Category: ARTS & CULTURE

Pinchgut Opera is doing two operas and two performances in two cities in 2019

Pinchgut Opera singer

Sydney and Melbourne are set to host the Pinchgut Opera’s 2019 season between them, from a program comprising of internationally celebrated artists. Pinchgut Opera rediscovers operatic masterpieces from the seventeenth and eighteenth centuries and next year, the company will stage four seasons: in April, Pinchgut performs a concert of Bach’s Easter Oratorio together with Telemann’s Thunder Ode; in June, Monteverdi’s final opera The Return of Ulysses; in August, the multi-award-winning counter-tenor Valder Sabadus will perform in Australia for the first time for one night only; and in December Pinchgut will stage Vivaldi’s favourite opera, Farnace. It’s an exciting time for the production company who’ve made the baroque era of opera and the striking days of the countertenor their ‘bread and butter’ since launching in 2002 in Sydney. What are the opera about? Based on the final chapters of Homer’s Odyssey, Monteverdi’s late masterpiece, The Return of Ulysses, is an epic yet intimate story of love, constancy and sacrifice. This production will be directed by Chas Rader-Shieber, designed by Melanie Liertz, and features Portuguese tenor Fernando Guimarães, last seen in Australia in the Australian Brandenburg Orchestra’s Handel: Heaven, as Ulysses, a role he has sung to international acclaim. Australian mezzo-soprano Catherine Carby, whose performances have earned her rave reviews around the world, joins him as Penelope. Widely acclaimed as Monteverdi’s crowning achievement,The Return of Ulysses was his first opera for the city of Venice, with its humming network of thriving and competing opera houses. Gramophone has described Monteverdi as illuminating ‘almost every aspect of human experience in a way that was without precedent’ in this, his final opera. Vivaldi’s Farnace is a passionate drama of political and dynastic intrigue. In… Read More

STOMP is back at the Capitol Theatre Sydney for one week

Stomp trollies

Percussion is alive and well! In fact, STOMP – the internationally acclaimed on-stage homage to it – is back in Sydney for a week-long production of an on-stage celebration of all things noise. Following sell-out world tours, STOMP is serving-up unstoppable energy and pure stage magic, according to some, in an array of music that comes from the most unexpected of ‘instruments’. Wordless, witty and fun, STOMP has become a global phenomenon. Eight performers use non-traditional instruments – everything from supermarket trolleys to Zippo lighters, plastic bags to garbage can lids, and even the kitchen sink – to hammer out an explosively feel-good rhythm. It’s pretty clever stuff. Catch the show from 31 July – 5 August 2018 at the Capitol Theatre, Sydney. See more at the STOMP website. 

Why Lucia Di Lamermoor by Opera Australia is the crazy chick you can’t help but love

Lucia Lamermoor Jessica Pratt singer murder

One of the most famous arias in the performance of Lucia Di Lamermoor was made huge thanks to its cameo in the 1997 smash hit The Fifth Element starring Bruce Willis where the blue alien gave her rendition. It was as poignant a moment in the movie as it is the on-stage production by Opera Australia in the Joan Sutherland Theatre at the Sydney Opera House in 2018, only brought to life by the inimitable soprano-cum-menu’s namesake, Australian singer Jessica Pratt. The story is that of a woman, so torn in love it drives her mad, leading to a demise that is as upsetting as it is unwarranted, highlighting the futility of what is considered ‘state of mind’ and the snarky ridiculousness of what we consider to be ‘love’. Despite the emotional toll it no doubt takes to play the part of the fragile and quick-to-fall Lucia, Jessica Pratt loves playing the role in the production, on at the Sydney Opera House until 27 July. “The music is so descriptive that it really guides my emotions throughout the role, the tough part is the morning afterward when the adrenaline has left my body and I feel the pain of being thrown on the floor continuously the night before and all the tension I hold in my body during the performance,” said Jessica. She takes it on well, working within the realms of the way Donizetti planned it all, with a uniquely contemporary take all Opera Australia’s own, that really let her talents shine. “I find that… Read More

The winners, grinners and who’s who of the 2018 Helpmann Awards in Sydney

Helpmann Sydney

On the set of this year’s production of Priscilla: Queen of the Desert, the 2018 Helpmann Awards Act II took place, celebrating the best talent Australia has to offer in the performance space. Hosted by Glenn A. Baker Am, Sydney Dance Company’s own Rafael Bonachela, TV host David Campbell and soprano Jacqueline Dark – and more – 23 awards were presented for the categories of comedy, cabaret, contemporary music, musicals, opera, classical music, theatre and ballet, dance and physical theatre. These Awards complement the 20 Awards announced yesterday at the Helpmann Awards Act I, of course. The Helpmann Awards were established in 2001 by Live Performance Australia and this year, president Andrew Kay AM, said, “We are proud to present the 18th Annual Helpmann Awards across two nights this year. The breadth and diversity of winners, nominees and performances at tonight’s and yesterday’s events shines a spotlight on Australia’s world class creative and artistic talent. Congratulations to all 2018 Helpmann Award nominees and winners!” It’s a dazzling time for anyone involved in stage production and the night of nights for those whose talents are to be admired and adored. The show closed with the biggest line up of Australia’s leading vocalists from the Sydney Symphony Orchestra’s concert production of Funny Girl. Divas and funny girls themselves Trevor Ashley (Hairspray), Michaela Banas (Upper Middle Bogan), Natalie Bassingthwaighte (The X Factor), Casey Donovan (Australian Idol), Virginia Gay (First Tuesday Book Club), Verity Hunt-Ballard (Mary Poppins) Dami Im (Eurovision), Maggie McKenna (Muriel’s Wedding), Zahra Newman (Book of Mormon) and West end and Broadway star Caroline O’Connor had the audience standing in their seats and cheering for more. The Helpmann Awards 2018 will broadcast: ABC… Read More

Something a little different: Opera Australia will perform Westside Story on Sydney Harbour in 2019

Opera Westside Story

For years, Opera Australia has stunned the local and international opera and creative-loving audiences with what they can do atop a pontoon in the middle of Sydney Harbour for the annual Handa Opera on Sydney Harbour. But in 2019, there is something a little different in-store… In 2019, Opera Australia will perform Westside Story on the renowned floating stage with the iconic Sydney Opera House and Sydney Harbour Bridge completing the inner urban feel of the unique production. Taking one of the most iconic works of the 20th century out of the theatre and onto Opera Australia’s now famous outdoor stage, will see years of planning finally come to fruition says OA’s Artistic Director Lyndon Terracini. “I’ve always loved West Side Story, it’s one of the greatest pieces ever written, and I’ve been wanting to include it in the Handa Opera on Sydney Harbour repertoire since we started the program seven years ago. “The setting is perfect, with the city skyline in the background, you won’t get a better stage backdrop in the world, and I’ve said from the start, if a piece is right, then we’ll do it, we don’t want to be bound by preconceptions,” said Terracini. And the good news is for fans of the classic tale, West Side Story will continue the tradition of the great outdoor spectacles that have come before it, with the world’s finest singers, musicians, dancers and creative teams set to bring the vision to life. It all starts on 22 March – 21 April 2019. Check the Opera Australia… Read More

What to know about the opening night of Rigoletto by Opera Australia this July

Opera Rigoletto

Verdi’s Rigoletto hasn’t been performed in Australia for a couple of years now, but since then, you’d be hard done by to find anyone who’s not been counting down until they’re able to hear some of the world’s most famous arias belted out in front of a packed Joan Sutherland Theatre at the Sydney Opera House. Opera Australia is returning the production with no holds barred this July, directed by Elijah Moshinsky with Renato Palumbo behind the baton, the production is set to be one of the many gems in this winter season’s crown. MORE: You should also see Lucia di Lamermoor this season Showcasing the wonderful Dalibor Jenis as the protagonist Rigoletto, alongside Gianluca Terranova as the Duke of Mantua and Irina Lungu as Gilda, the production’s vocal prowess is glaringly obvious, which when coupled with the fabulous set-work of the ever-wowing department led by designer Michael Yeargan, will put the hapless tale of secrets and seduction right into the memory banks. Complete with the renowned La donna e mobile, it’s a production for the ages. What is Rigoletto about? The Duke of Mantua lives only for pleasure of the female kind. No man’s wife or daughter is out of his reach, and while the Duke seduces their women, Rigoletto mocks their misfortune. The men of the court want vengeance, and when they hear Rigoletto has a beautiful woman hidden away, they plot to abduct her. The woman is Rigoletto’s daughter, who despite his best efforts to keep her hidden, has already caught the eye of the lustful Duke. He… Read More

What Maggie Beer, Dame Nellie Melba and soprano Jessica Pratt all have in common

Maggie Beer Jessica Pratt Opera

It was the iconic Dame Nellie Melba who started the trend at the height of her career and has since left the trend unmatched. Until now. Australia’s favourite kitchen legend, Maggie Beer has joined forces with the Sydney Opera House to craft a dessert – much like in the way of the famed ‘peach Melba’ after the Dame herself – after soprano Jessica Pratt thanks largely to her debut this season as the lead in the Lucia Di Lamermoor production by Opera Australia this month. When Dame Nellie Melba was at the height of her worldwide fame in 1892, legendary French chef, Auguste Escoffier of the Savoy Hotel created a dessert in her honour, especially for a dinner party held by the Duke of Orlèans and named it Peach Melba. To be served at Aria by Matt Moran on Sydney’s Circular Quay, Maggie and Matt will serve her creation, aptly named La Dolce Jessica by Maggie Beer during Jessica’s season of Lucia di Lammermoor. The bougie dessert is a decadent deconstructed trifle, the dessert consists of a lemon curd base, fresh raspberries and raspberry jelly, crystallised macadamia nuts, an Amaretto crumb, and toffee tuile. Find out more about Aria and the latest production by Opera Australia at their websites.

What to know about Lucia Di Lamermoor this season by Opera Australia

Lucia Di Lamermoor Opera

Opera Australia’s Sydney winter season has kicked-off and first cab off the rank is the renowned Lucia Di Lamermoor by Donizetti back in the 19th Century. Here’s what to know about this season’s production by Opera Australia and director, John Doyle. What is the story about? A tale of love, not well-received, resulting in the gradual decline into insanity. Lucia is truly, madly, deeply in love with a man her whole family despises. When her brother Enrico discovers their love, he is furious, and devises a plot to drive the lovers apart. He does it without thought for her heart, but it is Lucia’s mind that will pay the price for his actions. What is the big music you’ll know from the performance? The tale is known for a lot of reasons, but musically, it’s the sextet, ‘Chi mi frena tal momento’, that probably deserves the title of biggest hit. It’s the aria known for its positioning in the most pivotal point of the production, taking place happens at the height of the story and all of the emotional and dramatic tension of the opera is caught up in this lovely, complex ensemble, as each of the characters sing of their part in the tragedy that is to follow. Have a listen below… For more about Lucia Di Lamermoor and to get yourself a seat, try Opera Australia here.

Victorian Opera is producing the epic production, William Tell this July

Opera William Tell

In what is proving to be the largest production undertaken by the Victorian Opera to date, the Melbourne-based company will be producing the Rossini epic William Tell this July. On from 14 July at the Palais Theatre, St Kilda, the production will make history, marking the first time in over a century that the epic opera, with its unmistakably iconic overture, has been staged in Australia. Here’s the overture that you’ll recognise… Three performances will hit the Palais, appearing on 14, 17, 19 July, sure to be staged with grit and grandeur, the rarely performed opera will grip modern audiences with a dystopian costume design inspired by The Hunger Games and The Handmaid’s Tale. A set evoking the Swiss Alps forms the backdrop to the conflict between a technologically superior conquering force and a simple rural community. The opera focuses on the legendary tale of the sharp-shooting hero on a quest for freedom from tyrannical rule and the courage that victory demands. But it’s beyond the most famous piece of music from the story that will set-up this production by the Victorian Opera to be its largest and most thrilling yet. The opera contains thrilling arias and ensembles, musical scene painting, and vocal virtuosity that highlight Rossini’s extraordinary talents as a composer. Premiering in Paris in 1829, William Tell marked his final opera following earlier triumphs such as The Barber of Seville and La Cenerentola. The production even comes with a cast of international and Australian singers perform the epic opera, including the Australian debut of Paris-based Argentinian baritone Armando Noguera as William Tell. Armando’s long-standing history performing… Read More

Archibald artist Katherin Longhurst has a new exhibition with a sense of humour

Katherin Longhurst art

Her work is on display in this year’s Archibald at the Art Gallery of NSW, but artist Katherin Longhurst is busy working away at something else; her latest exhibition, Protagonist, on show at Nanda Hobbs gallery in Surry Hills. Kathrin Longhurst is a child of the Cold War. She grew up on the grey side of the Berlin Wall. Her childhood was in a society indoctrinated and controlled with totalitarian vigour through the rule of law and a virulent propaganda machine. The perceived glamour of the west filtered through to the artist as a girl via beaten up glossy magazines and word of mouth stories that one could only dream of. Longhurst’s childhood of counting missiles in school books and experiencing firsthand the results of a society where everything is watched, has left an indelible impression on her. Five decades after the Rosenquist’s  F1-11, Longhurst pointedly pushes at the outer edges of the ideological boundaries in our world. Protagonist is an exhibition that delivers its message in a playful way, yet, ideologically nuclear in its motherload of social commentary.  It is an exhibition that speaks to a world that struggles with identity—not only from the nationalist point of view—but with male/female ideology.  Yet, like all great artists, Longhurst can keep a sense of humour, albeit laced with the irony and lessons from history. Protagonist opens at Nanda\Hobbs on Thursday 14 June, 6-8pm. The exhibition runs to 30 June, 2018.