Category: THEATRE

Melbourne theatre: Charlie and the Chocolate Factory is on in August

Charlie Chocolate Factory 3

If your childhood dreams of binge eating chocolate in a factory made of dreams never quite came true, then give it a second chance: Charlie and the Chocolate Factory is coming to Melbourne in August. Playing at Her Majesty’s Theatre, it will follow a hugely successful season in Sydney. Tickets will go on sale on Friday 15 March at 1pm.  Willy Wonka, the most amazing, fantastic, extraordinary chocolate maker the world has ever seen, is played by Paul Slade Smith. Slade Smith was part of the original Broadway cast of Charlie and the Chocolate Factory, appearing as Grandpa George, and most recently appeared in the Broadway revival of My Fair Lady at Lincoln Center. Ninety and a half year old Grandpa Joe, an enthusiastic storyteller and eternal optimist, is played by Australian show business royalty Tony Sheldon. Sheldon is best known for playing the role of Bernadette in Priscilla, Queen of the Desert for over 1,900 performances in Australia, New Zealand, London, Toronto and on Broadway, winning the Theatre World Award and nominations for the Tony Award as Best Actor in a Musical, the Drama Desk Award, the Drama League Award and the Outer Critics Circle Award. In the role of Mrs Bucket, a kind, caring mother and a woman of few words, is Lucy Maunder. Most recently Lucy played songwriter Cynthia Weil in Beautiful: The Carole King Musical, and prior to that toured New Zealand, Adelaide and Perth in Matilda: The Musical, in which she played Miss Honey and was nominated for a Helpmann Award. Jake Fehily and Octavia Barron Martin play Augustus Gloop and Mrs Gloop, Karina Russell and Stephen Anderson are… Read More

The bard is back: Shakespeare by the Bay is on again in Sydney

Shakespeare Sydney 3

Back by popular demand, Shakespeare By The Bay by Bard On The Beach, Watsons Bay Boutique Hotel and the Woollahra Council, brings world-renowned Shakespearean performances to life. Get your ‘tithers’, ‘whithers’, thines and mines and all your oxymorons ready as the magic of the words of William grace the beach to the stunning backdrop of Sydney Harbour. It’s kind of like the Handa Opera on Sydney Harbour, only Shakespeare. The troupe will be putting on classics like The Life and Death of King John as well as The Comedy of Errors all from Robertson Park in Watsons Bay. Performances will run during the evening over two weeks 1st March – 10th March, from Friday through to Sunday. And you can even bring your dog! This year will also introduce Bard & Bark for the performance on 3 March of “The Comedy of Errors”. A dog friendly evening for you to enjoy the works of Shakespeare with the WHOLE family. See the wonder of William’s work at: The Life and Death of King John: Friday 1st, Saturday 9th, Sunday 10th The Comedy of Errors: Saturday 2nd, Sunday 3rd, Friday 8th Time: 7:30pm – 10:15pm Get tickets at the website.

Who’s who? The cast of West Side Story on Sydney Harbour has been announced

West Side story

They’re doing something different this year. Every year, Opera Australia puts on a grand outdoor performance of their headline act for the autumn-winter season, but this year, they’re trying something new. The Handa Opera on Sydney Harbour (HOSH) isn’t doing an opera this year, rather a modern production of West Side Story and the cast is epic. They’ll take to Opera Australia’s famous over-water stage and join opera/musical crossover stars Julie Lea Goodwin and Alexander Lewis, the role of the fiery Anita will be played by Melbourne-born Karli Dinardo, who is gaining attention as a rising musical theatre star in the U.S., with performances in Hamilton(National Tour), West Side Story (Carnegie Hall), and the starring role in Flashdance (National Tour). Karli will be joined on stage by her sister, Luca Dinardo, who will play the tomboy Anybodys, pitching the sisters against each other on opposing sides of the famous West Side Story gang rivalry. “I was blown away by the calibre of Australian performers that auditioned,” said Associate Director and Choreographer, Julio Monge. See it from 22 March to 21 April 2019, or for more, go to the Opera Australia website.

Saturday Night Fever is coming to Sydney with sparkling new cast

Saturday Night Fever

The lol-times movie from the 70s that glued John Travolta in our minds with those killer dance moves is making it stage debut in Sydney this year with a brand new line-up. Australian theatre producer John Frost recently announced the leading performers and the rest of the cast of the iconic hit musicalSaturday Night Fever, which will premiere in Sydney at the Sydney Lyric Theatre from 27 March 2019. The production’s lead role of Tony Manero has gone to rising star Euan Doidge, Helpmann Award nominated for his role in Priscilla Queen of the Desert, after performing in Les Miserables, A Chorus Line and the Gordon Frost Organisation’s Grease and Legally Blonde. Needless to say, he’s up to the part. As Stephanie Mangano, the best dancer at the nightclub, will be Melanie Hawkins. Melanie has previously appeared in Singin’ In The Rain, Strictly Ballroom the Musical, King Kong Live on Stage and Rock of Ages. Paying homage to the classic movie, Saturday Night Fever will be packed with disco classics, including the Bee Gees’ greatest hits Stayin’ Alive, How Deep Is Your Love, Night Fever, Tragedy and More Than A Woman. Saturday Night Fever tells the story of 19-year-old Tony Manero, a Brooklyn youth whose weekend is spent at the local discotheque, where life lights up on the disco floor. There, Tony luxuriates in the admiration of the crowd and a growing relationship with Stephanie Mangano, and where he can temporarily forget the realities of his life, including a dead-end job in a paint store and his gang of deadbeat friends. See more at the production’s website.

Gay and Loathing in Bris Vegas: Coming to screens in 2019

Gay Loathing Bris Vegas 1

There’s a 14-part web series coming to the internet in 2019 that everyone – especially the gays – needs to watch. It’s about Australia’s most fervently boringly brilliant city: Brisbane. But more notably, what exactly the marginal percentage of people who identify themselves as part of the city’s LGBTIQ community do to fill the time, and how that all unfolds. Set in the historic city of Brisbane, Australia, Gay and Loathing in Bris Vegas explores the lives of seven central characters over the course of two days in the cul-de-sacs of where they live. The blueprint for the characters are portrayed by local Brisbane actors Sean Dennehy, Leigh Buchanan, Paul Newlands, Michael Deed, Josh Walker, Peter Wood, Jake Orlando-Cowan is based on the comedy scripts written by John B. Uren and Craig Rossiter. It all explores what happens when the most exciting thing in town is a man-made beach. It tells the self-deprecating tale of a popular-with-the-gays city in a tracksuit where sequins come to die and how the Brisgays survive. They go to breakfast, they glare. They go to brunch, they loathe. They go to Instagram, they judge. They go to Grindr, they regret. They end up at Sporty’s and wonder why. Presented by Cloudland Pictures, “It’s the Kath and Kim of gay Brisbane. It’s suburban Australia brought to life with hysterical comedy”, says Leigh Buchanan, who portrays Garette, a bored homemaker who loves to drink and is the partner of Nathan (played by Sean Dennehy). Have a look at the cast talk about the new… Read More

Nominees for the 2018 Sydney Theatre Awards are…

Sydney Theatre Awards2

The Seymour Centre is about to play host to Sydney’s Theatre Awards for 2018 after the nominees were announced. It’s time to get excited. Nominations in the 33 categories were spread across 49 productions which played on Sydney stages during 2018. Sydney Theatre Company has a clean sweep in the Best Mainstage Production category with Blackie Blackie Brown, The Harp In The South, The Resistible Rise of Arturo Ui and Saint Joan all vying for the award, the first time one theatre company has dominated all nominations in this category. The nominees for Best Independent Production are The Flick (Outhouse Theatre Company in association with Seymour Centre), Metamorphoses (Apocalypse Theatre Company in association with Red Line Productions), Stupid Fucking Bird (New Theatre) and There Will Be A Climax (Red Line Productions in partnership with NIDA). The Sydney Theatre Awards are presented annually by a group of leading theatre critics to celebrate the strength, quality and diversity of theatre in Sydney. The panel consist of Elissa Blake (Audrey Journal), Jason Blake (Audrey Journal), Deborah Jones (The Australian), Jo Litson (Limelight), John McCallum (The Australian), Joyce Morgan (The Sydney Morning Herald), Ben Neutze (Time Out), John Shand (The Sydney Morning Herald) Diana Simmonds (Stagenoise), Cassie Tongue (Time Out) and Suzy Wrong (Suzy Goes See). Here are the nominees… BEST MAINSTAGE PRODUCTION Blackie Blackie Brown (Sydney Theatre Company) The Harp in the South (Sydney Theatre Company) The Resistible Rise of Arturo Ui (Sydney Theatre Company) Saint Joan (Sydney Theatre Company) BEST INDEPENDENT PRODUCTION The Flick (Outhouse Theatre Company in association with Seymour Centre) Metamorphoses (Apocalypse Theatre Company in association with Red Line Productions) Stupid… Read More

Underground Cinema: HOTEL

Underground Cinema Hotel 2

The Secret Squirrel crew go above and beyond in setting the scene for Underground Cinema’s nights out at the movies. Previous highlights include recreating Casablanca’s Rick’s Café América in in a hangar (complete with World War II-era plane) and The Life of Brian’s Roman-occupied Judea in the sandy grounds of the Australian Centre for Contemporary Art, featuring live camels. But a new standard was set in Underground Cinema’s latest offering, with Melbourne’s iconic Windsor Hotel turned into The Grand Budapest Hotel. Hotel guests decked out in their 1940s finest checked in and enjoyed the sumptuous feast, full bar and dancing in the Grand Ballroom. A quick walk down the hallway allowed guests to indulge their sweet tooth in the recreated Mendl’s Pâtisserie, complete with towers of pink pastry boxes, a chocolate fountain and plates of tiny desserts as if Agatha had made them herself. Lobby boys in perfectly-pressed purple uniforms later gathered guests to take us for stroll around the block to St Peter’s Church Hall, recreating the mountaintop monastery where Monsieur Gustave and Zero made their escape. Melbourne rain substituted alpine snow perfectly. Monks settled guests into their seats for the film and ensured our glasses were full. Kudos to the Underground Cinemas actors remaining in full character when I sneezed in the front row and a monk blessed me profusely; divine intervention which I’m convinced cured my hay fever. Wes Anderson’s witty, adventurous, cinematic romp which looks good enough to eat was the perfect end to Underground Cinema’s 2018 season. If the Secret Squirrel’s Immersive Cinema… Read More

When does Book Of Mormon Sydney close? Sooner than you think

Book Moron

The Book Of Mormon has had a good run in Sydney and around Australia, but for those who’re planning on seeing it before it goes for good, you’d better act quickly!  Following a record-breaking season, The Book of Mormon will hold its final performance at the Sydney Lyric Theatre on Friday 8 February 2019. Sad times. The show will then move north to the Lyric Theatre, QPAC from 16 March followed by the Festival Theatre, Adelaide from 27 June 2019. Final Sydney tickets will go on sale on 17 December from BookOfMormonMusical.com.au After an epic run of 752 Australian performances since opening at Melbourne’s Princess Theatre in January 2017 for a one year run, before moving to the Sydney Lyric Theatre from 27 February 2018, it’s time for the book to close on the Sydney leg and carry the highly successful production north to share it with the rest of Australia.  At the 2017 Helpmann Awards, The Book of Mormon was crowned winner of the coveted Best Musical award, while Trey Parker and Casey Nicholaw were awarded Best Direction of a Musical. Tickets are available from BookOfMormonMusical.com.au

Evita the Musical in Melbourne: A review

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If you had asked me – before the announcement of this production – which Australian performer would be best suited to play the role of Eva Peron in Evita, I doubt I would’ve been able to think of any. Yet, as soon as the casting was announced I was simultaneously surprised, excited, and relieved that the enormously talented Tina Arena had been cast. (Full disclosure – I am a huge Tina fan).  With effortless delivery and commanding vocal range, Arena takes hold of the legendarily demanding role and delivers a multiple standing ovation-worthy performance; one that is sure to be remembered by all who bear witness. Setting the tone and direction of the story Kurt Kansley as charmingly sardonic narrator Che, captures the audience from the outset with cynical asides and humour and like Ms. Arena, delivers a pitch perfect performance imbuing Tim Rice’s simple lyrics with deep understanding. Paulo Szots’s gutsy Peron is grounded, rich and much more three-dimensional than other interpretations and is both refreshing and absolutely right.  The powerhouse ensemble was the glue that brought the show together and effortlessly delivered a new standard in cohesiveness and unity that punctuated and allowed the score to flow with ease. The greatest privilege was to be able to see the original production design, choreography,and costume. With a strong reference to Brechtian staging and direction it allows the performances to be the focus of every moment and shows great restraint that perfectly balances the grandeur of the subject matter that led to the world’s fascination… Read More