Category: ARTS & CULTURE

Victorian Opera is producing the epic production, William Tell this July

Opera William Tell

In what is proving to be the largest production undertaken by the Victorian Opera to date, the Melbourne-based company will be producing the Rossini epic William Tell this July. On from 14 July at the Palais Theatre, St Kilda, the production will make history, marking the first time in over a century that the epic opera, with its unmistakably iconic overture, has been staged in Australia. Here’s the overture that you’ll recognise… Three performances will hit the Palais, appearing on 14, 17, 19 July, sure to be staged with grit and grandeur, the rarely performed opera will grip modern audiences with a dystopian costume design inspired by The Hunger Games and The Handmaid’s Tale. A set evoking the Swiss Alps forms the backdrop to the conflict between a technologically superior conquering force and a simple rural community. The opera focuses on the legendary tale of the sharp-shooting hero on a quest for freedom from tyrannical rule and the courage that victory demands. But it’s beyond the most famous piece of music from the story that will set-up this production by the Victorian Opera to be its largest and most thrilling yet. The opera contains thrilling arias and ensembles, musical scene painting, and vocal virtuosity that highlight Rossini’s extraordinary talents as a composer. Premiering in Paris in 1829, William Tell marked his final opera following earlier triumphs such as The Barber of Seville and La Cenerentola. The production even comes with a cast of international and Australian singers perform the epic opera, including the Australian debut of Paris-based Argentinian baritone Armando Noguera as William Tell. Armando’s long-standing history performing… Read More

Archibald artist Katherin Longhurst has a new exhibition with a sense of humour

Katherin Longhurst art

Her work is on display in this year’s Archibald at the Art Gallery of NSW, but artist Katherin Longhurst is busy working away at something else; her latest exhibition, Protagonist, on show at Nanda Hobbs gallery in Surry Hills. Kathrin Longhurst is a child of the Cold War. She grew up on the grey side of the Berlin Wall. Her childhood was in a society indoctrinated and controlled with totalitarian vigour through the rule of law and a virulent propaganda machine. The perceived glamour of the west filtered through to the artist as a girl via beaten up glossy magazines and word of mouth stories that one could only dream of. Longhurst’s childhood of counting missiles in school books and experiencing firsthand the results of a society where everything is watched, has left an indelible impression on her. Five decades after the Rosenquist’s  F1-11, Longhurst pointedly pushes at the outer edges of the ideological boundaries in our world. Protagonist is an exhibition that delivers its message in a playful way, yet, ideologically nuclear in its motherload of social commentary.  It is an exhibition that speaks to a world that struggles with identity—not only from the nationalist point of view—but with male/female ideology.  Yet, like all great artists, Longhurst can keep a sense of humour, albeit laced with the irony and lessons from history. Protagonist opens at Nanda\Hobbs on Thursday 14 June, 6-8pm. The exhibition runs to 30 June, 2018.

MoMA comes to the NGV this winter: 130 years of modern and contemporary art

NGV gallery

The NGV is throwing it back this winter with 130 years of modern and contemporary art at their latest, major exhibition. Straight from the New York iconic museum that is the Museum of Modern Art, or MoMA, the new exhibition opens on 9 June at NGV International in Melbourne. Co-organised by the NGV and MoMA, the exhibition features more than 200 works – many of which have never been seen in Australia – from a line-up of seminal nineteenth and twentieth-century artists, including Vincent van Gogh, Henri Matisse, Pablo Picasso, Marcel Duchamp, Salvador Dali?, Frida Kahlo, Georgia O’Keeffe, Edward Hopper, Louise Bourgeois, Jackson Pollock, Mark Rothko, Diane Arbus, Agnes Martin and Andy Warhol. Bringing the exhibition up to the present are works by many significant twenty-first century artists including Jeff Koons, Cindy Sherman, Olafur Eliasson, Andreas Gursky, El Anatsui, Rineke Dijkstra, Kara Walker, Mona Hatoum and Camille Henrot. Basically, there’s a lot. It will be the largest instalment of the Melbourne Winter Masterpieces exhibition series to date, for the first time encompassing the entire ground floor of NGV International. MoMA at NGV will explore the emergence and development of major art movements, and represent more than 130 years of radical artistic innovation. The exhibition will also reflect the wider technological, social and political developments that transformed society during this period, from late nineteenth century urban and industrial transformation, through to the digital and global present. Head to the NGV website ad sort out your tickets here.

[ab]intra by Sydney Dance Company has made its world premiere

ab intra Sydney Dance Company 5

For those in the know when it comes to dance, the Sydney Dance Company and its choreographer, Rafael Bonachela are two names to know. The latest production, [ab]intra, is Bonachela’s first full-length work in six years and is a dazzling return to the limelight as the production held its world premiere in Sydney recently. SEE ALSO: Why 2018 is a good year for the Sydney Dance Company From the Latin meaning ‘from within’, [ab]intra explores the concept of the shared instincts as humans that drive us apart and bring us back together. A writhing, dramatically lit and scarcely propped dancing spectacular, [ab]intra is an absorbing journey through human nature. Set in a dramatically stark space of nothingness whereby the emptiness becomes a part of the production itself, complete with strong light work that accentuates moments in time and hints of colour to indicate the human condition, the production is nothing short of engrossing. Given we know we all – relatively speaking – inherently feel, think, hurt, move and exist in the same way – emotions and socio-political views aside – but seeing what drives our relationships and ignites our ambitions and desires is quite the encapsulating rollercoaster. As Bonachela says, they had been talking about and thinking about [ab]intra for a long time and being able to finally share the project with the world is a terribly exciting time. MORE: See more about the Sydney Dance Company’s production, Frame of Mind, here Crafted at first with nothing but an idea and a request for the… Read More