Tag: London Gallery

National Gallery London offers chance to see magnificent Carracci cartoons

magnificent Carracci cartoons

Next spring, art enthusiasts will have the rare opportunity to witness the magnificent Carracci cartoons up close at the National Gallery. Displayed in Room 1, these extraordinary works, created around 1599, are not just impressive in size—nearly four metres wide and two metres tall—but also in their delicate execution using charcoal and white chalk. Given their fragility and grandeur, these masterpieces are seldom exhibited, making this a truly special occasion. The Carracci cartoons entered the National Gallery’s collection in 1837, thanks to a generous gift from Lord Francis Egerton. Before that, they belonged to the esteemed artist Sir Thomas Lawrence. Originally, these grand drawings were crafted as preparatory works for the painted ceiling in the gallery of Palazzo Farnese, one of Rome’s Renaissance treasures, now housing the French Embassy. The commission was initiated by Odoardo Farnese, a cardinal and the younger son of the Duke of Parma. In 1594, he enlisted the talented Carracci brothers from Bologna to adorn his family palace with artistic splendour. Upon their arrival in Rome, Annibale and Agostino Carracci drew from the grandeur of antique sculptures and the masterpieces of Michelangelo and Raphael to conjure an idealised vision of the classical world, celebrating the loves of the gods. The resulting ‘Galleria Farnese’ became a beacon of inspiration for generations of artists. The two cartoons on display are largely the work of Agostino, though Annibale is believed to have contributed to their creation. They depict scenes from Ovid’s Metamorphoses—stories of transformation that were integral to the frescoed ceiling in the Farnese… Read More

A digital journey through the National Gallery’s rich history

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As we delve into the heart of the National Gallery’s captivating legacy, a treasure trove of stories and experiences awaits, unveiling the profound impact of art on lives and communities. The gallery’s illustrious history is woven with tales of generosity, evolution, and the remarkable individuals who have contributed to its timeless allure. A Legacy of Artistic Influence Life surrounded by art clearly had an impact on several young children of the National Gallery’s founding figures – two of whom later exhibited at the prestigious Royal Academy as esteemed artists, testament to the profound influence of artistic immersion from a young age. Threads of Generosity and Growth Numerous narratives within NG Stories spotlight groups instrumental in nurturing the collection’s growth. The 113 subscribers who united to purchase Constable’s iconic “The Cornfield” in 1837, grounding a legacy that resonates to this day. Additionally, reflections on pivotal campaigns to preserve masterpieces by Titian for the nation in 1972, 2008, and 2012 underscore the enduring impact of collective generosity, shaping the collection’s remarkable scope. Evolution of Roles and Significance NG Stories delves into the evolution of pivotal roles at the Gallery, encompassing scientific, learning, framing, and art handling aspects, each intricately woven into the fabric of the Gallery’s mission. This exploration illuminates the vital significance of these roles in the day-to-day care of the collection, enriching our understanding of the meticulous curation and preservation efforts that safeguard the Gallery’s cultural treasures. Embracing Digital Enrichment Lawrence Chiles, Head of Digital at the National Gallery, expresses a resolute commitment to leveraging… Read More

What do Cezanne, Van Gogh, Rodin, Picasso and Matisse all have in common?

Bathers

They’re all on display at the National Gallery in London from 25 March to 13 August 2023. And it’ll be an exploratory experience not to be missed to kick off anyone’s year. Along with Klimt, Käthe Kollwitz, Sonia Delaunay, Kandinsky and Mondrian, the exhibition After impressionism: investing modern art will explore and celebrate Paris as the international artistic capital, while focusing on the exciting and often revolutionary artistic developments across other European cities during this period.    Starting with the towering achievements of Cezanne, Van Gogh, Gauguin and Rodin, visitors are able to journey through the art of the late 19th and early 20th centuries created in cities such as Paris, Barcelona, Berlin, Brussels and Vienna. The exhibition closes with some of the most significant modernist works, ranging from Expressionism to Cubism and Abstraction. For more information and tickets, head to the National Gallery website

Coming to Buckingham Palace: the Art and Spectacle of George IV

George IV feature

George IV: Art & Spectacle is at The Queen’s Gallery, Buckingham Palace from 15 November and it really is one to see. He’s the man who turned Buckingham Palace into a Palace, built the residence in Brighton and amassed collections from around the world in such great volumes that he’s almost like the patron saint of the Royal Collection. What sits inside the Palace owes a lot to the late King (1762–1830), renowned for his Bacchante ways and art promulgation. He was hated by many, but sat at the throne for a long time and for good reason, casting the reach of Britain further in the creative realm than any other. From 1811, George ruled as Regent, due to the decline in the mental health of his father, George III. By the time he came to the throne in 1820, aged 57, he was intensely disliked by a nation tired of his extravagant lifestyle. Today he is perhaps best known as the rotund, gout-ridden, drunken buffoon lampooned by the satirists of the day for his acrimonious marriage to Princess Caroline of Brunswick and his many mistresses. Set against the backdrop of the French Revolution and Napoleonic Wars, and a period of unprecedented global exploration, George IV: Art & Spectacle considers the Monarch’s public image, taste for the theatrical and exotic, admiration of French style and all-consuming passion for collecting. It will present George as a man of extreme contrasts: on the one hand, a recklessly profligate showman, and on the other, a connoisseur with intellectual interests whose endless… Read More

National Gallery London presents Leonardo’s Legacy: Francesco Melzi and the Leonardeschi

National Gallery Leonardeschi 1

It’s been a hot minute since Leonardo da Vinci died (500 years), so the National Gallery London is doing something to commemorate him. They’re presenting a bunch of work from artists called the Leonardeschi, who’re basically disciples of the famed artist. On loan, the Gallery has secured the work Flora by Francesco Melzi from the State Hermitage Museum, St Petersburg, which it’ll display close to The Virgin of the Rocks and The Burlington House Cartoon, both by Leonardo, that can be seen in Gallery 66 of the National Gallery. “We are excited to have loaned Flora by Francesco Melzi to the National Gallery and to see her as the central focus of this fascinating display which explores the work of Leonardo’s closest friends and disciples. This represents the first time that Flora has been seen outside of Russia since it was restored by Maria Shulepova, revealing details and rich colouring which had been lost for decades under layers of old varnish,” said professor Piotrovsky, director of the State Hermitage Museum. The painting is being displayed alongside ten other key works by the so-called ‘Leonardeschi’ from the National Gallery Collection in a free, month-long display in Room 12. This is the first time the painting has been seen in the UK and the first time it has been seen outside of Russia since its restoration. Its restoration was just what the work needed. Undertaken in Russia, it uncovered the picture’s true colours of ultramarine blue and hidden details like flowers growing from the walls of the dimly lit… Read More