Category: ART

Van Gogh All Night: The National Gallery’s Final Weekend Treat

The National Gallery in London has pulled out all the stops for Van Gogh: Poets and Lovers. If you’ve missed securing a ticket to this blockbuster exhibition, don’t despair just yet. For one night only – and we mean all night – the Gallery is opening its doors from 9pm on Friday, 17 January 2025, until 10am the next morning, in an epic finale for its sell-out masterpiece binge. Tickets for these newly added late-night slots go on sale today, Thursday 9 January, and they’re bound to fly faster than you can say “Starry Night.” With over 280,000 visitors already wowed by the exhibition, this extra stretch of hours is pure gold for anyone still angling to see Van Gogh’s world-class works. And while staying up all night might usually come with regrets and a bad takeaway, this is an opportunity you’ll actually feel smug about. Historical Moment: Art After Dark This isn’t your bog-standard museum trip. It’s only the second time in history that the Gallery has thrown open its doors through the night. The first? Back in 2012, when people flocked in the wee hours to see Leonardo da Vinci: Painter at the Court of Milan. According to Sir Gabriele Finaldi, the Gallery’s Director, this nocturnal escapade takes its cues from some of the luminaries of the art world. Lucian Freud, David Hockney, and Francis Bacon, for instance, were known to haunt the Gallery during nightly hours, letting the stillness feed their creative souls. Freud himself once quipped, “I use the gallery as… Read More

Why rush to see The Great Mughals at V&A: a celebration of opulence, art and culture

Today, the Victoria and Albert Museum opens the doors to a landmark exhibition, The Great Mughals: Art, Architecture and Opulence. For the first time in a major show, the monumental artistic achievements of the Mughal Empire’s ‘Golden Age’ (c. 1560–1660) take centre stage, showcasing the splendour, craftsmanship, and cultural exchange that defined one of the world’s greatest empires. The Glory of the Mughals The Mughal dynasty, rooted in Central Asia, was founded in 1526 by Babur, a Timurid prince who carved out an empire stretching from modern-day Afghanistan to the edges of southern India, and from Gujarat to the borders of present-day Bangladesh. At its zenith, the empire was known for its staggering wealth, progressive governance, and artistic innovation. Focused on the reigns of three of the dynasty’s most celebrated emperors—Akbar (r. 1556–1605), Jahangir (r. 1605–1627), and Shah Jahan (r. 1628–1658)—the exhibition illuminates a period when the Mughal court transformed into a cultural powerhouse. These were the rulers who commissioned masterpieces like the Taj Mahal and fostered an artistic legacy that blended Persian, Indian, and European influences. Unveiling the Court’s Creative Mastery At the heart of the exhibition are over 200 objects, breathtaking in both their beauty and their historical value. Visitors can expect to marvel at exquisite paintings, intricately illustrated manuscripts, luxurious textiles, vibrantly hued carpets, and dazzling objects crafted from mother of pearl, jade, rock crystal, and precious metals. Many of these treasures have been hidden from public view for decades, making this a rare opportunity to immerse oneself in the artistry of… Read More

NGV Architecture Commission 2024: Home Truth by Breathe

NGV Architecture Commission 2024 Home Truth By Breathe - Derek Swalwell 1

In a bold reimagining of Australian home design, Home Truth by Breathe has been announced as the winner of the NGV Architecture Commission for 2024. This captivating installation takes the form of a labyrinthine house-within-a-house, challenging the notion of ever-expanding home sizes in Australia. At the heart of this design is a powerful message: rethink how we build to create more sustainable, higher-quality, and community-orientated living spaces. Home Truth invites visitors to step into a space that questions the ethical and ecological ramifications of the sprawling, oversized homes that have become prevalent across the nation. An external frame mirrors the silhouette of the average Australian home, which, at 236 square metres, ranks as the largest globally. Nestled within this silhouette is a serene timber structure, representing a smaller, more sustainable living footprint. This juxtaposition of scales is not just an architectural statement but a call to action. By contrasting these two structures, Home Truth shines a light on how smaller, more considered homes could help reduce suburban sprawl, mitigate environmental impacts, and enhance community wellbeing. It is a thought-provoking invitation for audiences to consider alternative, sustainable housing models that could lead to positive lifestyle changes. Visitors entering through the expansive garage door of the larger house find themselves navigating a maze of rooms and corridors, eventually arriving at the intimate timber retreat. This wooden haven offers a space for meditation and reflection, presenting a tangible vision of a more sustainable housing future. Constructed from framing pine and Saveboard, Home Truth uses materials emblematic of current… Read More

Suna Fujita, LOEWE & Melbourne Art Fair to exhibit works

In an exciting fusion of art and fashion, Melbourne Art Fair has announced a groundbreaking partnership with LOEWE, the esteemed luxury fashion brand renowned for its dedication to craftsmanship since 1846. This collaboration brings to life an exquisite preview of Jonathan Anderson’s renewed partnership with the Kyoto-based ceramist duo, Suna Fujita, marking a world-first exhibition in Australasia. The LOEWE x Suna Fujita collection made its debut with an intimate showcase at LOEWE’s Melbourne Collins Street store, offering an exclusive viewing experience of twenty whimsical ceramic pieces. These delicate works, celebrated for their intricate hand-painted scenes featuring ocean creatures and cosmic animals, seamlessly blend artistry with everyday function, transforming accessories and ready-to-wear items into enchanting works of art. Fair Director Melissa Loughnan expressed her enthusiasm for this creative union, stating, “This partnership is a reflection of Melbourne Art Fair and LOEWE’s shared commitment to supporting living artists and creatives, and an exciting precursor to the 18th edition of the Fair, which promises to be one of our most dynamic and anticipated showcases yet.” The collaboration not only highlights the playful essence of Suna Fujita’s ceramics but also underscores the vibrant art scene that Melbourne Art Fair champions. Launching today, the LOEWE x Suna Fujita collection is available both in stores and online at loewe.com, continuing until 29th December 2024. This artistic venture paves the way for the 18th edition of Melbourne Art Fair, set to take place from 20-23 February 2025 at the Melbourne Convention and Exhibition Centre. The fair will present a remarkable assembly of… Read More

Why rush to National Art School postgrad show

Step into the vibrant world of the arts at the National Art School (NAS) as it proudly unveils the 2024 Postgrad Show, a spectacular showcase of over 400 works by Australia’s next generation of emerging artists. Open to the public until 17 November 2024, this annual exhibition has firmly established itself as a pivotal event in Sydney’s cultural calendar, attracting gallerists, collectors, and art enthusiasts eager to discover fresh talent. The Postgrad Show serves as a launchpad for these budding artists, featuring the final bodies of work by the Master of Fine Art (MFA) graduates. This year’s exhibition offers an eclectic mix of mediums including painting, sculpture, printmaking, video, collage, 3D printing, performance, photography, drawing, and ceramics. Each piece is a testament to the diverse themes being explored—ranging from natural and digital ecosystems to identity, the Anthropocene, philosophy, and personal narratives. Ceramics take centre stage with artists like Benjamin Akuila, who delves into themes of construction, authenticity, and plasticity, informed by his Tongan heritage. His work offers a compelling exploration of queer and diasporic identity through hybrid cultural narratives. Meanwhile, Chrystie Longworth uses ceramic forms to navigate femininity, identity, and domesticity, drawing inspiration from historical subversive messages crafted by women in textiles. Her work, with its tactile terracotta and pigment surfaces, invites viewers to experience a subtle play of light and texture. From the drawing studios, Quan Zhu Ma marries traditional Chinese philosophy with contemporary practices, using innovative materials like heated charcoal and ash. His work reimagines traditional ink art, creating a fusion that resonates… Read More

Something new for you at Potter Museum of Art, University of Melbourne

As the autumn leaves give way to the crisp, clear days of May, Melbourne will soon play host to a cultural renaissance with the highly anticipated reopening of the Potter Museum of Art at the University of Melbourne. Set to coincide with Reconciliation Week on May 30, 2025, this revitalised flagship museum is ready to welcome visitors once again, unveiling a new era of artistic and cultural discourse. Stepping back into the limelight, the Potter Museum emerges with a grand new entrance designed by the renowned Wood Marsh Architects, showcasing the transformative power of architecture in enhancing cultural experiences. This redevelopment, made possible through the generous support of The Ian Potter Foundation and Lady Primrose Potter AC, promises not just a facelift, but an expansion of space dedicated to the museum’s acclaimed collection-based learning programs. At the heart of the reopening celebrations is the groundbreaking exhibition, “65,000 Years: A Short History of Australian Art,” a title that nods to the vast and rich tapestry of Indigenous art in Australia. This exhibition promises to be a vibrant celebration of Aboriginal and Torres Strait Islander art, featuring more than 400 artworks, including significant public and private loans as well as seven major new commissions by leading contemporary First Nations artists. Curated by the esteemed Professor Marcia Langton AO, alongside Ms Judith Ryan AM and Ms Shanysa McConville, this exhibition delves into the seismic shift in the recognition and appreciation of Indigenous art in the Australian and global art scenes. Professor Marcia Langton articulates the exhibition’s provocative title… Read More