Category: ARTS & CULTURE

The Marriage of Figaro is back with Stacey Alleaume taking stage

Stacey Alleaume Mirrage Figaro

Since joining the program in 2016, Melbourne-born opera singer Stacey Alleaume has kicked goal-after-goal. From making us laugh out loud in her 2018 role in The Turk in Italy to making us cry as Violetta Valery in La Traviata of the same year, she’s a star on the rise and one the company’s thankful for in the 2019 season where Stacey will take on the role of Susanna in The Marriage of Figaro. Stacey will share the role with fellow soprano, Julie Lea Goodwin who crushed her role as Wendy in the Australian focused production of the famed artist Brett Whiteley in Whiteley. Alongside Paolo Bordogna – who Stacey has worked very closely with previously in The Turk in Italy – who’ll bring his charming Italian flavoured baritone skills to the stage as Figaro Set in the 1600s – a good century before Mozart actually wrote the opera – it’s a spectacular take on the highs and lows of a tale that makes a hero of the underclass, highlights the class divisions of the time and foreshadows the French Revolution that was brewing on the near horizon. See more about the production and get your tickets at the Opera Australia website.

Gaming, technology and dance take to the Camden stage in Sydney

Shaun Parker Zone

When Shaun Parker does a show, it makes headlines. The last instalment that was KING as part of the 2019 Sydney Gay & Lesbian Mardi Gras was testament to that. And this theatrical season, the company is back with In The Zone, a production that brings gaming technology and dance together on stage. It’s about mesmerising Airsticks technology which creates sound through movement, alongside outstanding hip-hop choreography from Shaun Parker himself, the Sydney choreographer and Artistic Director of this incredible company.  Performed by Western Sydney street and hip-hop dancer Libby Montilla, In The Zone will take you on a journey into the world of limitless imagination inspired by gaming and escapism. Creating an unforgettable show for all ages, In The Zone is perfect for dance lovers, avid gamers and those ready to witness a breathtaking combination of exceptional choreography and modern technology. The show will premiere at the Macarthur Auditorium, Camden Civic Centre, Oxley Street, Camden, NSW 2570 on Friday 13 September from 7pm. See more at the production’s website.

CHICAGO comes to Sydney with an Australian star cast

Chicago Capitol Theatre

It’s popped up in the Australian rotation a few times in the past couple of decades. Chicago made it to Melbourne in 1998 with Caroline O’Connor as Velma, made it back in 2009 with her in the same role, along with a list of cast members including Sharon Millerchip, Gina Riley as Mama Morton and Craig McLachlan as Billy Flynn. But it’s the 2019 production, curtain called in Sydney recently, that is the main heralding of something quite great. Cast members Natalie Bassingthwaighte, Alinta Chidzey, Casey Donovan and Tom Burlinson will take on the roles of Roxie Hart, Velma Kelly, Mama Morton and Billy Flynn, in that order, for the season at the Capitol Theatre until 20 October. Under the production of John Frost and Suzanne Jones and the international creative team, associate director Tania Nardini and associate choreographer Gary Chryst, it’s a show that’ll give packed auditorium-after-auditorium of all that jazz. It might even give the currently running Broadway version of the production a run for its money. The legendary Kander and Ebb musical has been seen by over 31 million people worldwide in 36 countries and is the winner of six Tony Awards, two Olivier Awards and a Grammy Award.  What’s CHICAGO about? Set amidst the razzle-dazzle decadence of the 1920s, CHICAGO tells the story of Roxie Hart, a housewife and nightclub dancer who murders her on-the-side lover after he threatens to walk out on her. Desperate to avoid conviction, she dupes the public, the media and her rival cellmate, Velma Kelly, by hiring Chicago’s slickest criminal lawyer Billy Flynn to transform her malicious crime… Read More

Mushrooms at Somerset House: The Art, Design and Future of Fungi

Beatrix Potter, Hygrophorus puniceus, pencil and watercolour, 7.10.1894,

This right here is the kind of work that sets Somerset House apart and makes for January 2020’s next exhibition you need to see. Doesn’t matter if you take them, cook them or eat them, the humble ‘shroom is a wealth of point of interest, all its own. This exhibition explores that in all its glory, from the mind and talent of curator and writer Francesca Gavin. Through the work of over 40 artists, designers and musicians, Mushrooms celebrates the rich legacy and incredible potential of the remarkable fungus, the ideas it inspires in the poetic, spiritual and psychedelic, and the powerful promise it offers to combat the human devastation of the planet. Throughout the exhibition, international artists will delve into their take on the concept of the mushroom, spanning large-scale sculpture, hand-cut collage, painting, drawing, photography, film and performance. The incredible versatility of mushrooms is also explored in new, conceptual pieces from designers working across architecture, furniture and fashion, including a 3D-printed mycelium chair from Eric Klarenbeek, light shades and stools from Sebastian Cox and Ninela Ivanova, and mushroom based textiles. It all goes down on 31 January 2020 to 26 April 2020. See more at the Somerset House website.

Sydney Dance Company’s ‘Us 50’ is a celebration of and homage to dance

Dance Us 50

A double bill will take to the Sydney Dance Company’s stage this November; a celebration of all the Company has done over the past 50 years. Entitled Us 50, the double bill, a creative undertaking by artistic director Rafael Bonachela and choreographer Gideon Obarzanek, will celebrate through dance, the last 50 years of the Company’s influence in taking Australian dance to the world. Comprised of past and current dancers to grace the Company’s stage, the work will also feature members of the dance community in Australia. It’ll embed the Sydney Dance Company as a production company for the people and give a little back through the chance to take to the stage with renowned dancing athletes in an intimate, celebratory way. “When we speak about 50 years of a dance company we also speak about 50 years of dance making,” said Gideon. “What is made, however, is ephemeral. The dancer’s body… can be videoed and photographed but dance itself only truly exists when it is danced. So, the history of the company is stored and transmitted through the bodies of its dancers and collected in the memory of its audiences.” Couple with that with the production of Bonachela’s award winning 6 Breaths. Since its 2010 premiere 6 Breaths has toured to New York, London, Barcelona, the Venice Biennale and the prestigious Movimentos Festival in Germany. A symphony of dance, music by Italian composer Ezio Bosso and costume design by Josh Goot, this is an emotive and breathtaking master work. See more at the Sydney Dance Company’s website.

Opera Australia’s got a new, large season for 2020

Opera-Aida-2

Opera Australia is making good use of those floating 3D digital screens of theirs for the latest season of operatic magic at the Joan Sutherland Theatre at the Sydney Opera House in 2020 – it’s going to be large! They’ll pump out a range of opera’s greatest hits along with some rare gems that will feature the best talent from around the world including a record number of alumni from OA’s Young Artists Program. The likes of Renée Fleming, Jennifer Rowley and Carmen Topciu to name just a few will make their cameos, alongside some other OA favourites. Meanwhile Melbourne will see a return of Graeme Murphy’s Madama Butterfly, which will be the first of the Company’s critically acclaimed digital productions to be performed in the State Theatre. For more, head to the Opera Australia website.

Outdoor movies in London: Film4 Summer Series at Somerset House

This August, right in the heart of London at Somerset House, Film4 Summer Series will take over the courtyard to host an outdoor cinema experience under the London summer sky. It’s a strictly limited season, winding up on 21 August, uniting film fans in an array of cult and mainstream film choices. The line up features some winning movie choices of our time from a nice spread of eras, alongside food offerings by Jimmy Garcia’s BBQ Club on site and top-class DJ spinning tunes as the sun goes down each night. On screen, the likes of Pain and Glory kicked off the festival on 8 August, with movies such as The Matrix, God’s Own Country, Straight Outta Compton and Clueless carrying the rest of the festival out. See the full line-up and get tickets at the Somerset House website.

Coming to Buckingham Palace: the Art and Spectacle of George IV

George IV feature

George IV: Art & Spectacle is at The Queen’s Gallery, Buckingham Palace from 15 November and it really is one to see. He’s the man who turned Buckingham Palace into a Palace, built the residence in Brighton and amassed collections from around the world in such great volumes that he’s almost like the patron saint of the Royal Collection. What sits inside the Palace owes a lot to the late King (1762–1830), renowned for his Bacchante ways and art promulgation. He was hated by many, but sat at the throne for a long time and for good reason, casting the reach of Britain further in the creative realm than any other. From 1811, George ruled as Regent, due to the decline in the mental health of his father, George III. By the time he came to the throne in 1820, aged 57, he was intensely disliked by a nation tired of his extravagant lifestyle. Today he is perhaps best known as the rotund, gout-ridden, drunken buffoon lampooned by the satirists of the day for his acrimonious marriage to Princess Caroline of Brunswick and his many mistresses. Set against the backdrop of the French Revolution and Napoleonic Wars, and a period of unprecedented global exploration, George IV: Art & Spectacle considers the Monarch’s public image, taste for the theatrical and exotic, admiration of French style and all-consuming passion for collecting. It will present George as a man of extreme contrasts: on the one hand, a recklessly profligate showman, and on the other, a connoisseur with intellectual interests whose endless… Read More

V&A goes green: Supporting Extinction Rebellion with a new display

Extinction Rebellion 1

The Victoria and Albert, V&A, Museum in London has announced something new: they’ve newly acquired work that supports the movement of Extinction Rebellion (XR). The group is known for their non-violent demonstrations of civil disobedience and disruption, who’ve busied themselves since 31 October 2018, urging the UK government to declare a climate and ecological emergency and commit to reduce emissions to net zero by 2025. They have grown into an international movement with over 363 groups active in 59 countries around the world. And now, the V&A is putting them on show. Given by the Extinction Rebellion Arts Group, a coalition of graphic designers, artists and activists responsible for XR’s Design Programme, the objects reveal how XR has harnessed the power of open-source design to develop a coherent and impactful visual identity and sought to foster a collaborative ‘do-it-together’ movement recognisable across the globe. The objects have been acquired through the V&A’s Rapid Response Collecting programme that enables the acquisition and immediate display of design objects that address questions of social, political, technological and economic change. The collection includes: A digital file of the Extinction Symbol – the logo designed by east-London artist ESP in 2011 and adopted by XR in 2018 The Extinction Symbol website where the symbol is available for download for non-commercial use The first printed pamphlet issued by XR group outlining its ‘Declaration of Rebellion’. The immediate popularity of these pamphlets makes this example from the first print-run extremely rare, while the screen-printed text and graphics outline the emphasis XR placed… Read More

Julie Andrews in London: The actress talks about her new memoir

Julie Andrews

She burst into our hearts with Mary Poppins in ’64, solidified our love for her with The Sound of Music in ’65 and proved she can do funny with The Princess Diaries alongside Anne Hathaway in 2001, but if there’s one thing we can all be certain of, it’s that Dame Julie Andrews is the diamond in the crown of entertainment royalty. And now in 2019, in a UK-exclusive event, the Southbank Centre will present ‘A Conversation with Dame Julie Andrews’, a one-time special event that will see the beloved star discuss her highly anticipated memoir, Home Work: A Memoir of My Hollywood Years. She’s known for her trademark honesty and lively wit and will no doubt use it to her full advantage in a personal reflection on her extraordinary career. Andrews will talk in details about the experiences of stage and film roles that have garnered her multiple awards and a very special place in the world’s heart. Andrews will take the audience on a very special, very intimate journey spanning more than half a century as she talks about her movie and stage experiences, the music and songs that shot her to fame and hopefully, the surgery that stifled her angelic chords all the way back in ’97. There’ll even be a pre-arranged Q&A for the Dame after the interview. An allocation of tickets goes on sale to Southbank Centre Members at 10am on Tuesday 30 July and a further allocation goes on sale to the General Public at 10am on Wednesday 31… Read More