Reimagine history with the voices of strong women in SIX
Divorced, bearded, slayed! SIX the musical is on in Melbourne and must not be missed.
FOOD & DRINK, ARTS & CULTURE, LIFE & TRAVEL
Divorced, bearded, slayed! SIX the musical is on in Melbourne and must not be missed.
Following critical acclaim across the country, Stephen Sondheim’s Tony Award-winning musical thriller is coming to Melbourne this Spring with Victorian Opera’s Sweeney Todd: The Demon Barber of Fleet Street A Musical Thriller. The performances will take place at the iconic Arts Centre Melbourne Playhouse from 14-21 September, with an extra show on the 16th just added. Sweeney Todd tells the gruesome story of a man living life by the razor’s edge. This spine-chilling musical thriller will transport audiences to the dark heart of London’s Fleet Street, where betrayal, vengeance and dark comedy intertwine. Starring Ben Mingay (Shrek the Musical, Frayed, Pirates of Penzance, Packed to the Rafters) and Antoinette Halloran (Mary and Max, Macbeth, Summer of the Seventeenth Doll), and directed by celebrated Australian opera and musical theatre director Stuart Maunder AM, this is a masterpiece of musical theatre not to be missed. Once, there was a barber who had it all — a happy life, a beautiful wife. But it all ended in a savage act of betrayal. Enter Sweeney Todd. From the haunting melodies of Stephen Sondheim to the chilling narrative crafted by Hugh Wheeler, this production explores the transformation of a once-content barber into the infamous “demon barber”, a suave and perilous figure with a rising desire for vengeance. Alongside the beguiling and eccentric Mrs Lovett, they hatch a twisted plan — equal parts genius and ghastly. Mrs Lovett’s reputation for serving the best pies in town may be short-lived as Sweeney’s thirst for vengeance teeters on the knife’s edge. From Stuart… Read More
For the first time since 2010, Bell Shakespeare presents King Lear, starring veteran stage actor Robert Menzies in the titular role. The production stages Shakespeare’s epic of the imagination in an intimate setting as Australian audiences won’t have seen it before.
The latest production of Sunset Boulevard at Melbourne’s Princess Theatre is a mixed bag, encapsulating both the brilliance and pitfalls of adapting a classic film into a stage musical. The much-anticipated lavish new production of Andrew Lloyd Webber’s Tony Award-winning musical masterpiece, SUNSET BOULEVARD, starring musical theatre and international superstar Sarah Brightman, is now playing in Melbourne. Audiences have been offering standing ovations for the spectacular show, currently gracing the stage at the Princess Theatre. A season at the Sydney Opera House will follow from August 28. Tickets are on sale at sunsetmusical.com.au. Marking her return to the theatre after more than three decades, Sarah Brightman stars as Norma Desmond, the iconic role that catapulted Glenn Close to Broadway stardom and recently earned Nicole Scherzinger an Olivier Award for Best Actress in a Musical in the West End. Alongside her will be critically acclaimed Australian actor and performer Tim Draxl in the role of Joe Gillis, a role last played on stage in Australia by Hugh Jackman in 1996. Joining Sarah and Tim on stage in the role of Max Von Mayerling is stage and screen veteran Robert Grubb, with the role of Betty Schaefer brought to life by emerging leading lady Ashleigh Rubenach. Musical theatre performer Jarrod Draper takes on the role of Artie Green, while established theatre actors Paul Hanlon and Troy Sussman play the roles of Cecil B. DeMille and Sheldrake, respectively. At select performances, the remarkable Silvie Paladino will assume the role of Norma Desmond. The extremely talented ensemble cast includes… Read More
Since its grand opening on 2 March, the resplendent Regent Theatre has been graced by the enchanting presence of “Broadway’s Biggest Blockbuster,” WICKED. To cater to the overwhelming demand and keep the magic alive, new performances have been released for sale until 28 July. Presales commence today, with general public tickets available from 12 April. The Mesmerizing Tale of WICKED The theatrical phenomenon that is WICKED has captured the hearts of critics and audiences in Melbourne, earning five-star reviews and effusive praise across social media platforms. Here’s what the critics have to say: A Worldwide Sensation Celebrating over two decades since its Broadway premiere, WICKED stands as one of the most successful and beloved musicals globally. With an audience of over 65 million people worldwide, it proudly holds the title of the 4th longest-running show in Broadway history. Accolades and Legacy Winner of over 100 major awards, including the Grammy Award, Olivier Award, six Helpmann Awards, three Tony Awards®, and six Drama Desk Awards, WICKED continues to enthrall audiences with its originality and depth. As proclaimed by USA Today, WICKED is “A complete triumph! An original musical that will make you laugh, cry and think.” Captivating Performances Under the guidance of a stellar Australian cast, led by Courtney Monsma as Glinda and Sheridan Adams as Elphaba, the musical unfolds the captivating journey of two extraordinary women in the land of Oz. The ensemble cast, with their exceptional talent and dedication, brings this timeless tale to life with every note and step. Unravel the Origins of… Read More
Kendall Feaver’s illuminating portrait of a mother-daughter relationship, The Almighty Sometimes, will grace the stage of Southbank Theatre, with previews beginning on 15 April. This piece unfurls with biting humour and fierce honesty, a poignant coming-of-age story that meticulously explores the tribulations of adolescence entwined with the complexities of growing up under the shadow of mental illness. Authored by the talented Australian playwright Kendall Feaver, the play has received acclaim and recognition, winning the Judges Award at the 2015 Bruntwood Prize for Playwriting – Europe’s premier playwriting competition. It has also secured both the Victorian and New South Wales Premier’s Literary Awards, earmarking Feaver as a distinguished voice in contemporary theatre. In a new production helmed by Hannah Goodwin, audiences will see Nadine Garner (known for ABC’s Savage River) and Max McKenna (Muriel’s Wedding The Musical) bringing to life the roles of Renee and Anna, the mother-daughter duo at the heart of this narrative. They are joined by Louisa Mignone (The Twelve) and Karl Richmond (The Inheritance), adding to the play’s dynamic ensemble. The narrative arcs around 18-year-old Anna, who discovers her old stories, unveiling a vibrant imagination that seems alien yet thrilling. This discovery becomes the catalyst for Anna’s quest to redefine her identity beyond the mental health label that has dominated her life. Yet, this quest is met with resistance from her mother, her boyfriend, and even her therapist, setting the stage for intense familial and personal conflict. Feaver’s script resonates with the ongoing discussions surrounding mental health, capturing the heart of these… Read More
The Westin Melbourne is excited to announce its partnership with the internationally acclaimed Broadway musical WICKED, bringing the magic of musical theatre into the heart of Melbourne’s CBD. From March 2 through to June, an array of wonderfully WICKED-themed experiences will be on offer for guests and theatregoers, including bespoke accommodation packages, a decadent high tea, and a new cocktail menu of enchanting concoctions – sure to be ‘pop-u-lar’ with fans. View this post on Instagram A post shared by Wicked Musical Melbourne (@wickedmusicalmelb) Executive Chef, Apoorva Kunte shares, “Creating this menu has been a lot of fun and the friendship between WICKED’s main characters, Elphaba and Glinda, has been the inspiration to bring it to life. Using local and sustainable produce, I’ve paired ingredients that share a camaraderie and complement each other when served together, yet hold its own distinct characteristics and identities, just like the main leads. The show’s bright and vibrant colours also lead the high tea, with the iconic WICKED green taking centre stage”. Fans will get a fix of wicked flavours in the enchanting WICKED High Tea ($85 per person), sure to charm diners with every bite. Available daily from 11 – 5.30pm, the high tea serves up a selection of sweet and savoury treats, inspired by the whimsical world of Oz, accompanied by an Elphaba Fizz cocktail. Savoury items will include: A decadent assortment of sweets will follow, such as: Just a hop, skip, and a jump away from WICKED’s Melbourne home, the Regent Theatre, guests can turn a… Read More
In an era where the fantastical often mirrors the stark realities of our world, Wicked, the beloved musical, draws thousands into its emerald allure yet again, proving its timeless relevance and enchanting allure. Its latest revival in Melbourne, commemorating the 20th anniversary of its Broadway debut, prompts the perennial question: Does Wicked continue to cast its spell over audiences, or is its magic waning? From the moment you step into the opulent ambiance of the Regent Theatre, it’s clear that Wicked hasn’t lost an iota of its charm or vibrancy. The production, with its slick costumes, precise choreography, and larger-than-life sets, remains a testament to the creative ingenuity behind this spellbinding musical. Yet, it’s not the spectacle alone that keeps audiences riveted; it’s the effervescent energy and unparalleled talent of the cast that breathe new life into the familiar tale. Courtney Monsma’s portrayal of Glinda is nothing short of spectacular, infusing the character with a delightful mix of humor, warmth, and depth. Her interaction with Sheridan Adams’ Elphaba, whose vocal prowess and emotional range anchor the show, makes for a compelling narrative of friendship, rivalry, and redemption. Together, their performances not only captivate but also elevate the material, making every note of “Defying Gravity” resonate with a fresh sense of urgency and inspiration. While the production eloquently showcases the dazzling spectacle that fans expect, it’s the underlying themes of social justice, acceptance, and the consequences of ambition that give Wicked its lasting appeal. The musical deftly navigates these complex issues, making it as much a… Read More
Can can can they capture the Absinthe fairy magic as the Luhrmann-inspired jukebox musical returns to Melbourne? As the multiple Tony Award-winning Moulin Rouge! The Musical makes its grand encore at the majestic Regent Theatre, it’s an experience that transcends mere entertainment. Adapted from Baz Luhrmann’s iconic 2001 film, this theatrical extravaganza has once again captured the hearts of audiences, reigniting the magic of maximal musical nostalgia in a way that only the Moulin Rouge can. The visual spectacle is unparalleled, with Derek McLane’s dazzling scenic design creating an immersive world that spills off the stage and through the fourth wall. The already-majestic Regent Theatre radiates the red light district glow of hand-painted bulbs, transporting the audience back in time to the infamous Parisian club’s heyday with a touch of actual Absinthe fairy magic. Returning stars Alinta Chidzey and Des Flanagan shine even brighter in their roles as the rags-to-riches courtesan Satine and her penniless suitor Christian. Their kilowatt chemistry illuminates the show, bringing to life the 70-plus tunes woven into this jam-packed jukebox musical with remarkable grace. Their vocal prowess, combined with the demanding choreography and magnificent costumes, creates a mesmerizing experience for all in attendance. The intricately stitched orchestration, under the command of Australian musical director Matthew Carey, seamlessly weaves iconic songs into the narrative, adding layers of depth and emotion to the performance. From Beyoncé’s ‘Single Ladies (Put a Ring on It)’ paired with Lorde’s ‘Royals’ to Elton John’s ‘Your Song’ and Dolly Parton’s ‘I Will Always Love You’, the musical tapestry… Read More
“Groundhog Day” at the Princess Theatre in Melbourne is a theatrical tour de force that defies the expected pitfalls of film-to-stage adaptations with aplomb. Touted as ‘Matilda for grown-ups’, this musical delves into its existential premise with both hands, pulling out themes of despair and redemption that resonate profoundly within its audience. The narrative arc of the show, much like its temporal loops, spirals deeper into the psyche, exploring the limits of personal growth amidst a backdrop of absurdity and routine. The ensemble cast, led by the stellar Andy Karl, enlivens the small Pennsylvanian town with performances pitched perfectly between the whimsical and the profound. Karl’s Phil Connors is an anti-hero for the ages, evincing a spectrum of emotion that endears as much as it repels. Elise McCann’s Rita, with her stirring rendition of ‘One Day’, provides a foil to Phil that is both grounding and aspirational, ensuring the production’s emotional beats are both earned and impactful. Genius stagecraft coupled with Tim Minchin’s razor-sharp lyrics elevates the commonplace into a commentary on life’s cyclical nature. Repetition here is not redundant but revelatory, offering the audience new insights with each iteration— a testament to the narrative and thematic depth carved by Danny Rubin’s book. The meticulous play with props and set design, particularly in scenes such as the ‘Hope’ number, exemplifies the ingenuity at work. Ending on notes that evoke both introspection and uproarious applause, “Groundhog Day” is a triumph in storytelling that is unabashedly comedic yet profoundly human. Its success with local audiences and the… Read More