More

Why you need to see La Boheme – we speak to lead male singer Atalla Ayan

La Boheme man woman hug

Opera Australia is putting on La Boheme this season at the Sydney Opera House, as part of their year-long celebration of the world famous Sydney Opera House’s 50th birthday this year in 2023. Ahead of the show wrapping-up and to remind you that yes, you do need to see it before it leaves the stage, we had a chat to its lead tenor, Atalla Ayan, opera singing extraordinaire who is taking on the role of Rodolfo for Opera Australia in this production on at the Sydney Opera House until 11 March 2023. How exciting is it for you to be taking it on the role of Rodolfo with Opera Australia?  Singing Rodolfo means a lot to me – it was the very first role I’ve sang on stage professionally and it is certainly very close to my heart. Singing Rodolfo means experiencing the joy of singing and the passion for living every moment as the last one. Are you excited to be singing in the Opera House? I just love singing in Sydney! People are the nicest, the House is great to sing in and colleagues are the best. It is a pleasure and a true gift for me singing in the magnificent Sydney Opera House! And an honour, really. Also, I’ve got to make a point: the audience is just amazing! H emotionally invested do you have to be in your character. How do you do it?  Singing La Boheme taught me something beautiful about life: The passion and the joy of living every moment, every second as… Read More

Opera Australia’s chorus is getting their own run

Men women colour chous

From 4 February to 10 March this year, Opera Australia’s chorus will take centre stage, hogging the limelight for the first time in – ever! It’s an exciting time for any chorister, new or established, as they take to the centre stage of the Sydney Opera House’s Joan Sutherland Theatre in a new work sensibly named Chorus! The Opera Australia Chorus are the nation’s only full-time opera chorus and one of the busiest and most celebrated in the world, often praised by international singers and conductors as one of the finest choruses they’ve had the opportunity to work with. In addition to the operas that form OA’s 2023 summer season, the Chorus will present this one-hour concert production exploring musical terrain spanning five languages and three centuries of music. Iconic choral pieces from popular operas such as Madama Butterfly, Il Trovatore and Rigoletto, as well as lesser-known gems, will delight both the opera aficionado and those new to the artform. Chorus! will guide audiences on a journey through time exploring humanity and conflict and a return to nature and celebration of unity. Raw sets, costumes and lighting designs all place the focus on the mesmerising force of these voices and reflect the underpinned theme of togetherness, which is the essence of the Chorus itself. For more info and tickets, head to the Opera Australia website

Reuben Kaye to host Opera Up Late this Sydney World Pride

Reuben Kaye Sydney Opera House Joan Sutherland Theatre 1

Opera Up Late is back this February! A bespoke arts event from Opera Australia, in association with Sydney WorldPride, on 18 and 23 February, it’ll shine a light on all things artistic and musical in a camp explosion of humour and art, totally befitting the Sydney World Pride events of 2023. And this year, Australian queen of camp comedy, Reuben Kaye will host, bringing his brutally funny and multi-award winning comedy to the stage. Reuben Kaye is an Australian comedian, singer and writer, who has cemented himself as one of the biggest names in comedy and cabaret both locally and internationally, while also accruing a massive following on Tiktok, Youtube and Instagram. What is Opera Up Late about? Opera Up Late shines a light on the extraordinary talent that the queer community brings to the national company, Opera Australia and the iconic Sydney Opera House as Sydney WorldPride takes over the city in 2023. In a rare late night peek beneath the city’s famous sails these performances begin at 11:00pm and feature artists from Opera Australia, including Australian tenors Tomas Dalton and Benjamin Rasheed, mezzo-soprano Angela Hogan, soprano Cathy-Di Zhang and musical theatre’s rising star Annie Aitken, with music direction by Opera Australia’s Chorus Master Paul Fitzsimon. There’s more at the Opera Up Late website

Opera like you’ve never seen it: a grungy Carmen is coming to Sydney

Carmen on Cockatoo Island Summer 678x449 1

Do away with the dresses and bring out the elbow grease; Carmen is back in Sydney. Normally the saucy southern Spaniard, bringing her heat from the ramparts of Seville to the stage of Sydney is dress-adorned and flaunting what she’s got the enjoyment of fellow cast and audiences – this this time ’round we’re looking at something different. Think Carmen with an Amy Winehouse beehive and all the animal prints your heart can desire. Oh, and motor bikes. It’s something new for Opera Australia, which over the past half a decade and maybe longer has erred on the side of reimagined traditional and minimalistically chic in its stage productions, costumery and on-stage – or pontoon in the case of the annual Handa Opera on Sydney Harbour! And it’s a welcome change. Under the direction of the acclaimed Liesel Badorrek, a cast of brilliant singers and musicians, 12 contemporary dancers and three motorbike riders have begun weaving together the story of Carmen, who Liesel says is the ultimate femme fatale. “This is Carmen as you’ve never seen it before. For me it is a story about misfits, fringe dwellers and outsiders and nothing says that like rock ‘n’ roll. “Sydney’s Cockatoo Island is an industrial and gritty place so we have taken that aesthetic to the next level with the sets and costumes to create a thrilling set. You will feel like you’ve entered our world of Carmen as soon as you step off the ferry, it really is going to be a unique experience,” said director Liesel Badorrek. Incorporating such… Read More

Otello opera in Sydney – on stage this February

Otello Opera Australia

With two international stars on stage for the whole run of Otello by Opera Australia, there’s more than enough reason to head to the Joan Sutherland Theatre at the Sydney Opera House. But, what’s it about? Distilled from Shakespeare’s masterpiece, Otello is an intense chamber-like opera that explores all the problems of the world, concentrated in the lives of the three main characters: Otello, Desdemona and Iago, three of Verdi’s most demanding roles, both vocally and dramatically. These roles will be incredibly performed by OA favourites Yonghoon Lee, Karah Son all conducted by Andrea Battistoni. Together, Lee – who’s known for his performance in the 2019 production of Turandot and Son who reprised the role of the Madama in Madam Butterfly in 2019 – will bring the house down, showcasing their incredible talent, professional poise and let’s not forget, Lee’s innate ability to make weak the knees with his renowned abilities. Have a watch of his performance in Tosca by OA in 2012. Whether you’re new to opera or as ingrained as the Sydney Opera House itself, Lee and Son are two favourites that make a visit to the Joan Sutherland Theatre that much more worth it. Otello will be on at the Sydney Opera House from 19 February to 19 March 2022. For information, times and tickets, head to the Opera Australia website.

Sydney Opera: this January Turandot returns to Joan Sutherland

Yonghoon Lee Calaf Turnadot Opera 1

The last time Turandot was such a spectacle, it was the title performance of Handa’s Opera on Sydney Harbour and made for a light, sound and experiential spectacular that had to be experienced. Fast forward to 2022 and it’s taking over the Joan Sutherland Theatre in the Sydney Opera House, offering audiences members the moment, again, to hold their breath as Yonghoon Lee – an OA favourite – hits that famous Vincero note (I will will) at the end of Nessun Dorma (No one will sleep). It’s an especially exciting way to kick of the new year of music after almost two years of music deprivation around the world thanks to the pandemic. We’re aching for the angelic voices of Yonghoon Lee (Calaf), Karah Son and Mariana Hong (Liu) and a spread of other renowned Opera Australia talent. Not to mention, as OA Artistic Director Lyndon Terracini is pleased to announce that rising star Australian sopranoAnna-Louise Cole will share the title role. “Anna-Louise has been a member of our Young ArtistProgram and is ready to tackle these big roles. It is really exciting that she will make her role debutas Turandot so audiences in Sydney can hear what her voice can really do. What’s Turandot about? A fantasy opera of poetry and myth, Turandot transports audiences to an exotic world where fearand love go hand in hand. Viewers will be on the edge of their seats as suitors answer riddles atthe risk of death in an attempt to win the hand of the ice princess… Read More

Life drawing art classes at the Sydney Opera House

Opera-Australia-Tosca-life-drawing

Forget hundreds-year old operatic productions on the Joan Sutherland Theatre stage in the Sydney Opera House: this month it’s all about art. A one-time-only event on 12 March, the most beautiful set in Australian musical production, the first act scenery for John Bell’s acclaimed production of Tosca, will open to the public for the first time ever for a one-off life drawing class. Teaming up with Darlinghurst Life Drawing, Opera Australia is offering budding artists the opportunity to attend a two-hour drawing class, located right on the set of Tosca in the Sydney Opera House. Designed by Michael Scott-Mitchell, Act l of Tosca is a spectacular reproduction of Rome’s stunning Sant’Andrea della Valle church. So warm up those fingers, get those creative juices flowing and prepare for one of life’s once-off experiences like never before. For more info and to book, go to the Opera Australia website. Time: 7:00-9:00pm Cost: $125 + booking fee

Hear the greatest opera arias in 90 mins at Sydney Opera House

Merry Widow Opera

Described as the ‘best of opera without the boring bits’, Opera Australia is putting on a 90-minute show that’s jam-packed with tunes that most people will be familiar with and not realise! The opera masterpieces are famous around the world, not just the soundtrack from a commercial and come from a completely different time by some of the greatest musical minds in history. Performed by an all star operatic cast, they’ll perform tunes that the audience will no doubt recognise from car and pasta adverts, along with films such as Pretty Woman and Star Trek. On now until 3 March 2021, the performances go for 90 minutes for $69 for adults (fees may apply). Concession prices available. Opera Australia Box Office (02) 9318 8200 www.opera.org.au

Opera Australia’s got a new, large season for 2020

Opera-Aida-2

Opera Australia is making good use of those floating 3D digital screens of theirs for the latest season of operatic magic at the Joan Sutherland Theatre at the Sydney Opera House in 2020 – it’s going to be large! They’ll pump out a range of opera’s greatest hits along with some rare gems that will feature the best talent from around the world including a record number of alumni from OA’s Young Artists Program. The likes of Renée Fleming, Jennifer Rowley and Carmen Topciu to name just a few will make their cameos, alongside some other OA favourites. Meanwhile Melbourne will see a return of Graeme Murphy’s Madama Butterfly, which will be the first of the Company’s critically acclaimed digital productions to be performed in the State Theatre. For more, head to the Opera Australia website.