Tag: national gallery

National Gallery in London has bought an iconic new piece of art

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The National Gallery has brought a new piece of art and if classical history is your thing then this will get you excited. Well, folks, the National Gallery’s 200th-anniversary bash just got a whole lot fancier. They’ve gone and added “After the Audience” by Sir Lawrence Alma-Tadema (1836–1912) to their collection. That’s right, this is the third piece they’ve snagged this year to mark the big 2-0-0. Not just any piece, mind you—this is a colossal work of art that screams ambition, scale, and historical oomph, fresh for your eyes in Room 45 starting today, Thursday, 15 August 2024. So, who is this Alma-Tadema bloke? Born in the Netherlands but a British darling by choice, he was the darling of the Victorian era, mesmerizing everyone with his pitch-perfect portrayals of Classical antiquity. While his work took a bit of a nap in the public eye posthumously, it’s been back in vogue since the groovy ’60s. “After the Audience” takes us way back to Ancient Rome and showcases Agrippa, the son-in-law of Emperor Augustus, striding up the stairs of his villa after a long day of listening to petitioners from all corners of the Empire. The gifts from these petitioners are sprawled out in the foreground, making for quite the visual feast. The National Gallery didn’t just stumble upon this masterpiece; it was a well-orchestrated acquisition from a private collection, thanks to the wheeling and dealing by Christie’s Private Sales. The purchase was made possible due to the generosity of Mrs. Martha Doris Bailey, Mr. Richard… Read More

National Gallery in London celebrates a huge milestone

People art gallery National Gallery

The National Gallery is marking a significant milestone, with over 1 million visitors in the UK attending its touring exhibitions over the past decade. This achievement coincides with the 10th anniversary of its flagship series, The National Gallery Masterpiece Tour, as the Gallery invites new partners for its upcoming 2025-27 project. Since the launch of the Masterpiece Tour, which fosters collaborations between the National Gallery and various museums, galleries, and art centres outside of London, 1,004,763 individuals have engaged with a variety of exhibitions showcasing masterpieces from the Gallery’s esteemed collection. In line with its mission to share art across the UK, the latest edition of the Masterpiece Tour will grant four UK institutions the opportunity to display three major works from the National Gallery over three years. Open for partnerships from 29 July until 27 September 2024, these collaborations aim to reach diverse audiences with the first exhibition slated for autumn 2025. Building on a year of NG200 celebrations, which saw twelve masterpieces exhibited in locations accessible to a significant portion of the UK population, the initiative continues to reinforce the National Gallery’s commitment to inclusivity and accessibility in art. Highlighting the first exhibit of the new Masterpiece Tour will be Monet’s “The Petit Bras of the Seine at Argenteuil” (1872), a piece rarely loaned out in recent years. Known for his deft handling of light and composition, Monet captures a serene moment along the river, allowing the partners to create displays that resonate with their local communities. Additionally, each partner will connect with… Read More

Discover Constable and The Hay Wain at National Gallery London

Discover Constable and The Hay Wain

In the winter of 2024?25, as part of the NG200 celebrations, the National Gallery will host an extraordinary exhibition titled “Discover Constable and The Hay Wain”. This exhibition will centre on John Constable’s masterpiece, The Hay Wain (1821), and represents the first loan exhibition dedicated to Constable (1776–1837) at the National Gallery. The exhibition aims to explore the social, political, and artistic context in which The Hay Wain was created, highlighting the radical reception the painting initially received and its eventual acclaim. The timing of this exhibition is significant as it marks the bicentenary year of the National Gallery. In 1824, The Hay Wain achieved international recognition and was awarded a gold medal at the Paris Salon by French King Charles X. Today, The Hay Wain is a symbol of the quintessential British countryside and has become an icon in pop culture, though it was once regarded as a revolutionary reimagining of landscape painting. One of the primary goals of this exhibition is to trace the journey of Constable’s work into major collections and to celebrate significant donations to the national collections from Isabel Constable, his daughter, and art collectors such as John Sheepshanks and Henry Vaughan. The exhibition will delve into the acquisition history of The Hay Wain by the National Gallery in 1886 and examine the rise in both the painting’s and Constable’s popularity since then. The Hay Wain depicts a serene rural scene on the River Stour, near Flatford Mill, which was owned by Constable’s father. This setting reflects Constable’s intimate connection… Read More

José María Velasco’s Mexican art comes to National Gallery London

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The National Gallery in London is proud to present the first monographic exhibition in the UK dedicated to José María Velasco (1840–1912), Mexico’s esteemed 19th-century painter. Titled José María Velasco: A View of Mexico, this groundbreaking exhibition will be held from 29 March to 17 August 2025 at the prestigious Sunley Room. Please note that there will be an admission charge for this extraordinary showcase of artistic brilliance. Celebrating Mexico’s Artistic Legacy This landmark event marks the debut of a Latin American artist’s exhibition at the National Gallery and aligns with the 200th anniversary of diplomatic ties between the UK and Mexico. José María Velasco’s renowned body of work primarily focuses on the awe-inspiring landscapes of the Valle de México, encapsulating the essence of Mexico’s evolution amidst significant societal transformations. Rediscovering Velasco’s Legacy Despite his acclaim within Mexico, José María Velasco’s international recognition has waned over time. This exhibition aims to reintroduce Velasco to a global audience, shedding light on his multidimensional genius beyond painting. Not only was Velasco a masterful artist but also a botanist, naturalist, and geologist, blending artistry with scientific inquiry to create captivating and insightful compositions. Exploring Cultural Narratives Velasco’s paintings transcend mere aesthetics, delving into the intersection of cultures, ecological conservation, and industrial progress. By juxtaposing Velasco’s works with pieces from the National Gallery’s collection, such as Édouard Manet’s The Execution of Maximilian, visitors are prompted to contemplate themes of colonialism, industrialization, and humanity’s impact on nature—a discourse as relevant today as it was in the 19th century. A Scholarly… Read More

National Gallery’s Bicentenary gets a huge funding boost

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The National Gallery is delighted to announce that it has reached its Bicentenary fundraising campaign target, thanks to a generous grant of £5m from the newly established Julia Rausing Trust. Launched in 2022 with a goal of £95m, the campaign is the largest in the Gallery’s history. The grant from the Julia Rausing Trust has enabled the campaign target to be reached two months after the Gallery celebrated its 200th birthday and the start of a year celebrating creativity, great art, and the history of the National Gallery. The Trust, founded by Julia’s husband Hans Rausing following her death in April 2024, will grant funds to organisations and causes which were important and meaningful to Julia Rausing, reflecting her significant philanthropy over a number of years. Many of the Gallery’s Bicentenary programmes are currently underway, with Art Road Trip’s travelling art studio bringing an experience of the Gallery to communities with particularly high barriers to arts and culture; and National Treasures, where 12 of the Gallery’s most famous paintings are spending the summer on loan to museums and galleries in cities around the UK. Work is also in progress on a suite of capital projects at the Gallery’s home in Trafalgar Square, improving the welcome visitors are given at the Sainsbury Wing and the facilities for learning and research at all ages and stages. The grant from the Julia Rausing Trust will be put towards aspects of the capital project, in particular a new underground link between the Wilkins and Sainsbury buildings, in the space… Read More

Good news for National Gallery London: Eva Gonzalès piece acquired

Eva Gonzalez painting art

On the occasion of the artist’s 177th birthday on Friday 19th April, the National Gallery has acquired La Psyché (The Full-length Mirror), about 1869-70, by Eva Gonzalès (1849-1883) thanks to three generous legacy gifts from Mrs Martha Doris Bailey, Miss Gillian Cleaver, and Ms Sheila Mary Holmes, and the National Gallery Trust. This is the first acquisition by the Gallery of a work by Gonzalès and the second acquisition of its Bicentenary year. La Psyché has not been seen in public for over seventy years and joins only one other painting by her in a UK public collection, The Donkey Ride, about 1880?2, at the Bristol Museum and Art Gallery. Gonzalès is the 20th female artist represented in the National Gallery Collection, marking a significant addition. The story of Gonzalès’s reputation, during and after her life, reflects some of the reasons why women artists are not well represented in the National Gallery. These include being offered fewer opportunities in life and the lack of interest shown, consciously or not, in works by women artists by collectors of the era and onwards, from whose acquisitions the National Gallery’s own collection was assembled.  During her lifetime Gonzalès was an established artist who exhibited multiple times to acclaim at the official Paris Salon. She was the only official pupil of Edouard Manet (1832-83), with whom she studied from 1869. Gonzalès likely painted La Psyché around the same time that Manet was painting his portrait of her, Eva Gonzalès (1870). That work, in the Gallery collection, was the focal point of the recent exhibition, Discover Manet & Eva… Read More

Momentous moment in art at National Gallery London

Art National Gallery

In 2025, the art world will witness a remarkable event at the National Gallery as “Siena: The Rise of Painting 1300?1350” opens its doors in spring, marking the 200th anniversary of the institution. This exhibition promises an unprecedented reunion of paintings by some of the most celebrated Italian artists of the 14th century, artworks that have been scattered across the globe for centuries. Highlighting this unique collection are masterpieces in gold ground, many originally part of larger compositions, offering visitors an opportunity to experience the innovative spirit of Western painting tradition from this era. The spotlight of the exhibition is the coming together of several panels from the revolutionary double-sided altarpiece, the Maestà, painted by Duccio di Buoninsegna for the cathedral in Siena. Recognized as the first double-sided altarpiece in Western art, this narrative shift in art will be showcased along with other significant pieces from the ensemble. Notably, the National Gallery’s panels from the Maestà will be reunited with works like “Christ and the Woman of Samaria” from the Museo Thyssen-Bornemisza, Madrid, and “The Calling of the Apostles Peter and Andrew” from the National Gallery of Art, Washington DC. Another focal point is the reunion of the Orsini Polyptych by Simone Martini, a folding piece created for private devotion, likely for Cardinal Napoleone Orsini. Dispersed between prestigious institutions – the Louvre in Paris, the Royal Museum of Fine Arts in Antwerp, and the Gemäldegalerie in Berlin – the exhibition will bring together all six panels for a rare presentation. Besides these reunifications, the exhibition… Read More

A digital journey through the National Gallery’s rich history

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As we delve into the heart of the National Gallery’s captivating legacy, a treasure trove of stories and experiences awaits, unveiling the profound impact of art on lives and communities. The gallery’s illustrious history is woven with tales of generosity, evolution, and the remarkable individuals who have contributed to its timeless allure. A Legacy of Artistic Influence Life surrounded by art clearly had an impact on several young children of the National Gallery’s founding figures – two of whom later exhibited at the prestigious Royal Academy as esteemed artists, testament to the profound influence of artistic immersion from a young age. Threads of Generosity and Growth Numerous narratives within NG Stories spotlight groups instrumental in nurturing the collection’s growth. The 113 subscribers who united to purchase Constable’s iconic “The Cornfield” in 1837, grounding a legacy that resonates to this day. Additionally, reflections on pivotal campaigns to preserve masterpieces by Titian for the nation in 1972, 2008, and 2012 underscore the enduring impact of collective generosity, shaping the collection’s remarkable scope. Evolution of Roles and Significance NG Stories delves into the evolution of pivotal roles at the Gallery, encompassing scientific, learning, framing, and art handling aspects, each intricately woven into the fabric of the Gallery’s mission. This exploration illuminates the vital significance of these roles in the day-to-day care of the collection, enriching our understanding of the meticulous curation and preservation efforts that safeguard the Gallery’s cultural treasures. Embracing Digital Enrichment Lawrence Chiles, Head of Digital at the National Gallery, expresses a resolute commitment to leveraging… Read More