Category: ART

Coming to Buckingham Palace: the Art and Spectacle of George IV

George IV feature

George IV: Art & Spectacle is at The Queen’s Gallery, Buckingham Palace from 15 November and it really is one to see. He’s the man who turned Buckingham Palace into a Palace, built the residence in Brighton and amassed collections from around the world in such great volumes that he’s almost like the patron saint of the Royal Collection. What sits inside the Palace owes a lot to the late King (1762–1830), renowned for his Bacchante ways and art promulgation. He was hated by many, but sat at the throne for a long time and for good reason, casting the reach of Britain further in the creative realm than any other. From 1811, George ruled as Regent, due to the decline in the mental health of his father, George III. By the time he came to the throne in 1820, aged 57, he was intensely disliked by a nation tired of his extravagant lifestyle. Today he is perhaps best known as the rotund, gout-ridden, drunken buffoon lampooned by the satirists of the day for his acrimonious marriage to Princess Caroline of Brunswick and his many mistresses. Set against the backdrop of the French Revolution and Napoleonic Wars, and a period of unprecedented global exploration, George IV: Art & Spectacle considers the Monarch’s public image, taste for the theatrical and exotic, admiration of French style and all-consuming passion for collecting. It will present George as a man of extreme contrasts: on the one hand, a recklessly profligate showman, and on the other, a connoisseur with intellectual interests whose endless… Read More

V&A goes green: Supporting Extinction Rebellion with a new display

Extinction Rebellion 1

The Victoria and Albert, V&A, Museum in London has announced something new: they’ve newly acquired work that supports the movement of Extinction Rebellion (XR). The group is known for their non-violent demonstrations of civil disobedience and disruption, who’ve busied themselves since 31 October 2018, urging the UK government to declare a climate and ecological emergency and commit to reduce emissions to net zero by 2025. They have grown into an international movement with over 363 groups active in 59 countries around the world. And now, the V&A is putting them on show. Given by the Extinction Rebellion Arts Group, a coalition of graphic designers, artists and activists responsible for XR’s Design Programme, the objects reveal how XR has harnessed the power of open-source design to develop a coherent and impactful visual identity and sought to foster a collaborative ‘do-it-together’ movement recognisable across the globe. The objects have been acquired through the V&A’s Rapid Response Collecting programme that enables the acquisition and immediate display of design objects that address questions of social, political, technological and economic change. The collection includes: A digital file of the Extinction Symbol – the logo designed by east-London artist ESP in 2011 and adopted by XR in 2018 The Extinction Symbol website where the symbol is available for download for non-commercial use The first printed pamphlet issued by XR group outlining its ‘Declaration of Rebellion’. The immediate popularity of these pamphlets makes this example from the first print-run extremely rare, while the screen-printed text and graphics outline the emphasis XR placed… Read More

What is human perfection? Melbourne Uni takes a look with its new art commission

First Commission

Melbourne University is doing something interesting with art. They’ve given 30 emerging artists the chance to work across three locations, alongside some of the world’s most famous works of art – all without as much as a brief. A challenge? Yes, but one the artists whose own take on creativity and the historical beauty of so many of the pieces they work alongside, have proven great inspiration for the projects they undertook. Called First Commissions, the Uni’s project is purposed to present these 30 unique responses from the artistic troupe. It asked them to reinterpret world-changing historical commissions for the present moment, all of which were pretty broadly reaching; Think, the Titanic to Tchaikovsky’s The Sleeping Beauty, to Michaelangelo’s David, a vision of human perfection. In fact, five of the 30 artists worked with David, working back from the finished product to create pieces that told the story of being a person in the modern day. Through each of their five disciplines, Esther Stewart, Aboriginal Australian visual artist Ashley Perry choreographer and dancer Jack Riley, interactive composer Samuel Kreusler and classical composer Danna Yun, churned out works that did just that. The University of Melbourne was able to launch the project at the statue of David in Florence, from where the exhibition will then make its way to Melbourne, taking place over Open House weekend (27-28 July) in the Martyn Myer Arena on the University of Melbourne Southbank campus. The exhibition will include 30 works responding to the 7 commissions and involve over 100 emerging artists… Read More

Gauguin’s portraits are coming to the National Gallery London

Gaugin

Paul Gauguin’s first-ever exhibition devoted to his portraits (1848–1903) will open at the National Gallery this October. On until 26 January 2019, the exhibition will show how the French artist, famous for his paintings of French Polynesia, revolutionised the art of the portrait. Gauguin was rarely interested in exploring his portrait sitters’ social standing, personality, or family background, which had been among the main reasons for painting portraits in the past.  The exhibition’s made up of sculptures in ceramics, wood paintings, drawings and more, even showing how Gauguin created a range of personifications including his self-image as Jesus Christ. Together with his use of intense colour and his interest in non-Western subject matter, his approach had a far-reaching influence on artists throughout the late 19th and 20th centuries including Henri Matisse and Pablo Picasso. The Credit Suisse Exhibition: Gauguin Portraits will show how the artist – inspired by his time spent in Brittany, France and French Polynesia from the mid-1880s to the end of his life in 1903 – became fascinated by societies that to him seemed close to nature. With their folk-tale heritage and spirituality, these communities appeared to him to be far removed from the industrialisation of Paris. See the exhibition at the National Gallery in London from October to 26 January 2019. See more at the Gallery’s website.

Cut Copy and London’s Somerset House Summer Series takes over the West End

Somerset House Cut Copy

Across eleven nights of open-air gigs, Somerset House Summer Series with American Express will be pumping out music, food and drinks and good vibes, while the sun’s in the sky and everyone’s mood is high. The Series is all about bringing a vibrant festival atmosphere to the very heart of London with a programme of pioneering musicians across a range of genres For example, on Friday 19 July, Melbourne band Cut Copy will take to the stage right in the middle of Somerset House, serving up some of the band’s latest work, an entirely new flavour all their own. “Shaking off some of the Balearic and acid house leanings heard on older releases, their new tracks favour Afrobeat textures, dubby rhythm sections and sweeping disco synths with an upbeat, effervescent tone that reflects their Melbourne origins,” says Somerset House. Summer Series gives music fans a live experience unlike any other, with the rare chance to see critically acclaimed artists plus some of the best up and coming performers in a spectacular yet intimate setting. Before Cut Copy, London was looking at the likes of Nao, Sons of Kemet, Jacob Banks and Rosalia + Badgirl$. See the full line-up here. The series ends on 21 July, so get in quickly, or sign up to Somerset House’s newsletter for when they do it again.

Free gay exhibition for London Pride: Kiss My Genders

Art London 4

Southbank Centre’s Hayward Gallery is offering free admission to all visitors for its latest exhibition, Kiss My Genders from 11am – 7pm on Saturday 6 July.  The new exhibition Kiss My Genders is all about celebrating more than 30 international artists whose work explores and engages with gender identity. Spanning the past 50 years, Kiss My Genders brings together over 100 artworks by different generations of artists from around the world. Employing a wide range of approaches, these artists share an interest in articulating and engaging with gender fluidity, as well as with non-binary, trans and intersex identities. If acceptance, joy and tolerance are your thing, then this exhibition is for you. Give it a shot at the Southbank Centre and see more at the website.

Dark Mofo exhibition in Hobart: Mines; from the mind of Simon Denny

Simon Denny Mines Dark Mofo

An unnervingly vibrant dystopia opened on the eve of the madness that is Dark MOFO 2019. Curated by Jarrod Rawling and Emma Pike and taking two and half years from conception to exhibition, Mines will leave you feeling helpless. In the bowels of MONA is a colourful sign, “Mines”. Fittingly its physical location is buried beneath the earth.  But this is less about our traditional mineral past and more about the collection and manipulation of what we may see as intangible. Data. Our data. Metric monitoring of our behaviours and patterns. Allowing corporate entities to manipulate what we love, what we hate, what we must have. Using the bones of the classic boardgame, Squatter, Denny has amended its gameplay and thematics to reflect our era, our data.  Denny lulls us with space. He gives us room to move and the freedom to interact. With intelligent use of “The O”, augmented reality, designed by the MONA boffins, we are able to see how our interactions with the exhibit are collated and displayed real time. This speaks to the reality of our digital presence being commoditised and with the information space changing around us thanks to surveillance capitalism, one thing is clear, we are the resource. Come and see. Don’t be helpless, all alone. Mines is open until the 13th April 2020. Remember to download “The O”, from the iTunes App Store before you arrive, or collect a device from the lovely crew at MONA. Entry is $28, $25 concession, Tasmanians and under 18s get in for free.

LONDON: Botanist Gin and Little Yellow Door make new chlorophyll cocktail

Botanist cocktail

Notting Hill is known for a lot of things – thanks Hugh Grant – and now, it’s got another notch on its belt thanks to The Botanist Gin and local watering hole, The Little Yellow Door. Together they’ve made the city’s first chlorophyll-based brunch cocktail, served at the eclectic late-night cocktail bar to emulate the rip-roaring brunches their sister venue, The Little Blue Door has been making since last year. The drink’s called the Hangover and is an alcohol-infused body purifying breakfast tipple packs one hell of a punch with more health benefits than drinks can shake a stick at; a fresh, nutritional drink made with The Botanist Gin, elderflower, egg white, chlorophyll, served in a coupette with mint and chlorophyll perfume. It’s all available from 8 June on the Saturday menu forever. See more at the bar’s website.

HOBART: Dark Mofo’s Siloam – The end of the world and the giant iron arsehole

Dark Mofo Hobart Divine Comedy 2

Boys in high-vis have been digging through bedrock. When once we had to turn around and walk where we had been, we can now circumnavigate MONA. An endless loop. No more getting stuck at the entrance to Pharos and Faro.  Through the tunnels we find Confessional, by Oliver Beer. The Ammonoidea shaped construction of a noise dampened chamber, leading to the giant iron asshole flatulating ambience at MONA’s surface. Using a gramophone effect, patrons in the bowels of MONA can confess whatever they wish to be heard by whoever is near.  One level above Confessional is Ai WeiWei’s White House. The fixing free construction coming together like a giant lego set to show the skeleton of a Qing Dynasty home. Absolutely gorgeous. A hot red tunnel ascends from White House. Leading to your very own Virgil, your very own Beatrice. Ready to literally strap you into a harness to experience one of the circles of hell. Inferno for the everyman. For the everyman. A blueprint of a good life; in allegory and analogy. Dante’s, Divine Comedy. Not talking down to the people, talking to the people. Guiding. The Divine Comedy by Alfredo Jaar is the installation for the everyman. When words and science fail the everyman, when the everyman is failed by an ill-intended, overgrown system. Art could fill that void, to bluntly educate by “Look at this. Not good”. The Divine Comedy is an emotive hand-hold through a not too distant future. An experience where you can literally feel the heat and pressure of an Inferno from above and hear the rushing of water beneath your… Read More

London’s National Theatre is back with River Stage for 5th year running

River Stage National Theatre people smiling

The free summer festival, hosted by the National Theatre on London’s thriving Southbank is back again. Complete with a full line-up of performances that span the gamut of drag, cabaret, acrobatics, singing and dancing, it’s an event, inclusive of all, that really puts the National Theatre and London arts on the map. The whole festival is about celebrating the best of British and International culture, drag artists and London’s green and blue spaces, including the River Thames. River Stage is on around the city, but has partnered with The Glory (gay bar 5-7 July), Shubbak Festival (Arabic entertainment spread, 12-14 July), National Park City Festival (19-21 July), Frantic Assembly (26-28 July) and the National Theatre itself (2-4 August).   Subbak Festival Shubbak Festival will be bringing an international focus to the festival with Bricklab’s ‘Geographical Child’s Play’. Bricklab, the designers of the first Saudi pavilion at Venice Architecture Biennale have created a new pop-up sculpture especially for Shubbak: 22 brightly coloured units equalling in number the 22 states of the Arab League. National Park City Festival To celebrate London becoming the world’s first National Park City, the Mayor of London’s National Park City Festival features a huge array of acts to celebrate everything green and wild about the city, including family favourites The Gruffalo and living costumes walkabout, the Grass Men, plus two large-scale outdoor dance theatre spectacles: the Urban Astronaut and BLOCK, which explore themes of air pollution and the challenges of living in an urban jungle. Frantic Assembly Frantic Assembly are celebrating their 25 anniversary this year, will offer the chance for everyone… Read More