Category: ART

Public performance in Randwick Sydney by artist Lauren Brincat

Lauren Brincat When Do I Breathe 2024. Performer Jasmin Lancaster. Photographer Zan Wimberley. Courtesy of the artist

This week, the Randwick Health & Innovation Precinct will experience an exceptional infusion of art and community spirit through a public performance by the celebrated multidisciplinary artist Lauren Brincat. Scheduled for one-night only, on Wednesday, 24 April 2024, Brincat’s performance marks the launch of the new Laneway Art Program. This initiative, commissioned by the Randwick Health & Innovation Precinct and supported by Transport for NSW’s Safer Cities program, seeks to enhance perceptions of safety for women, girls, and gender diverse people navigating the streets and laneways of the Precinct. Brincat, along with Rochelle Haley, another leading Australian artist, has been entrusted with the mission to improve night-time connectivity and comfort within the precinct through performance-based and site-specific artwork. Both artists have engaged directly with health workers in the area to shape their projects, aiming to make the public spaces more welcoming and to strengthen the sense of community, safety, and inclusiveness across the site. The artwork, titled When do I breathe?, is an ambitious collaboration with sound artist Evelyn Ida Morris, UNSW Choral Director Sonia Maddock, and choreographer Charmene Yap. It invites the public to actively participate in shaping new paths across the precinct, offering a unique experience that encompasses three activation sites within the UNSW Kensington and the hospital precinct. The performance, beginning at 5:00 pm on the UNSW Scientia Lawn, is a reflection on the interconnectedness of local communities, especially those separated by differing work shifts and daily rhythms. Aiming to reclaim public space through collective action, When do I breathe? presents an… Read More

Good news for National Gallery London: Eva Gonzalès piece acquired

Eva Gonzalez painting art

On the occasion of the artist’s 177th birthday on Friday 19th April, the National Gallery has acquired La Psyché (The Full-length Mirror), about 1869-70, by Eva Gonzalès (1849-1883) thanks to three generous legacy gifts from Mrs Martha Doris Bailey, Miss Gillian Cleaver, and Ms Sheila Mary Holmes, and the National Gallery Trust. This is the first acquisition by the Gallery of a work by Gonzalès and the second acquisition of its Bicentenary year. La Psyché has not been seen in public for over seventy years and joins only one other painting by her in a UK public collection, The Donkey Ride, about 1880?2, at the Bristol Museum and Art Gallery. Gonzalès is the 20th female artist represented in the National Gallery Collection, marking a significant addition. The story of Gonzalès’s reputation, during and after her life, reflects some of the reasons why women artists are not well represented in the National Gallery. These include being offered fewer opportunities in life and the lack of interest shown, consciously or not, in works by women artists by collectors of the era and onwards, from whose acquisitions the National Gallery’s own collection was assembled.  During her lifetime Gonzalès was an established artist who exhibited multiple times to acclaim at the official Paris Salon. She was the only official pupil of Edouard Manet (1832-83), with whom she studied from 1869. Gonzalès likely painted La Psyché around the same time that Manet was painting his portrait of her, Eva Gonzalès (1870). That work, in the Gallery collection, was the focal point of the recent exhibition, Discover Manet & Eva… Read More

New gallery in Sydney: A Secondary Eye opens

Sydney art gallery men

Sydney, Australia is set to welcome a profound addition to its art scene as A Secondary Eye announces the launch of a new gallery space nestled in the arts district of Woollahra. Opening its doors on Friday, 3 May 2024, this new venture promises a fresh perspective on Australian Indigenous and contemporary art. Founded in 2020 by Jesse-Jack De Deyne, a seasoned specialist in the secondary market for Australian Indigenous art, and Boris Cornelissen, formerly of Sotheby’s London and Hong Kong, A Secondary Eye has quickly established itself as a key player in the art world. Their focus on developing the secondary market for art and collectibles in Australia has led to the exhibition and sale of works by prominent artists like Emily Kame Kngwarreye, Sidney Nolan, and Fred Williams, among others. The gallery’s efforts have not gone unnoticed, with several pieces entering the collections of Australia’s most prestigious art institutions. Strategically located in Queen Street, a spot historically linked with the crème de la crème of secondary market art dealers, the new gallery is poised to continue its tradition of excellence. The inaugural exhibition will shine a spotlight on Rover Thomas, a luminary and trailblazer in the Australian art landscape. Known for his significant influence on the East Kimberley school of painting, Thomas’s works are lauded for their modernist abstraction and profound connection to ancestral land and Indigenous life. The exhibition, titled “Rover: Master of the Kimberley”, marks the first solo presentation of Thomas’s work in Sydney in nearly two decades. It will showcase… Read More

Momentous moment in art at National Gallery London

Art National Gallery

In 2025, the art world will witness a remarkable event at the National Gallery as “Siena: The Rise of Painting 1300?1350” opens its doors in spring, marking the 200th anniversary of the institution. This exhibition promises an unprecedented reunion of paintings by some of the most celebrated Italian artists of the 14th century, artworks that have been scattered across the globe for centuries. Highlighting this unique collection are masterpieces in gold ground, many originally part of larger compositions, offering visitors an opportunity to experience the innovative spirit of Western painting tradition from this era. The spotlight of the exhibition is the coming together of several panels from the revolutionary double-sided altarpiece, the Maestà, painted by Duccio di Buoninsegna for the cathedral in Siena. Recognized as the first double-sided altarpiece in Western art, this narrative shift in art will be showcased along with other significant pieces from the ensemble. Notably, the National Gallery’s panels from the Maestà will be reunited with works like “Christ and the Woman of Samaria” from the Museo Thyssen-Bornemisza, Madrid, and “The Calling of the Apostles Peter and Andrew” from the National Gallery of Art, Washington DC. Another focal point is the reunion of the Orsini Polyptych by Simone Martini, a folding piece created for private devotion, likely for Cardinal Napoleone Orsini. Dispersed between prestigious institutions – the Louvre in Paris, the Royal Museum of Fine Arts in Antwerp, and the Gemäldegalerie in Berlin – the exhibition will bring together all six panels for a rare presentation. Besides these reunifications, the exhibition… Read More

TarraWarra Museum of Art explores the best in contemporary art

art gallery museum PeterAtkins SUPERsystems

The TarraWarra Museum of Art is on the verge of captivating art enthusiasts with three concurrent exhibitions that shine a light on the intricate dance between contemporary art and modernist principles. Set to open from 23 March to 14 July 2024, these exhibitions feature the innovative works of Melbourne-based artists Peter Atkins and Dana Harris, alongside a groundbreaking survey of Clement Meadmore’s industrial designs. Titled SUPERsystems, Atkins and Harris’s exhibition is a testament to the vibrant dialogue between new artistic visions and the foundational elements of modernism. Atkins’s readymade abstraction brings everyday imagery into the realm of high art, redefining American designer Maurice Binder’s iconic title sequence for the film Dr. No into 92 distinct abstract paintings. Harris, on the other hand, offers fancywork, a series of hand-embroidered panels that capture the desolation and beauty of Melbourne’s CBD during the COVID-19 lockdowns. Her work meticulously explores the city’s altered rhythms through intricate patterns, supported by Creative Australia. Parallelly, The Industrial Design of Clement Meadmore: The Harris/Atkins Collection grants a comprehensive look at Meadmore’s trailblazing modernist designs, curated meticulously over two and a half decades by Atkins and Harris. This exhibition encapsulates Meadmore’s innovative manipulation of basic materials into functional, yet beautifully minimal designs. Complementing these exhibitions, Systems and Structures draws from TarraWarra’s own collection to spotlight Australian artists who embody the principles of pattern, geometry, and repetition. This show underscores the common threads that link contemporary artistic practices back to the legacies of modernism. Curator Anthony Fitzpatrick regards these exhibitions as a unique opportunity to… Read More

In the Eye of the Storm: Modernism in Ukraine, 1900-1930s


In June 2024, the Royal Academy of Arts is set to unveil a landmark exhibition titled “In the Eye of the Storm: Modernism in Ukraine, 1900–1930s“, which promises to be the most comprehensive display of Ukrainian modern art in the UK to this date. The exhibition, hosted at the Gabrielle Jungels-Winkler Galleries from 29 June to 13 October 2024, aims to showcase a pivotal moment in East European art history through the lens of about 70 masterpieces. These pieces are to be borrowed from prestigious institutions such as the National Art Museum of Ukraine and the Museum of Theatre, Music, and Cinema of Ukraine. The spotlight will be on iconic figures like Alexander Archipenko, Sonia Delaunay, Alexandra Exter, and Kazymyr Malevych. Additionally, it will illuminate the contributions of perhaps less internationally recognized yet equally influential artists such as Mykhailo Boichuk, Oleksandr Bohomazov, and Vasyl Yermilov. Each artist played a crucial role in shaping modernism within Ukraine and leaving a significant impact on the broader European art scene during the tumultuous early decades of the twentieth century. Geopolitically, Ukraine’s status as a contested borderland has deeply influenced its cultural and national identity formation. The land had been partitioned among various empires for centuries, with the notion of a unified Ukrainian nation emerging only in the late nineteenth century. Independent, yet fleeting, moments in Ukraine’s history were critical in cultivating a sense of national identity. This intricate history has led to a rich cultural tapestry, blending Ukrainian, Polish, Russian, and Jewish influences into a unique cultural entity…. Read More

A digital journey through the National Gallery’s rich history

plan your visit crop photoshop

As we delve into the heart of the National Gallery’s captivating legacy, a treasure trove of stories and experiences awaits, unveiling the profound impact of art on lives and communities. The gallery’s illustrious history is woven with tales of generosity, evolution, and the remarkable individuals who have contributed to its timeless allure. A Legacy of Artistic Influence Life surrounded by art clearly had an impact on several young children of the National Gallery’s founding figures – two of whom later exhibited at the prestigious Royal Academy as esteemed artists, testament to the profound influence of artistic immersion from a young age. Threads of Generosity and Growth Numerous narratives within NG Stories spotlight groups instrumental in nurturing the collection’s growth. The 113 subscribers who united to purchase Constable’s iconic “The Cornfield” in 1837, grounding a legacy that resonates to this day. Additionally, reflections on pivotal campaigns to preserve masterpieces by Titian for the nation in 1972, 2008, and 2012 underscore the enduring impact of collective generosity, shaping the collection’s remarkable scope. Evolution of Roles and Significance NG Stories delves into the evolution of pivotal roles at the Gallery, encompassing scientific, learning, framing, and art handling aspects, each intricately woven into the fabric of the Gallery’s mission. This exploration illuminates the vital significance of these roles in the day-to-day care of the collection, enriching our understanding of the meticulous curation and preservation efforts that safeguard the Gallery’s cultural treasures. Embracing Digital Enrichment Lawrence Chiles, Head of Digital at the National Gallery, expresses a resolute commitment to leveraging… Read More

National Gallery’s record-breaking year

National Gallery art Rape Europa

In 2023, art enthusiasts around the world flocked to experience the awe-inspiring collection and captivating exhibitions offered by the National Gallery, London. The Gallery proudly announced an astounding total of 4,287,434 in-person visits to its premises and various immersive programs both locally and across the globe. This momentous achievement reflects the unwavering passion and dedication of art lovers who seek to connect with the beauty and creativity encapsulated within the National Gallery’s treasures. A Global Spectacle of Art Appreciation The impact of the National Gallery reverberated globally, with 952,551 visits recorded during the 2023?4 exhibition tour of Asia, spanning acclaimed venues such as the Shanghai Museum, The National Museum of Korea, and Hong Kong Palace Museum. Additionally, 154,202 visits were made to captivating National Gallery displays and exhibitions during their UK tour. These figures illustrate the far-reaching influence of the National Gallery’s artistic prowess, captivating audiences from diverse cultural landscapes. Thriving at Home: Trafalgar Square Triumph Undoubtedly, the beating heart of this remarkable feat lies in the impressive 3,096,508 visits to the Gallery in Trafalgar Square during 2023, representing a remarkable 14% increase from the previous year. Furthermore, the Gallery welcomed 26,201 school students and teachers, affirming its commitment to nurturing the next generation’s appreciation for art. Moreover, the Gallery’s Summer on the Square free outdoor festival of creativity drew an exhilarating 25,932 visits, underscoring the Gallery’s role as a vibrant hub of artistic expression and inspiration. Embracing the Digital Realm: Unprecedented Engagement In an age defined by digital connectivity, the National Gallery demonstrated exceptional… Read More

Da Vinci’s Codex Atlanticus arrives in Australia

Screenshot 20240228 224950

In a historic moment, THE LUME Melbourne is set to host an unprecedented event, welcoming original pages from Leonardo da Vinci’s priceless Codex Atlanticus to Australian shores for the first time. As these invaluable pages touch down on March 9, they will be on display to the public from March 16, coinciding with the grand opening of the immersive experience “Leonardo da Vinci – 500 Years of Genius” presented by Webuild. This monumental occasion signifies a once-in-a-lifetime opportunity for visitors to step into the life and world of Leonardo, featuring these irreplaceable original pages from the Codex Atlanticus, meticulously penned by the master himself. THE LUME Melbourne’s newest experience promises to be the most ambitious and immersive yet, transcending generations and offering captivating elements for all ages. Among its highlights, visitors can marvel at to-scale machine inventions brought to life by Italian artisans from the pages of Leonardo’s codices, behold the only exact 360º replica of Mona Lisa in the world, immerse themselves in a brand new multi-sensory gallery spanning 3000 sqm, engage with cutting-edge AI and VR interactive technologies breathing life into the master’s iconic work, savor a Renaissance-themed culinary experience in Caffé Medici, and much more. As visitors traverse through the streets of Florence, the canals of Venice, the history of Rome, the grandeur of Milan, and culminate their journey in Amboise, France – mirroring Leonardo’s own travels – they will gain a profound understanding of the inspirations, innovations, and enduring impact of the maestro. The Codex Atlanticus stands as an unedited look… Read More