Category: OPERA

What to see at Victorian Opera’s 2025 season

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Victorian Opera’s Season 2025 is set to be a dazzling display of theatrical brilliance, blending rare operatic masterpieces with the glitz of Broadway and literary adaptations. Topping the season’s bill is the first-ever fully staged production of Stephen Sondheim’s Tony Award-winning musical, “Follies,” running from February 1-6 at the iconic Palais Theatre in St Kilda. Picture this: a run-down theatre on the brink of demolition becomes the backdrop for a starry reunion of former chorus girls, rekindling the magic of their interwar performances. With luminaries like Marina Prior, Antoinette Halloran, and Rhonda Burchmore gracing the stage, it’s bound to be a spectacle that will go down in Australian musical theatre history. Under the expert artistic direction of Stuart Maunder AM, Victorian Opera continues to innovate and enchant. After their previous successes with productions like “Sweeney Todd” and “My Fair Lady,” Maunder once again teams up with Tony Award-winning designer Roger Kirk AM to bring this glamorous vision to life. The musical prowess of Phoebe Briggs and Orchestra Victoria will ensure a mesmerizing auditory experience. Come August, the Palais Theatre will once again be abuzz with excitement as Victorian Opera presents a fresh take on Mozart’s “The Abduction from the Seraglio.” This darkly comic opera is a heady mix of romance, heroism, and a touch of humor, set against Mozart’s emotionally charged score. Directed by Constantine Costi and featuring talents like Cleo Lee-McGowan and Katherine Allen, this production promises a thrilling ride through an operatic landscape filled with loyalty, love, and laughter. October brings us “Katya… Read More

Bell Shakespeare in Sydney has a new lineup

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Well, folks, strap yourselves in because Bell Shakespeare is rolling out a 2025 Season that’s hotter than a Sydney summer, and it’s all about celebrating their 35th anniversary in style. For the first time in almost three decades, they’re bringing Shakespeare’s political rollercoaster, Coriolanus, to the stage. You can catch this epic tale of war and politics at The Neilson Nutshell in Sydney and the Fairfax Studio in Melbourne. It’s a story as fresh as your morning flat white, directed by the talented Peter Evans. The star-studded cast features Logie winner Hazem Shammas and the legendary Peter Carroll, so you know it’s going to be a banger. And speaking of bangers, let’s talk about their new production of Henry 5, helmed by the celebrated Marion Potts, making her grand return to Bell Shakespeare after 15 years. This production is spicing things up with a female lens on the timeless tale of young men off to war. The spotlight shines on Lebanese Australian actor JK Kazzi, making his mainstage debut, and trust us, he’s set to make waves. Henry 5 delves into the gritty realities of war, the price of power, and the journey from reckless youth to revered leader. It’s Shakespeare at his finest – raw, real, and ready to rumble. Not to be outdone, the national tour of Romeo & Juliet will be whisking theatre-goers off their feet in 26 venues across this great land. Artistic Director Peter Evans is at it again, bringing his 2023 hit production to life with newcomer Madeline Li… Read More

Guys & Dolls comes to stage on Sydney Harbour

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Get ready to don your fedoras and swing into the vibrant world of 1950s Manhattan as the iconic musical Guys & Dolls takes centre stage at the Handa Opera on Sydney Harbour in 2025. For those not in the know, Guys & Dolls is the stuff of legend. From its Broadway debut in 1950, where it bagged five Tony Awards including Best Musical, to its transformation into a Hollywood flick starring none other than Frank Sinatra and Marlon Brando in 1955, this musical has seen it all. Fast forward to its recent smash-hit revival on the West End, and it’s clear the toe-tapping tunes and vibrant dance numbers have a knack for standing the test of time. Opera Australia isn’t just giving us a standard run of the mill production either. They’re upping the ante with a fresh take helmed by Artistic Director Jo Davies. Known for her flair in directing large-scale operas and musicals across the globe, Jo is ready to bring her magic touch to Sydney’s mammoth outdoor stage. “Handa Opera on Sydney Harbour is so magical, just the walk through the venue to reach your seat creates such a sense of anticipation. I’m thrilled to be bringing a beloved musical like Guys & Dolls, with its wild ensemble dance numbers and brilliantly sharp comedy to this incredible stage,” she enthuses. And what a stage it is. This is no ordinary platform — it’s a whopper, two and a half times larger than any other in the country. With Brian Thomson, the creative… Read More

Opera Australia doing Cinderella this summer

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Opera Australia, in partnership with Sydney Festival, is putting on Laurent Pelly’s mesmerising opera rendition of Massenet’s Cinderella (Cendrillon), set to enchant spectators on New Year’s Eve at the iconic Sydney Opera House, a standout event in the Company’s forthcoming 2025 summer season. This enchanting and widely acclaimed adaptation of the beloved fairy tale, Cinderella, will unveil its magic in Australia following triumphant runs at The Metropolitan Opera of New York and the Royal Opera House Covent Garden. A momentous occasion for OA, as this marks the debut of this opera within its repertoire, with the esteemed Artistic Director Jo Davies kicking off her inaugural summer season with the spellbinding Cinderella, featuring a stellar trio of Australia’s finest vocal talents. Leading the cast is Emily Edmonds, making her mark after her time with the Jette Parker Young Artists Program at the Royal Opera House, portraying the enchanting Cinderella. Margaret Plummer, returning from Vienna, steps into the role of Prince Charming, while the acclaimed Australian soprano, Emma Matthews, graces the stage as the Fairy Godmother. Reflecting on the exceptional casting choices, Ms. Davies expressed her delight, stating, “I’m truly thrilled to have secured such immensely talented Australian singers to headline this magnificent production for its premiere in Australia in 2025. Bringing Margaret back to Australia and reuniting with Emily and Emma at OA is a casting coup for me, and I eagerly anticipate the commencement of rehearsals later this year. This promises to be a delightful spectacle for all audiences and a standout feature of my… Read More

Why see Tosca this summer at the Royal Opera House London

Tosca Royal Opera House

With a rich history dating back to 1732, this iconic institution has flourished as a premier venue for opera and ballet. The Royal Opera House serves as the home for both The Royal Opera and The Royal Ballet, with its grand auditorium renowned for its superb acoustics and opulent architecture.

Opera Australia bring ‘Breaking the waves’ to Melbourne

Opera Australia Breaking the waves

For the first time in Melbourne, Missy Mazzoli and Royce Vavrek’s “Breaking the Waves” will startle audiences, as it has across the world, including acclaimed seasons at Brooklyn Academy of Music (BAM), Edinburgh Festival, and Adelaide Festival. Opera Australia will present a Melbourne exclusive, one-night-only semi-staged performance of this contemporary opera on 26 July at Hamer Hall, helmed by Melbourne Theatre Company’s Artistic Director Anne-Louise Sarks and conducted by the award-winning Jessica Cottis. This will be Sarks’ first foray into opera, which she says offers an exciting opportunity to expand her creative output in a new direction. “Opera is an entirely different type of theatre; the sheer drama of the music adds a greater depth and dimension to the storytelling and allows us immediate access to the inner life of these characters. I am looking forward to working with some of Australia’s finest singers and musicians to bring this story to life. Breaking the Waves brings together some brilliant female creatives. Composer Missy Mazzoli, conductor Jessica Cottis, and designer Marg Horwell are world leaders in their fields, and it is so special to collaborate with them on this project,” said Ms. Sarks. Dubbed by Time Out as “Brooklyn’s post-millennial Mozart,” Mazzoli is one of the most exciting composers working anywhere in the world, and her adaptation of von Trier’s film has been acclaimed as one of the 21st century’s best operas. Opera Australia filled Hamer Hall last year with its critically successful “Satyagraha,” and “Breaking the Waves” presents the perfect opportunity for a musically adventurous… Read More

A rare Puccini opera production of Il Trittico in Sydney

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Opera Australia is poised to make operatic history next month with the world premiere of a groundbreaking new production of Puccini’s renowned but seldom performed trilogy, Il Trittico. This remarkable staging, commissioned by OA’s Artistic Director Jo Davies, will feature three of Australia’s most promising young directors – Constantine Costi, Imara Savage, and Shaun Rennie – each bringing their unique vision to one of the operas in the triptych. Il Trittico, a powerful collection of one-act verismo operas, offers a diverse experience that ranges from heart-wrenching tragedy to uproarious comedy, all within a single evening. This event marks the first occasion globally where a main stage production of Il Trittico is crafted by three individual directors, underlining the inventive spirit of this production. “We are incredibly excited to have these three extraordinary Australian directors animating Puccini’s magnum opus,” said Ms Davies. “This production tackles significant themes with resonant contemporary relevance, from the deep sorrow of losing a loved one to the intricacies of familial and financial entanglements. The genius of Puccini’s storytelling remains as poignant today as it was a century ago, reflecting our enduring human experiences and inspiring audiences to navigate life’s challenges with resilience and hope.” Constantine Costi will helm Il tabarro, a tale of tense love set on a gritty barge, brought to life by Australian baritone Simon Meadows, soprano Olivia Cranwell, and tenor Viktor Antipenko in his Australian debut. Imara Savage directs the melancholic Suor Angelica, featuring soprano Lauren Fagan as the grieving nun in a convent garden, with OA chorister… Read More

Hamlet coming to the Sydney Opera House

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One of the most successful operas ever composed by an Australian, Brett Dean’s internationally acclaimed Hamlet will finally make its long-awaited Sydney Opera House debut with Opera Australia next month. Directed by Australian theatre royalty, Neil Armfield and based on Shakespeare’s infamous play, Hamlet premiered in 2017 at the Glyndebourne Festival UK and has since been staged at the Adelaide Festival, New York’s Metropolitan Opera, and most recently at the Munich Opera Festival. With Dean’s evocative music and thrilling libretto by Canadian Matthew Jocelyn offering audiences additional insights into the inner world of thought and emotion of the crazed son trying to avenge his father’s death, Hamlet is an invigoratingly modern interpretation of Shakespeare’s revenge thriller. Armfield has created a “viscerally physical” (Sydney Morning Herald) production, collaborating with Australian designers Ralph Myers and Alice Babidge to produce a slick royal court with darkness at its heart. Contemporary opera specialist, Anglo-German conductor Tim Anderson will make his Australian debut to guide the Opera Australia Orchestra through Dean’s immensely complex and astoundingly raw, visceral score comprising electronic music and cinema-like surround sound effects. Known as the ‘tortured tenor’ due to his extraordinary performances, British tenor Allan Clayton will reprise the demanding title role opposite homegrown soprano Lorina Gore, singing her spellbinding Helpmann-winning performance as Ophelia, and tour-de-force American baritone Rod Gilfry as Claudius. Australian mezzo-soprano Catherine Carby makes a welcome return to Opera Australia to make her role debut as Gertrude alongside an outstanding local cast and the Opera Australia Chorus, while Scottish accordionist James Crabb will… Read More