Category: ART

Art is a serious subject: the UK campaign to reignite the study of creativity

Royal Academy imagination

The value of art in our schools is immeasurable. Urgently, we need to bring it back. Yes, times are hard and budgets are tight. But that’s not why art is drying up in our schools. The truth is more complicated. Over time, our school curriculum (both primary and secondary) has been re-structured to focus on core subjects and tests at the expense of everything else. The knock-on effects of these changes are damaging art education in the UK. Schools are measured – and judged – on what’s tested, so teachers have to focus their time and energy on those subjects. On top of that, teachers don’t get proper training in art education, while those who are trained are leaving the profession. No art teachers. No art rooms. No art lessons. And none of the mind-expanding, question-prompting, wild creativity and confidence art brings to the classroom. It’s all going, going… Each one of these changes is hard to reverse. You can’t magic up art teachers and art rooms once they’re gone. It’s time to fight for them. The ‘easy option’ has never been harder “Art education has rarely been taken as seriously as other subjects in schools, and studying art is all too often understood to be an ‘easy option’”. Vanessa Jackson RA. Yet art teaches children to question. It wakes up imaginations. It builds confidence. It encourages children to see the world differently and to make their mark. But making and studying art in our classrooms is getting harder and harder. A curriculum that focuses… Read More

Masterpieces of French Impressionism return to Melbourne at NGV

French impressionist painting

In a world where art speaks louder than words, the 2025 presentation of the French Impressionism exhibition at the NGV is set to be an unmissable event for art enthusiasts and curious minds alike. Originally unveiled in 2021 but quickly shuttered by the pandemic, this exhibition offers Australians a second chance to dive into an ocean of artistic rebellion and beauty, featuring one of the most significant collections of French Impressionism ever to grace our shores. On loan from the Museum of Fine Arts in Boston, this collection charts the daring trajectory of the late-nineteenth-century movement that shook the art world to its core. These French Impressionists had a flair for the dramatic, boldly rejecting the rigid conventions of the state-sponsored Salon to showcase their ‘impressionistic’ masterpieces independently. This exhibition captures that spirit of defiance and innovation, inviting visitors to explore the thoughts and musings of the artists themselves, preserved in letters, journals, and articles. Through their words, the exhibition reveals the intricate web of social connections, artistic inspirations, and personal rivalries that united this band of creative mavericks. The exhibition design is nothing short of a masterpiece itself—an immersive experience that transports audiences into the vibrant world of Impressionism. With its distinctive brushwork, striking use of colour, and unique perspectives, the exhibition takes you on a visual journey to the beloved locales of the artists, such as the bustling streets of Paris, the serene Fontainebleau Forest, and the idyllic gardens of Giverny. It’s like strolling through a gallery, except the gallery is alive with… Read More

New exhibition at Ames Yavuz: Andre Hemer’s Techno Dreaming

Ames Yavuz

Ames Yavuz, a leading contemporary art gallery in the Asia Pacific, is currently showcasing an intriguing solo exhibition titled Techno Dreaming by the renowned New Zealand-born, Vienna-based artist André Hemer. Open to the public at the gallery’s Reservoir Street location until 9 November, this exhibition promises to captivate art enthusiasts and the curious alike with its innovative approach to exploring the intersection of digital technology and artistic creation. In Techno Dreaming, André Hemer invites viewers to navigate through a series of new paintings and video works that delve into the artistic possibilities birthed by digital technology. Hemer’s creative process is an intricate dance between nature, generative algorithms, and artistic labour, prompting reflection on what it means to create art in an era where the lines between physical and digital experiences are increasingly blurred. This marks Hemer’s fifth solo exhibition with Ames Yavuz, where he unveils vibrant floral landscapes in radiant hues of blue, gold, and orange. The series is born from a unique AI ‘dreaming’ process, where software trained on Hemer’s personal archive of paintings, photographs, and recordings reimagines each work anew. This fusion of soundscape, video work, light projection, and acrylic on canvas pushes the boundaries of traditional painting and imagery, inhabiting the space between reality and imagination. Hemer elaborates on his thematic exploration, stating, “I chose to title the exhibition Techno Dreaming as it’s an evocative way to describe the unknowingness of AI generation. Like our own dream state, it’s elusive and you can never have the same one again. That’s what art… Read More

National Gallery London offers chance to see magnificent Carracci cartoons

magnificent Carracci cartoons

Next spring, art enthusiasts will have the rare opportunity to witness the magnificent Carracci cartoons up close at the National Gallery. Displayed in Room 1, these extraordinary works, created around 1599, are not just impressive in size—nearly four metres wide and two metres tall—but also in their delicate execution using charcoal and white chalk. Given their fragility and grandeur, these masterpieces are seldom exhibited, making this a truly special occasion. The Carracci cartoons entered the National Gallery’s collection in 1837, thanks to a generous gift from Lord Francis Egerton. Before that, they belonged to the esteemed artist Sir Thomas Lawrence. Originally, these grand drawings were crafted as preparatory works for the painted ceiling in the gallery of Palazzo Farnese, one of Rome’s Renaissance treasures, now housing the French Embassy. The commission was initiated by Odoardo Farnese, a cardinal and the younger son of the Duke of Parma. In 1594, he enlisted the talented Carracci brothers from Bologna to adorn his family palace with artistic splendour. Upon their arrival in Rome, Annibale and Agostino Carracci drew from the grandeur of antique sculptures and the masterpieces of Michelangelo and Raphael to conjure an idealised vision of the classical world, celebrating the loves of the gods. The resulting ‘Galleria Farnese’ became a beacon of inspiration for generations of artists. The two cartoons on display are largely the work of Agostino, though Annibale is believed to have contributed to their creation. They depict scenes from Ovid’s Metamorphoses—stories of transformation that were integral to the frescoed ceiling in the Farnese… Read More

NG Stories launches: hear the tales you’d never know existed

National Gallery art

This week marks the launch of NG Stories: Making a National Gallery, an exciting new immersive digital experience that delves deep into the human histories surrounding the National Gallery. Running from 4 October 2024 to 12 January 2025, this exhibition is set to captivate audiences by highlighting the lives and contributions of those often forgotten in the annals of art history, including 14 Victorian children who grew up within the Gallery’s walls. NG Stories is part of the NG200 digital engagement programme, supported by Bloomberg Philanthropies, and promises to blend the digital with the physical, offering visitors a unique glimpse into the Gallery’s 200-year history. This initiative brings to life the stories of the Gallery’s first housemaid, the Keepers, and porters who resided in the building, as well as the key figures involved in the acquisition of artworks for the nation. Visitors will explore two rooms on the Gallery’s ground floor. The first features interactive and immersive elements that place the visitor at the heart of the experience. The second room takes them on an audio-visual journey through the Gallery’s rich past, enhanced by a soundscape that blends ambient sounds from bustling public areas with behind-the-scenes recordings of staff at work. The exhibition also reimagines the famous wartime concerts of pianist Myra Hess, combining archival footage with a new soundscape. This segment shines a light on the people behind these concerts, including composer Howard Ferguson and Joyce Grenfell, who famously quipped about the concert sandwiches, ‘We made sandwiches that became justly famous for being complementary… Read More

If you like art, then you need to visit Royal Academy London

Royal Academy art

At the dawn of the 16th century, the artistic landscape of Republican Florence became the stage for an extraordinary convergence of talent and ambition. Three illustrious figures of the Italian Renaissance—Michelangelo, Leonardo da Vinci, and Raphael—found themselves vying for the favor of the city’s most influential patrons. On January 25, 1504, Florence’s leading artists gathered to determine the rightful home for Michelangelo’s nearly completed masterpiece, David. This pivotal meeting included Leonardo da Vinci, who, like Michelangelo, had recently returned to his birthplace, setting the scene for a creative rivalry that would shape the Renaissance. The exhibition, beginning with Michelangelo’s acclaimed Taddei Tondo, delves into the competitive yet inspiring relationship between Michelangelo and Leonardo, and the profound impact they had on the youthful Raphael. Visitors will encounter some of the finest examples of Italian Renaissance drawing, including Leonardo’s Burlington House Cartoon and preparatory studies by both Leonardo and Michelangelo for their murals commissioned by the Florentine government for the newly built council hall in the Palazzo Vecchio. Organised by the Royal Academy of Arts, London, in collaboration with the Royal Collection Trust and the National Gallery, this exhibition offers a captivating journey through the artistic rivalry and collaboration that defined a pivotal era in art history. Michelangelo, Leonardo, RaphaelFlorence, c. 15049 November 2024 – 16 February 202510am–6pm, Tuesdays to Sundays10am-9pm, Fridays

New art in Sydney Glenn Barkley comes to Sullivan+Strumpf

Glenn Barkley Assorted works in studio 2024. Image courtesy the artist and SullivanStrumpf. Photography by Ainslie.Co

Get ready to dive into the wonderfully bizarre world of Glenn Barkley as Sullivan+Strumpf’s Sydney gallery rolls out the red carpet for his latest solo exhibition, “experimental idiocy.” From Thursday, November 14 until Saturday, December 21, 2024, visitors will have the chance to explore a compelling new body of work that turns the fleeting digital chatter and shifting political climate into enduring pieces of art. Barkley, a trailblazer in the ceramics field, is pushing boundaries once again, transforming everyday digital noises into permanent art statements. His work in “experimental idiocy” features text from political speeches and online rhetoric, emblazoned onto ceramics to create a lasting commentary on our evolving cultural landscape. You’ll encounter phrases like “double haters” and “Anglosphere mind virus,” each firing up a conversation about the world we live in. This exhibition marks Barkley’s first solo outing in Australia following a string of successful museum projects. Known for challenging traditional ceramic norms, Barkley’s latest creations abandon functionality, turning vessels into platforms for sharp social critique. The exhibition is not just about pushing clay; it’s about pushing ideas. Central to “experimental idiocy” is Barkley’s concept of “mnemonic archaeology,” where he digs into memories influenced by personal experiences and global changes. This introspective dive allows him to revisit past concepts, imbuing his work with profound depth and resonance. For those who are mad for ceramics or just curious about cutting-edge art, this exhibition is a must-see. Barkley, whose works are housed in collections both here and abroad, has also made waves with his book, “Ceramics:… Read More