Category: LONDON

Magician Jamie Allan prepares to amaze at Marylebone Theatre, London

Amaze

Renowned magician Jamie Allan is set to make a triumphant return to London after a sensational sold-out residency in Chicago. Bringing his critically acclaimed show, Amaze, to the Marylebone Theatre from Thursday 25 July to Saturday 24 August, this marks Jamie’s first UK performances in over seven years. A Fusion of Magic and Technology Amaze isn’t just any magic show; it’s an immersive, story-driven spectacle that combines state-of-the-art technology with timeless conjuring techniques. This groundbreaking performance puts wonder directly into the hands of the audience, making them feel like an integral part of the magic. Jamie Allan, celebrated globally for his innovative and high-tech approach to magic, has sold millions of dollars’ worth of tickets worldwide and shattered box office records. His journey began as a teenager when he premiered his revolutionary iMagic creation on ITV’s This Morning in 1995, captivating audiences with his cutting-edge illusions. Since then, Jamie has continuously pushed the boundaries, incorporating holograms, laser beams, 3D video mapping, and interactive social media elements into his performances to mesmerise spectators. A Stellar Career and Show Highlights Jamie starred in the West End hit Impossible and toured the UK for three consecutive years with his award-winning show iMagician, which debuted at the Garrick Theatre in London’s West End in 2015. The show made its US debut in 2018, becoming the highest-selling magic show in Chicago during his residency at the 1,525-seat Harris Theatre. In 2021, Jamie co-created Illusionarium and Magic Immersive, both receiving critical acclaim. His book, Everything, published in 2023, garnered widespread praise… Read More

East London Shakespeare Festival (ELSF) brings Much Ado About Nothing to London

a group of people holding up a group of posters

There are lots of events in London parks throughout the summer, but few are so purposeful in their mission in injecting the wholesome feeling that comes from community theatre as the East London Shakespeare Festival. In parks dotted all around London this summer, the Shakespeare theatre company will be showing one of the bard’s most popular plays, Much Ado About Nothing. And if you’ve got kids, bring them along! The group is keen on getting kids involved to plant those seeds of interest and enjoyment of Shakespeare’s work from a young age. They put on some crafty options that kids go wild for. It’s the kind of thing that just makes you smile. And the cast do a truly excellent job of blending contemporary reality with Shakespearean whimsy that you can very easily get into. Throw in a little crowd participation and dance choreography that is as funny as it is engaging, there really is something for everyone. If you’re not a theatre or community theatre-goer particularly, my suggestion is to throw off your preconceptions, go and surprise yourself. In Shakespeare’s delightful comedy, Much Ado About Nothing, audiences are transported to the enchanting setting of a modern-day Messina where sun-soaked mischief and romance intertwine under the Mediterranean stars. Filled with witty banter, clever trickery, and heartwarming moments, this opulent tale showcases the triumph of love amidst playful deceptions, showcasing the vibrant tapestry of human emotions and relationships set against a backdrop of timeless charm and laughter. The East London Shakespeare Festival is known for its… Read More

Take One Picture: children inspired by Henri Rousseau’s Surprised!

Surprised 1891 Henri Rousseau 1844 – 1910 oil on canvas

This summer, the National Gallery will showcase children’s artworks in the annual Take One Picture exhibition, with pupils across the country having taken inspiration from Rousseau’s Surprised! For nearly thirty years, the Gallery has been inviting primary school children nationwide to focus on one painting from the collection and respond creatively, following their own questions and ideas, and this year’s program has been the biggest yet: 300 schools took part – more than a 60% increase from last year. The program aims to put art at the center of children’s learning across the curriculum, inspiring creativity, curiosity, and a lifelong connection with artists’ work. By exhibiting a selection of the projects produced, the program also provides a platform for celebrating children’s work, building pride and confidence in their achievements, and fostering a sense of ownership and belonging in the Gallery. This year’s painting, Rousseau’s Surprised!, is perennially one of the Gallery’s top 20 most popular and visited paintings. Rousseau produced the work without ever leaving his native France; the foliage is a mix of domestic house plants and tropical varieties, which he had seen at the Botanical Gardens in Paris. An amateur artist who painted as a hobby and failed to get serious recognition from his contemporaries, Rousseau is now seen as a pioneer of the “naïve art” movement. Year 4 at Langland Community School, Milton Keynes, were drawn to the tiger’s worried expression and wondered if he was in danger from poachers. The children researched the endangerment of tigers and their habitat through deforestation… Read More

Theatre review: Invocación at Sadler’s Wells

InvocacionBolera JesRobisco 11

If ever you wanted to know what an eardrum throbbing 24+ sets of Spanish castanets sound like for an hour, then Rubén Olmo’s “Invocación” at Sadler’s Wells is for you. Performed by Ballet Nacional de España, is an ambitious blend of four distinct pieces that encapsulate the richness of Spanish dance. The evening unfolds with ‘Invocación Bolera’, which revives the 18th-century bolera dance, a fusion of traditional Andalusian folk and classical styles. The opening transports us to a 1920s MGM melodrama with its castanets-led performance and Goyesque costumes. It’s got Hollywood flair that showcases what it is to choreograph en masse. When second performance ‘Jauleña’ begins, there’s dramatic lighting design by Ginés Caballero and Felipe Ramos that highlights the dancers’ movements beautifully. It’s not a purely flamenco rendition and does an alright job of combining styles to a fairly contemporary backing track. ‘Eterna Iberia’ comprises five movements showcasing refined technique with castanets, Spanish capes, and Cordobes hats. The lighting design by Nicolás Fischtel evokes the essence of Degas’ ballerina paintings, while the music by Manuel Moreno-Buendía recalls Manuel de Falla’s El Amor Brujo. Although the costumes by Yaiza Pinillos are fitting and beautiful, the dancers again show their ability to command the stage with choreography that is more an exercise in ‘cape-ography’ and costuming generally. An intermission resets the narrative and in the second half of the show a band appears for ‘De lo Flamenco’, which is a triumph, featuring live music that breathes life into the production and invigorates the performers. Noelia Ruiz delivers… Read More

All about London Zoo’s bicentenary celebration

Woman statue hippopotamus

In a remarkable initiative brimming with nostalgia and promise, the Zoological Society of London (ZSL), the esteemed conservation charity steering the venerable ships of London Zoo and Whipsnade Zoo, proudly announces the launch of “History Hive”. This visionary project, unveiled with palpable excitement on Monday, 29 April 2024, precisely two years ahead of its much-anticipated bicentenary, beckons the public to partake in bringing ZSL’s illustrious 200-year narrative vividly to life. Amid the frenzy of anticipation for this landmark celebration, History Hive stands as a beacon, inviting an eclectic tapestry of submissions ranging from cherished zoo memorabilia to poignant personal recollections. This includes anything from whimsical vintage zoo toys and treasured historic tickets to heartfelt correspondence and detailed maps, all weaving together to enrich ZSL’s understanding of its multifaceted history. Imagine the exhibition in 2026, shimmering with artefacts both from the ZSL’s treasure trove and the public’s contributions, narrating the legacy of ZSL’s profound impact on animal care, conservation efforts, and the quintessential fabric of London and British culture at large. Among the already notable items within ZSL’s archives are rarities such as a first edition of Charles Darwin’s On the Origin of Species, a 1940s limited-edition bear-shaped soap commemorating Brumas the polar bear’s birth, historical zookeeper uniforms encapsulating decades of change, and a decoratively painted ostrich egg celebrating the 1931 opening of Whipsnade Zoo. This ambitious call to action not only seeks physical artefacts but also vibrant stories for ZSL’s Oral History Archive, aiming to immortalise firsthand accounts and celebrate the charity’s enduring legacy of… Read More

British Museum and Huw Locke explore legacies of Empire

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The British Museum has embarked on a groundbreaking collaboration with the esteemed Guyanese-British artist, Hew Locke, for a significant new exhibition delving into how the Museum’s collection reflects the enduring legacies of British imperial power from centuries past to the present day. This innovative exhibition, co-curated by Locke, will showcase iconic objects from the Museum’s vast collection alongside specially commissioned new works by the artist himself. Throughout his illustrious career, Locke has demonstrated a profound interest in objects and the narratives they harbor. His connection to the British Museum collection dates back to his formative years as a student in London, where he frequented the Museum of Mankind to draw inspiration from its ethnographic collections. This forthcoming exhibition marks a milestone as Locke’s first venture into artist-curated museum exhibitions, offering him a unique opportunity to delve deeply into a museum collection unlike ever before. The rich history and holdings of the British Museum intertwine closely with the narrative of the British Empire. This exhibition is poised to dissect these intertwined histories while engaging with the contemporary debates swirling around cultural heritage. By focusing on Britain’s historical interactions with Africa, India, and the Caribbean—regions that significantly influenced Guyana, Locke’s place of upbringing—the exhibition will serve as a personal exploration by utilizing interventionist techniques to reframe historical objects within the collection. Locke’s exploration aims to unravel the intricate ways in which museums are entangled in the legacies of Empire, embracing the complexities and ambiguities of these narratives. Rather than providing definitive answers, Locke seeks to provoke introspection… Read More