Over 33 nights this season at sunset, fans of Dale Chihuly – a glass sculptor artist – will be able to view some of his best work at the Royal Botanic Gardens in Kew. Showing the works in a new light, transposed against the illuminated Unesco world heritage site, the Chihuly Nights (13 April – 27 October) event kicks off in August and will kick off with specially curated music that responds to artworks, including improvised live performances from internationally acclaimed artists. It’s all about celebrating the artwork of Chihuly in a completely new light, through an exclusive after-dark experience with food, drink, and music. See more of what’s on specifically at the Kew Gardens website.
Queen Victoria was a boss. She took the throne at age 18 and made it hers from the get-go. A lot of that revolved around her moving into Buckingham Palace right in the middle of London. Three weeks into her reign, she moved into Buckingham Palace, despite the building being incomplete and many of the rooms undecorated and unfurnished. The Palace had been empty for seven years following the death of Victoria’s uncle, George IV, who had commissioned at great expense the conversion of Buckingham House into a Palace to the designs of John Nash. The King never occupied the Palace, and his successor, William IV, preferred to live at Clarence House during his short reign. The Queen’s ministers advised her to stay at Kensington Palace, her childhood home, until Buckingham Palace could be brought up to a suitable standard, but Victoria wanted to move immediately and begin her new life. Artist Thomas Sully then painted Victoria shortly after she moved in. Then after that, a whole bunch of other works were created, items and changes made that typified her reign. To celebrate, Buckingham Palace is putting on an exhibition, Queen Victoria’s Palace, curated by the historian and biographer Dr Amanda Foreman and Lucy Peter, Assistant Curator of Paintings, Royal Collection Trust. It’s all part of a visit to the Summer Opening of the State Rooms at Buckingham Palace, 20 July – 29 September 2019. The exhibition is accompanied by the publication Inside Queen Victoria’s Buckingham Palace by Dr Amanda Foreman and Lucy Peter. It… Read More
From June to September this year at the British Library, one of the biggest collections of things to come from the hands of Leonardo da Vinci is going ton display. And you can see it all. Leo died over 500 years ago this year, so to commemorate the man, there’s a bit going on around London to shed some light on the great man and mind. The exhibition, Leonardo da Vinci: A Mind in Motion will reveal how Leonardo believed motion to be the ‘cause of all life’. Known first and foremost as an artist, Leonardo’s notebooks reveal his close observations, detailed recording and systematic analysis of movement in nature, with a particular emphasis on water in motion and the exhibition will explore how this relates to his work as an artist and inventor. It’ll be one hell of a coming together of work by the man, renowned for so much, hailed by so many and honoured by even more for so much of what we understand and appreciate today. See the exhibition from 7 June to 8 September at the British Library, 96 Euston Rd, London NW1 2DB.
There’s a new, free exhibition open at the British Library in London that’s all about four fantastical, technology-based art installations inspired by historic urban maps. By artist-in-residence, Michael Takeo Magruder, the work is staged in the Library’s Entrance Hall gallery and explores the creative potential of archives and collections in the digital age. The works are creative pieces based off four 19th-century maps of London, Paris, New York and Chicago from a collection of 50,000 images found within the British Library’s One Million Images from Scanned Books collection. The whole thing is about the coming together of digital technologies and traditional fine art processes. It also includes a virtual reality cityscape based on New York City which is generated anew each day to reflect the live, ever-changing visitor data. See the exhibition for free from 5 April to 14 July at the British Library, 96 Euston Rd, London NW1 2DB.
The National Gallery in London is doing something that hasn’t been done in a very, very, very long time. They’re bringing five works by Titian back together for their latest exhibition, Titian: Love, Desire, Death from 16 March to 14 June next year. MORE: The National Gallery’s celebrating Artemisia Gentileschi What does it mean? Well, five of Titian’s greatest works – he was regarded as the most important member of the 16th-century Venetian school – of large-scale mythological paintings, known as the poesie, will be brought together for the first time since 1704 at the National Gallery, which for fans of the period is quite the thing. The pieces were painted between around 1551 to 1562 and are amongst the most original visual interpretations of Classical myth of the early modern era and are touchstone works in the history of European painting for their rich, expressive rendering. The paintings that’re being brought together are: Danaë (1551–3, The Wellington Collection, Apsley House) Venus and Adonis (1554, Prado, Madrid) Diana and Actaeon (1556-9) Diana and Callisto (1556-9) Rape of Europa (1562) from the Isabella Stewart Gardner Museum, Boston. The National Gallery’s own Death of Actaeon (1559-75), originally conceived as part of the series, but only executed much later and never delivered, will also be included in London. See more about the exhibition to come and plan your visit to the Gallery at their website. Feature image credit: Apollo
It was back in December that news the Chinese Terracotta Warriors were coming to Melbourne’s National Gallery of Victoria and now, the time’s come. Presented alongside of one of the most exciting Chinese contemporary artists of our time, Cai Guo-Qiang, the Terracotta Warriors are back at the NGV for the second time in history, for the enjoyment of art lovers who’re after a journey through history and a celebration of contemporary Chinese art. Cai Guo-Qiang’s exhibition, The Transient Landscape, is a presentation of all new art works inspired by his home country’s culture and its enduring philosophical traditions, including a monumental installation of 10,000 suspended porcelain birds. It’s quite epic to see. Exclusive to Melbourne and presenting nearly 170 works, the exhibition will offer a new perspective on Chinese culture, past and present and features 8 life-size Terracotta Warriors and monumental new works by Cai Guo-Qiang including, Murmuration (Landscape) 2019. See the exhibition at the NGV International from 24 May 2019 – 13 October 2019. Terracotta Warriors: Guardians of Immortality | Cai Guo-Qiang: The Transient Landscape from NGV on Vimeo.
It’s been a hot minute since Leonardo da Vinci died (500 years), so the National Gallery London is doing something to commemorate him. They’re presenting a bunch of work from artists called the Leonardeschi, who’re basically disciples of the famed artist. On loan, the Gallery has secured the work Flora by Francesco Melzi from the State Hermitage Museum, St Petersburg, which it’ll display close to The Virgin of the Rocks and The Burlington House Cartoon, both by Leonardo, that can be seen in Gallery 66 of the National Gallery. “We are excited to have loaned Flora by Francesco Melzi to the National Gallery and to see her as the central focus of this fascinating display which explores the work of Leonardo’s closest friends and disciples. This represents the first time that Flora has been seen outside of Russia since it was restored by Maria Shulepova, revealing details and rich colouring which had been lost for decades under layers of old varnish,” said professor Piotrovsky, director of the State Hermitage Museum. The painting is being displayed alongside ten other key works by the so-called ‘Leonardeschi’ from the National Gallery Collection in a free, month-long display in Room 12. This is the first time the painting has been seen in the UK and the first time it has been seen outside of Russia since its restoration. Its restoration was just what the work needed. Undertaken in Russia, it uncovered the picture’s true colours of ultramarine blue and hidden details like flowers growing from the walls of the dimly lit… Read More
Until 13 April next year, Mona will explore the concept of mining and its varying forms. Super topical with conversations around the Adani Mine in Queensland circulating and the constant mining of individuals’ data for commercial use, it’s a range of work that is sure to stir-up excitement for the Hobart gallery. From 8 June 2019, Simon Denny’s deep dig into the topic of extraction will star sculpture, a giant board game and augmented reality in a series of works that that draw inextricable links between resource and data mining. It’ll mark the largest exhibition by the New Zealand artist to date. Exploring themes of work and automation, the exhibition takes the Australian mining industry as a case study to interrogate the effects of technology on human labour. In Mine, Denny—whose previous work has examined cryptocurrency, capitalism and surveillance—connects mineral and resource mining with the more opaque world of data collection. Setting these extractive practices against a backdrop of colonisation, ethics and economics, Mine reflects on them in terms of both hope and anxiety about the environment, technology, and development. See more and make your next trip to mona a reality at the Mona website. Mine will open on 8 June 2019 and runs until 12 April 2020. The exhibition is curated by Jarrod Rawlins with Emma Pike from Mona.
From 22 February 2020, the work of Dutch Master Nicolaes Maes will grace the ground floor galleries of the National Gallery, right in the heart of London. It’ll make for what’s to be the first exhibition exclusively devoted to the man who died in 1693, taking on loans from private collections around the world. Made up of 35 pieces of work in paint and lead, the exhibition will take you on a journey through the life and learnings of a creative, considered one of the star pupils of renowned Dutch Golden Age Baroque artists, Rembrandt. What’s Maes known for? Maes was fond of works that depicted genre scenes, portraits, religious compositions and still lifes, many of which make up the bulk of next year’s exhibition. He was a pioneer of the theme of the eavesdropper; his carefully styled narratives often break the fourth wall, making the viewer a participant in the scene, as characters (often a maid) eavesdrop or point to illicit goings-on. To end the exhibition, it’ll focus on the period from 1673 when Maes settled in Amsterdam and abandoned domestic genre scenes to devote himself almost exclusively to portraits. A group of these lesser-known works will show how he brought a Van Dyckian elegance and swagger to the portraits. The exhibition will run until 31 May 2020. See more from the National Gallery at the website.
On Friday 17 May, Sydney’s Roslyn Oxley9 Gallery will present a solo exhibition of new works by Bill Henson marking the first exhibition of Henson’s first in Sydney in seven years. Henson had his first solo exhibition, at the age of 19, at the National Gallery of Victoria in 1975. The gallery now has over 100 Henson works and his work is held in every major public collection in Australia and many overseas collections including Los Angeles County Museum of Art, San Francisco Museum of Modern Art, Solomon R Guggenheim Museum and so many more. Reviewing the Bill Henson exhibition at the National Gallery of Victoria in 2017, the critic John McDonald wrote: “…Entering the transformed gallery from a room of French 19th century art, the impact is stunning…. Ineffability is the keynote of Henson’s work. Even the most detailed description would not prepare viewers for the experience of standing in front of these images in a darkened room…. The landscapes are deceptively straightforward at first glance….Yet the complexity of taking the picture from exactly the right position with the right quality of light is immense. It’s one of the miracles of art that the most difficult and complicated processes result in works of pristine simplicity…” Exhibition opens Friday 17 May 6-8pm and continues until Saturday 8 June 2019.
