Category: OPERA

Guys & Dolls comes to stage on Sydney Harbour

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Get ready to don your fedoras and swing into the vibrant world of 1950s Manhattan as the iconic musical Guys & Dolls takes centre stage at the Handa Opera on Sydney Harbour in 2025. For those not in the know, Guys & Dolls is the stuff of legend. From its Broadway debut in 1950, where it bagged five Tony Awards including Best Musical, to its transformation into a Hollywood flick starring none other than Frank Sinatra and Marlon Brando in 1955, this musical has seen it all. Fast forward to its recent smash-hit revival on the West End, and it’s clear the toe-tapping tunes and vibrant dance numbers have a knack for standing the test of time. Opera Australia isn’t just giving us a standard run of the mill production either. They’re upping the ante with a fresh take helmed by Artistic Director Jo Davies. Known for her flair in directing large-scale operas and musicals across the globe, Jo is ready to bring her magic touch to Sydney’s mammoth outdoor stage. “Handa Opera on Sydney Harbour is so magical, just the walk through the venue to reach your seat creates such a sense of anticipation. I’m thrilled to be bringing a beloved musical like Guys & Dolls, with its wild ensemble dance numbers and brilliantly sharp comedy to this incredible stage,” she enthuses. And what a stage it is. This is no ordinary platform — it’s a whopper, two and a half times larger than any other in the country. With Brian Thomson, the creative… Read More

Opera Australia doing Cinderella this summer

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Opera Australia, in partnership with Sydney Festival, is putting on Laurent Pelly’s mesmerising opera rendition of Massenet’s Cinderella (Cendrillon), set to enchant spectators on New Year’s Eve at the iconic Sydney Opera House, a standout event in the Company’s forthcoming 2025 summer season. This enchanting and widely acclaimed adaptation of the beloved fairy tale, Cinderella, will unveil its magic in Australia following triumphant runs at The Metropolitan Opera of New York and the Royal Opera House Covent Garden. A momentous occasion for OA, as this marks the debut of this opera within its repertoire, with the esteemed Artistic Director Jo Davies kicking off her inaugural summer season with the spellbinding Cinderella, featuring a stellar trio of Australia’s finest vocal talents. Leading the cast is Emily Edmonds, making her mark after her time with the Jette Parker Young Artists Program at the Royal Opera House, portraying the enchanting Cinderella. Margaret Plummer, returning from Vienna, steps into the role of Prince Charming, while the acclaimed Australian soprano, Emma Matthews, graces the stage as the Fairy Godmother. Reflecting on the exceptional casting choices, Ms. Davies expressed her delight, stating, “I’m truly thrilled to have secured such immensely talented Australian singers to headline this magnificent production for its premiere in Australia in 2025. Bringing Margaret back to Australia and reuniting with Emily and Emma at OA is a casting coup for me, and I eagerly anticipate the commencement of rehearsals later this year. This promises to be a delightful spectacle for all audiences and a standout feature of my… Read More

Why see Tosca this summer at the Royal Opera House London

Tosca Royal Opera House

With a rich history dating back to 1732, this iconic institution has flourished as a premier venue for opera and ballet. The Royal Opera House serves as the home for both The Royal Opera and The Royal Ballet, with its grand auditorium renowned for its superb acoustics and opulent architecture.

Opera Australia bring ‘Breaking the waves’ to Melbourne

Opera Australia Breaking the waves

For the first time in Melbourne, Missy Mazzoli and Royce Vavrek’s “Breaking the Waves” will startle audiences, as it has across the world, including acclaimed seasons at Brooklyn Academy of Music (BAM), Edinburgh Festival, and Adelaide Festival. Opera Australia will present a Melbourne exclusive, one-night-only semi-staged performance of this contemporary opera on 26 July at Hamer Hall, helmed by Melbourne Theatre Company’s Artistic Director Anne-Louise Sarks and conducted by the award-winning Jessica Cottis. This will be Sarks’ first foray into opera, which she says offers an exciting opportunity to expand her creative output in a new direction. “Opera is an entirely different type of theatre; the sheer drama of the music adds a greater depth and dimension to the storytelling and allows us immediate access to the inner life of these characters. I am looking forward to working with some of Australia’s finest singers and musicians to bring this story to life. Breaking the Waves brings together some brilliant female creatives. Composer Missy Mazzoli, conductor Jessica Cottis, and designer Marg Horwell are world leaders in their fields, and it is so special to collaborate with them on this project,” said Ms. Sarks. Dubbed by Time Out as “Brooklyn’s post-millennial Mozart,” Mazzoli is one of the most exciting composers working anywhere in the world, and her adaptation of von Trier’s film has been acclaimed as one of the 21st century’s best operas. Opera Australia filled Hamer Hall last year with its critically successful “Satyagraha,” and “Breaking the Waves” presents the perfect opportunity for a musically adventurous… Read More

A rare Puccini opera production of Il Trittico in Sydney

Puccini il Trittico

Opera Australia is poised to make operatic history next month with the world premiere of a groundbreaking new production of Puccini’s renowned but seldom performed trilogy, Il Trittico. This remarkable staging, commissioned by OA’s Artistic Director Jo Davies, will feature three of Australia’s most promising young directors – Constantine Costi, Imara Savage, and Shaun Rennie – each bringing their unique vision to one of the operas in the triptych. Il Trittico, a powerful collection of one-act verismo operas, offers a diverse experience that ranges from heart-wrenching tragedy to uproarious comedy, all within a single evening. This event marks the first occasion globally where a main stage production of Il Trittico is crafted by three individual directors, underlining the inventive spirit of this production. “We are incredibly excited to have these three extraordinary Australian directors animating Puccini’s magnum opus,” said Ms Davies. “This production tackles significant themes with resonant contemporary relevance, from the deep sorrow of losing a loved one to the intricacies of familial and financial entanglements. The genius of Puccini’s storytelling remains as poignant today as it was a century ago, reflecting our enduring human experiences and inspiring audiences to navigate life’s challenges with resilience and hope.” Constantine Costi will helm Il tabarro, a tale of tense love set on a gritty barge, brought to life by Australian baritone Simon Meadows, soprano Olivia Cranwell, and tenor Viktor Antipenko in his Australian debut. Imara Savage directs the melancholic Suor Angelica, featuring soprano Lauren Fagan as the grieving nun in a convent garden, with OA chorister… Read More

Hamlet coming to the Sydney Opera House

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One of the most successful operas ever composed by an Australian, Brett Dean’s internationally acclaimed Hamlet will finally make its long-awaited Sydney Opera House debut with Opera Australia next month. Directed by Australian theatre royalty, Neil Armfield and based on Shakespeare’s infamous play, Hamlet premiered in 2017 at the Glyndebourne Festival UK and has since been staged at the Adelaide Festival, New York’s Metropolitan Opera, and most recently at the Munich Opera Festival. With Dean’s evocative music and thrilling libretto by Canadian Matthew Jocelyn offering audiences additional insights into the inner world of thought and emotion of the crazed son trying to avenge his father’s death, Hamlet is an invigoratingly modern interpretation of Shakespeare’s revenge thriller. Armfield has created a “viscerally physical” (Sydney Morning Herald) production, collaborating with Australian designers Ralph Myers and Alice Babidge to produce a slick royal court with darkness at its heart. Contemporary opera specialist, Anglo-German conductor Tim Anderson will make his Australian debut to guide the Opera Australia Orchestra through Dean’s immensely complex and astoundingly raw, visceral score comprising electronic music and cinema-like surround sound effects. Known as the ‘tortured tenor’ due to his extraordinary performances, British tenor Allan Clayton will reprise the demanding title role opposite homegrown soprano Lorina Gore, singing her spellbinding Helpmann-winning performance as Ophelia, and tour-de-force American baritone Rod Gilfry as Claudius. Australian mezzo-soprano Catherine Carby makes a welcome return to Opera Australia to make her role debut as Gertrude alongside an outstanding local cast and the Opera Australia Chorus, while Scottish accordionist James Crabb will… Read More

Opera Australia presents a thrilling tribute to Puccini’s legacy

Puccini Tosca Opera Australia

Embark on a musical odyssey as Opera Australia honours the 100th anniversary of Giacomo Puccini’s legacy with a spectacular production of Tosca at the iconic Joan Sutherland Theatre, Sydney Opera House. From the 25th of June to the 16th of August 2024, immerse yourself in the timeless allure of this Italian masterpiece reimagined for modern audiences. Prepare to be captivated by the enthralling tale of Tosca, a riveting opera that weaves a tapestry of love, passion, jealousy, and betrayal over a heart-pounding 24-hour timeline. Directed by the acclaimed Edward Dick, this five-star production promises an electrifying experience, blending classical elegance with contemporary flair to create a visual and auditory feast for the senses. Step into a world where Renaissance grandeur meets avant-garde sophistication, as set designer Tom Scutt transforms the stage into a mesmerising spectacle beneath a suspended gilded dome adorned with a stunning Renaissance fresco. The performers, dressed in glamorous modern attire by BAFTA-winning costume designer Fotini Dimou, are illuminated by Lee Curran’s stadium-style lighting, creating a mesmerising visual symphony. The talented cast includes the Northern Irish soprano Giselle Allen making her OA debut in the titular role, alongside the brilliant Karah Son, captivating audiences with her rendition of Tosca’s iconic aria ‘Vissi d’arte’. Korean tenor Young Woo Kim and Armenian dramatic baritone Gevorg Hakobyan bring the characters of Cavaradossi and Scarpia to life, with award-winning local baritone Warwick Fyfe adding his exceptional talent to the mix. Guiding the orchestra with finesse and passion, acclaimed maestro Johannes Fritzsch and OA’s Head of Music Tahu… Read More

Opera Australia doing 500 tickets for $35

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Opera Australia is rolling out the red carpet for younger audiences with its innovative Opera for Under 35s program! A fresh initiative that aims to breathe new life into the traditional art form of opera. In a bold move to attract a younger demographic, OA is offering an enticing deal of 500 tickets priced at just $35 each. This special offer marks the launch of a program dedicated to making opera more accessible and appealing to the under-35 crowd, starting with the Australian premiere of Edward Dick’s acclaimed production of Tosca. Scheduled to mesmerise audiences firstly in Melbourne at the Margaret Court Arena on May 24, followed by a season at the iconic Sydney Opera House starting June 25, Tosca is set to be a landmark event. This initiative is not merely about offering discounted tickets; it’s a comprehensive program designed to cultivate a deeper appreciation for opera among young Australians. Registrants of the program can look forward to a 15% discount on tickets to most OA performances year-round, alongside exclusive further discounts for select shows, with some tickets available at the low price of $35. Additionally, members will receive invitations to special behind-the-scenes events including meet-and-greets with artists, all at no additional cost. Jo Davies, OA’s new Artistic Director, expresses her excitement about the program, highlighting it as a strategic move to lower financial barriers and make opera accessible to all, especially during tough economic times. This approach not only preserves but also propels the art form forward by ensuring it remains relevant and… Read More