Category: ARTS & CULTURE

Something new on Sydney Harbour: West Side Story by Opera Australia

Opera Australia West Side Story HOSH dance

It’s not often Opera Australia strays from the respite of centuries-old, well-loved scores by the likes of Puccini, Bizet and Verdi to try something more contemporary. But the latest production of West Side Story by Opera Australia that headlines this year’s annual Handa Opera on Sydney Harbour does just that, and has done so well. Complete with mid-way surprise fireworks as is now customary by the production company, and a range of 40-strong cast that can easily blur the lines between opera singer, dancer and actor, it’s a remade musical that pays homage to the original, the book and the tale; just makes it better. Directed by Jerome Robbins, the entire production of West Side Story is a shining testament to the classic story that’s given us some of the world’s most memorable show tunes. They were all there in the script. Think Maria, Tonight, America and Gee Officer Krupke to name a few. All of them just as hilarious as they are telling in the play about the horror to come. With OA names like Julie Lea Goodwin and Alexander Lewis as Maria and Tony; Mark Hill and Waldemar Quinones-Villanueva as Riff and Bernardo and Karli Dinardo as Anita, the musical adaptation is done wonders as the story of race hatred and a blossoming romance unfolds to the backdrop of the Sydney Opera House and Sydney Harbour Bridge. Opera Australia’s artistic director, Lyndon Terracini has been wanting to produce West Side Story on the HOSH stage for years. Something about the backdrop and the… Read More

Sydney Dance Company is celebrating its 50th anniversary in a massive way with Mardi Gras and CINCO

Sydney Dance Company CINCO 4

Rafael Bonachela is the artistic director of the Sydney Dance Company and responsible for most of the epic dance pieces the troupe puts on in Australia and around the world. He does it well. So when his baby turns 50 and celebrates its birthday in quite an epic was as it has, you know he’s behind it, doing nothing but the best for the dance company responsible for Forever & Ever and ab intra just to name a few. In addition to the milestone in itself, the Sydney Dance Company participated for the first time in the annual Sydney Gay and Lesbian Mardi Gras and is putting on a new double bill production, headlined by the new work, CINCO (you can win tickets here). “Mardi Gras was an incredible thrill, for me personally and for the Company. Believe it or not, it was the very first time that Sydney Dance Company had participated in the parade,” said Rafael. The entry of the Company signified 50 years as a diverse organisation that hires and is involved directly with many people who identify as LGBTIQ+ and their friends. “We employ a significant number of LGBTQI artists and staff and we have a long tradition of welcoming the LGBTQI community to participate and express themselves through dance,” he said. And they did it well. Rafael doesn’t even shy away from admitting their float was essentially one of the best ones out there on Oxford Street. “It was an explosion of gold glitter, complete with a ballet bar, mirrors, and… Read More

A camp July: Sydney Cabaret Festival is back

Sydney Cabaret Festival

If simply uttering the name “Liza” makes your knees weak and the thought of sitting alone in your room brings you utter, feather-curling dismay, then worry not; the Sydney Cabaret Festival is back in July 2019. This year, the festival will be celebrating both international and Australian cabaret stars, tickets for whom to see, you can grab from 18 March. Complete with legendary Tony Award-winning Jennifer Holliday, appearing for the first time on Australian soil, alongside local legends like Phil Scott and Jonathan Biggins, to New York downtown darling Natalie Joy Johnson, it’ll be a festival of note. And not-even-withstanding the venues on offer around town this year, such as Sydney Town Hall, City Recital Hall and the Festival Hub at the Seymour Centre. The Seymour Centre is the home to the majority of the program with five fabulous spaces to enjoy the incredible lineup. All the theatres have been renamed after legendary Sydney cabaret venues, turning the entire venue into a Cabaret Wonderland. It’s all holds barred this Sydney Cabaret Festival. Straight from the UK, one of their most famous duos, Frisky and Mannish will return after a ten year hiatus, as does the thrilling diva Alison Jiear, described as having a “bring down the house voice” by the New York Times. Sydney favourite Tim Draxl will appear in a world premiere of his new show, along with Kim David Smith, Reuben Kaye and Brian Nash, plus circus and variety show Cheeky Cabaret, direct from their home in Brunswick Heads. Australian pop culture fan Tim Benzie returns to Sydney with the hilarious Solve-Along-A-Murder-She-Wrote. The Festival also includes a cabaret for… Read More

Melbourne theatre: Charlie and the Chocolate Factory is on in August

Charlie Chocolate Factory 3

If your childhood dreams of binge eating chocolate in a factory made of dreams never quite came true, then give it a second chance: Charlie and the Chocolate Factory is coming to Melbourne in August. Playing at Her Majesty’s Theatre, it will follow a hugely successful season in Sydney. Tickets will go on sale on Friday 15 March at 1pm.  Willy Wonka, the most amazing, fantastic, extraordinary chocolate maker the world has ever seen, is played by Paul Slade Smith. Slade Smith was part of the original Broadway cast of Charlie and the Chocolate Factory, appearing as Grandpa George, and most recently appeared in the Broadway revival of My Fair Lady at Lincoln Center. Ninety and a half year old Grandpa Joe, an enthusiastic storyteller and eternal optimist, is played by Australian show business royalty Tony Sheldon. Sheldon is best known for playing the role of Bernadette in Priscilla, Queen of the Desert for over 1,900 performances in Australia, New Zealand, London, Toronto and on Broadway, winning the Theatre World Award and nominations for the Tony Award as Best Actor in a Musical, the Drama Desk Award, the Drama League Award and the Outer Critics Circle Award. In the role of Mrs Bucket, a kind, caring mother and a woman of few words, is Lucy Maunder. Most recently Lucy played songwriter Cynthia Weil in Beautiful: The Carole King Musical, and prior to that toured New Zealand, Adelaide and Perth in Matilda: The Musical, in which she played Miss Honey and was nominated for a Helpmann Award. Jake Fehily and Octavia Barron Martin play Augustus Gloop and Mrs Gloop, Karina Russell and Stephen Anderson are… Read More

Winners of the 2018 Sidney Myer Performing Arts Awards are announced

Sidney Myer Performing Arts Awards

One of the richest and most coveted awards in the performing arts in Australia, the Sidney Myer Performing Arts Awards winners have been announced and the results are tremendous. The winners of the prestigious Sidney Myer Performing Arts Awards were announced by Ian Scobie AM, Director, Art Projects Australia at the Adelaide Festival on 4 March, and are: Bleach Festival (Qld) – Group Award Genevieve Lacy (Melb) – Individual Award Annette Downs (Tas), Facilitator’s Prize. What the prizes are about Group Award ($90,000) – Bleach Festival, Gold Coast Bleach Festival has transformed the arts on the Gold Coast. It has made a major contribution to the performing arts in Australia by filling a critical void in the nation’s sixth largest City. Through Bleach, the Gold Coast now has a growing sector of artists who are inspired to make distinctive, daring and unique art that crosses form and responds to unique Australian landscapes. Bleach in its short history is one of Australia’s leading and most exciting site-specific contemporary arts programs and has attracted close to 1 million people since inception. ‘Winning this Award is one of the most exciting rewards of recognition we have ever received for the Bleach Festival. The Board and team are thrilled to be acknowledged nationally for the work that we have done here on the Gold Coast. This is such a prestigious Award to win and this will enable us to be even more ambitious and adventurous in the new work we make with local artists.  This is a real game changer for the Gold… Read More

And you thought you nailed choreography? Sydney Dance Company has a Mardi Gras float

Sydney Dance Company Mardi Gras parade 1

OK, so, if you’ve ever seen the Sydney Dance Company dancers on stage, then you know what you’re in for. Prepare to pack up your dancing shoes, rip apart your pom-poms and go home if you’re in this year’s parade, because shit is about to get turned up. The world renowned dance troupe is, for the first time ever, making its debut in the 2019 Sydney Gay and Lesbian Mardi Gras Parade down Oxford Street in front of millions. In honour of the Company’s 50th anniversary in 2019, the Sydney Dance Company’s choreography features a high energy, tightly rehearsed dance routine with 80 members of Sydney Dance Company’s community, led by dance class manager Ramon Doringo. If you need a taste of the kind of magic that awaits, have a look at what they did at their most recent presentation. Ramon will lead the synchronised marching troupe from the back of a golden Sydney Dance Company Studio float, complete with ballet bar, mirrors and performing drag queens. Doesn’t matter if you’re gay, or just love the energy of the LGBTIQ festival and show of pride, missing the dance rendition from the Sydney Dance Company along the full parade track is more of a sin than the life we’re all living. So get trackside! See what’s on at this year’s Sydney Mardi Gras at their program.

A chat with Yonghoon Lee, Calaf in Turandot by Opera Australia

Turandot Yonghoon Lee

New to opera, old to opera; it doesn’t matter. If there’s one voice you hear this season by Opera Australia, it’s Yonghoon Lee as Calaf in the company’s production of Turandot, on until 30 March. If there was ever a tenor to belt out the aria made most famous by the late Luciano Pavarotti, Nessun Dorma, it’s Yonghoon, who makes hitting that hair-standingly invigorating high C seem all too easy. Yonghoon is a Korean born opera singer, who’s established himself internationally as a leading tenor of his generation.  He has made debuts at most of the most prestigious theatres in the world, including the Metropolitan Opera, Teatro alla Scala, Chicago Lyric Opera and so many more, and has now joined OA to give some of their singers a taste. We had a chat with him off the back of his more-than-rousing performance in Turandot at the Joan Sutherland Theatre in Sydney Opera House recently. How exciting is it to perform for OA this year?  I’m so happy to work with OA. It has become a favourite place among opera singers, where we all want to perform. This year is especially exciting for me – I get to perform my favourite piece and production with my favourite artists, so it made me so thrilled to be here.  You can really blow the roof off with your rendition of Nessun dorma. How long have you been practising that aria?  I made my Calaf debut in 2012, but of course I sang this beautiful and famous aria long before 2012.  How emotionally invested do… Read More

KING by Shaun Parker for Sydney Mardi Gras: A Review

KING Shaun Parker 3

Being a gay man in 2019 really is a revelation. In 30-or-so years, gay men and women have gone from the ostracised outcasts of abnormality, to something few people bat an eyelid to. But it’s the underlying tone of masculinity and what exactly that is, and the questioning of it, that has been the most rocking of qualities of the homosexual existence since it first came into common parlance in the mid 20th century. Fast forward to today, when we’re looking at KING, a dance production choreographed by Shaun Parker and musically backed by Ivo Dimchev and you have a culmination of the story of males that could only be done in collaboration with the Sydney Gay and Lesbian Mardi Gras festival 2019. KING is a dance production of 10 male dancers and Dimchev himself, a Bulgarian choreographer, visual artist, singer-songwriter that explores Parker’s (choreographer) trademark highly physical choreography in an articulate interrogation of male power, control and group dynamic, expertly exposing the brutality of macho ritual and the human toll of toxic masculinity. In short: KING is the Queen of Mardi Gras in 2019 that is a visually striking, musically intoxicating and artistically rousing performance that makes you three things: proud to be gay, proud to be around gays and proud to be in an age where the concept of masculinity can be picked apart, dissected and danced away as a farce, open to artistic interpretation and playfulness, welcoming of all. And then, of course, there’s the striking vocals of Dimchev who’s obviously a… Read More

The bard is back: Shakespeare by the Bay is on again in Sydney

Shakespeare Sydney 3

Back by popular demand, Shakespeare By The Bay by Bard On The Beach, Watsons Bay Boutique Hotel and the Woollahra Council, brings world-renowned Shakespearean performances to life. Get your ‘tithers’, ‘whithers’, thines and mines and all your oxymorons ready as the magic of the words of William grace the beach to the stunning backdrop of Sydney Harbour. It’s kind of like the Handa Opera on Sydney Harbour, only Shakespeare. The troupe will be putting on classics like The Life and Death of King John as well as The Comedy of Errors all from Robertson Park in Watsons Bay. Performances will run during the evening over two weeks 1st March – 10th March, from Friday through to Sunday. And you can even bring your dog! This year will also introduce Bard & Bark for the performance on 3 March of “The Comedy of Errors”. A dog friendly evening for you to enjoy the works of Shakespeare with the WHOLE family. See the wonder of William’s work at: The Life and Death of King John: Friday 1st, Saturday 9th, Sunday 10th The Comedy of Errors: Saturday 2nd, Sunday 3rd, Friday 8th Time: 7:30pm – 10:15pm Get tickets at the website.

Worth a visit: The Royal Opera House in London has been redone

Royal Opera House

Three years after the Royal Opera House in London was overhauled, it’s open and the result is exactly what you’d expect of the city’s finest arts and culture venue. It comes complete with all the bells ‘n’ whistles of the old opera house, just a lot nicer, newer and with a whole new feeling entirely its own. With inviting new entrances, extended foyers and terraces and a new café, bar and restaurant, together with an extensive programme of ticketed and free daytime events, the Royal Opera House is now open to the public every day from 10am. You’re welcome to wander in, check it out, have a coffee and take a tour, but for those die hards, there’s a full program of oeratic wonderment that is absolutely worth a ticket. See their full line-up here. The whole project was spurred on by the Linbury Theatre; a new space, which takes the spot as the West End’s newest and most intimate theatre. The new space will let The Royal Ballet, The Royal Opera and other special artists all perform in the same space. Check out the Royal Opera in Covent Garden and the new space with any production at the Opera House any time. Have a look at their website.