Category: ARTS & CULTURE

Buckingham Palace opens for summer: See how Queen Victoria made it what it is

Buckingham Palace State Room

Buckingham Palace wasn’t always what it is today. And a lot of what made it so comes right down to the woman responsible; Queen Victoria. She was the first to use the Palace as a residence, the first to redo the inside, the first to throw three balls within its walls and made it so much more than a symbol of English monarchy. And now this summer from 20 July, the State Rooms of Buckingham Palace are opening to give you an inside look into the royal era that was filled with music, dancing and entertaining that characterised the Queen’s reign. It’s all a part of marking the 200th anniversary of the birth of Queen Victoria (1819–1901) and the exhibition Queen Victoria’s Palace tells the story of how the young monarch brought the Palace to life, transforming an empty royal residence into the most glittering court in Europe. She was only 18 when she became Queen and started turning things around, the tale of which the exhibition tells in great, visually sumptuous detail. You’ll tour the Buckingham Palace State Rooms, formed by Queen Victoria to host foreign dignitaries, throw parties and follow the pomp and ceremony of English Monarchy, developing trends and traditions that are still followed today. Ever wondered why the Royal family steps out on the balcony for public appearances? You’ll find out. Ever wondered whose idea it was to build the big east-facing balcony in the first place? Well, you’ll learn that, too. Ever wondered how many rooms-on-rooms-on-rooms there are in the inner western wing of Buckingham Palace… Read More

Gauguin’s portraits are coming to the National Gallery London

Gaugin

Paul Gauguin’s first-ever exhibition devoted to his portraits (1848–1903) will open at the National Gallery this October. On until 26 January 2019, the exhibition will show how the French artist, famous for his paintings of French Polynesia, revolutionised the art of the portrait. Gauguin was rarely interested in exploring his portrait sitters’ social standing, personality, or family background, which had been among the main reasons for painting portraits in the past.  The exhibition’s made up of sculptures in ceramics, wood paintings, drawings and more, even showing how Gauguin created a range of personifications including his self-image as Jesus Christ. Together with his use of intense colour and his interest in non-Western subject matter, his approach had a far-reaching influence on artists throughout the late 19th and 20th centuries including Henri Matisse and Pablo Picasso. The Credit Suisse Exhibition: Gauguin Portraits will show how the artist – inspired by his time spent in Brittany, France and French Polynesia from the mid-1880s to the end of his life in 1903 – became fascinated by societies that to him seemed close to nature. With their folk-tale heritage and spirituality, these communities appeared to him to be far removed from the industrialisation of Paris. See the exhibition at the National Gallery in London from October to 26 January 2019. See more at the Gallery’s website.

Cut Copy and London’s Somerset House Summer Series takes over the West End

Somerset House Cut Copy

Across eleven nights of open-air gigs, Somerset House Summer Series with American Express will be pumping out music, food and drinks and good vibes, while the sun’s in the sky and everyone’s mood is high. The Series is all about bringing a vibrant festival atmosphere to the very heart of London with a programme of pioneering musicians across a range of genres For example, on Friday 19 July, Melbourne band Cut Copy will take to the stage right in the middle of Somerset House, serving up some of the band’s latest work, an entirely new flavour all their own. “Shaking off some of the Balearic and acid house leanings heard on older releases, their new tracks favour Afrobeat textures, dubby rhythm sections and sweeping disco synths with an upbeat, effervescent tone that reflects their Melbourne origins,” says Somerset House. Summer Series gives music fans a live experience unlike any other, with the rare chance to see critically acclaimed artists plus some of the best up and coming performers in a spectacular yet intimate setting. Before Cut Copy, London was looking at the likes of Nao, Sons of Kemet, Jacob Banks and Rosalia + Badgirl$. See the full line-up here. The series ends on 21 July, so get in quickly, or sign up to Somerset House’s newsletter for when they do it again.

Free gay exhibition for London Pride: Kiss My Genders

Art London 4

Southbank Centre’s Hayward Gallery is offering free admission to all visitors for its latest exhibition, Kiss My Genders from 11am – 7pm on Saturday 6 July.  The new exhibition Kiss My Genders is all about celebrating more than 30 international artists whose work explores and engages with gender identity. Spanning the past 50 years, Kiss My Genders brings together over 100 artworks by different generations of artists from around the world. Employing a wide range of approaches, these artists share an interest in articulating and engaging with gender fluidity, as well as with non-binary, trans and intersex identities. If acceptance, joy and tolerance are your thing, then this exhibition is for you. Give it a shot at the Southbank Centre and see more at the website.

Autumn literature season at London’s Southbank stars Louis Theroux, Nadiya Hussain and more

Louis Theroux

Southbank in London, right along the Thames is where the city’s cultural centre really shines. From the National Theatre, to the Southbank Centre and the current Underbelly Festival that’s on right near The London Eye, there’s a lot to choose from; and now, thanks to the Southbank Centre, there’s even more. They’ve just announced their most jam-packed literature season to date with more than 35 events taking place from September to December 2019 across its three auditoriums: the Royal Festival Hall, Queen Elizabeth Hall and Purcell Room as well as in its National Poetry Library, Hayward Gallery and foyer spaces. It’s a whole season of non-fiction talks and discussions with leading writers and thinkers on topics from atheism to parenting to talking to strangers. It’ll also come with a raft of activities by leading authors who’ll talk about all things fiction, TV faces and comedians, reflecting on their careers with the launch of new books, live readings, panel discussions and new creative writing and poetry courses. Here are some of the highlights to look forward to: Talks and in conversation events with leading writers and thinkers including psychotherapist Philippa Perry, science writer Richard Dawkins, cartoonist Randall Munroe, writer Will Self and journalist Malcolm Gladwell Appearances from TV personalities including documentary filmmaker Louis Theroux, Queer Eye’s Antoni Porowski and The Great British Bake Off’s Nadiya Hussain who launch new books Comedians Richard Ayoade, in conversation with Adam Buxton, Sara Pascoe and Lenny Henry discussing new books whilst Hannah Gadsby brings her live show Douglas to Royal Festival Hall London exclusive appearances from award-winning fiction writers Malorie Blackman, Etgar… Read More

Movies on the beach in London: Fulham Beach Club Cinema opens

Fulham Beach Club cinema

Think bottomless popcorn, prosecco and a little ‘beach’ action, right in the middle of London: the Beach Club Cinema is here. Fulham Beach is being turned into a full cinematic experience, complete with al fresco set-up, to host weekly film nights, taking place every Tuesday throughout summer.  Complete with spectacular views over the London skyline, the Beach Club Cinema also comes with comfy deckchairs with blankets to keep the evening chill away, as well as the usual sound quality, food and quality movies you’d expect of a night at the cinema.  Each screening starts at 7:30pm, and is limited to 50 tickets. From award-winning movies, to cult classics and weepy rom-coms, the schedule features: the best damn romantic motion picture to grace the big screen, The Notebook; Cameron Diaz’s breakout role in There’s Something About Mary; leather pants and slicked back hair galore in Grease; 80s iconic film Dirty Dancing; and early noughties favourite featuring babyface Leo Dicaprio, The Beach, plus many more.  See more about tickets and get your own here, or here’s the info you need to know: Price: £15 for entry, film and seat and bottomless popcorn£30 for entry, film, seat, glass of prosecco, bottomless popcorn and a pizza£45 for two people with entry, film, seat, bottomless popcorn, pizza to share and glass of prosecco eachUnder 10 yrs: £10 for entry, film and seat and bottomless popcorn and soft drinks for under 10’s Schedule: 18th June The Notebook25th June There?s Something About Mary 2nd July Grease9th July Dirty Dancing 16th July The Beach 23rd July A… Read More

Aladdin on London’s West End just hit a major milestone

Aladdin Prince Edward Theatre Photographer Deen van Meer. © Disney

It was never going to be an easy feat to bring the magic of the blue, dusty, lamp-bound genie, a flying Arabic carpet and a mythical city to the small stage in the centre of London, but they did and now Aladdin has just turned three. Calling the Prince Edward Theatre ‘home’, the cast of Aladdin, led by Trevor Dion Nicholas as the wildly popular genie and Matthew Croke as Aladdin and Jade Ewan as Jasmine, Aladdin has been selling out the theatre to the tune of two million audience members since it first took to the stage. And to mark the occasion and the achievement, the audience of their third-year performance, were treated to a post-curtain appearance by the genie, who declared that each audience member that night would receive a limited edition poster commemorating the occasion. It’s a nice way to commemorate the accomplishment for the production that has cleverly and tastefully adapted the classic ’92 animated movie to the live stage with all the bells ‘n’ whistles you’d expect. Aladdin features the timeless songs from the 1992 animated film as well as new music written by Tony, Olivier and eight-time Academy Award winner Alan Menken (Beauty and the Beast, Newsies, Little Shop Of Horrors). And the whole production even does a stellar job of reproducing the famed ride on ‘Carpet’, the magic carpet, which is a spectacle for every kid – and adult – in the room. Aladdin is on every night, so check out timings and book tickets at the Prince Edward Theatre website.

Dark Mofo exhibition in Hobart: Mines; from the mind of Simon Denny

Simon Denny Mines Dark Mofo

An unnervingly vibrant dystopia opened on the eve of the madness that is Dark MOFO 2019. Curated by Jarrod Rawling and Emma Pike and taking two and half years from conception to exhibition, Mines will leave you feeling helpless. In the bowels of MONA is a colourful sign, “Mines”. Fittingly its physical location is buried beneath the earth.  But this is less about our traditional mineral past and more about the collection and manipulation of what we may see as intangible. Data. Our data. Metric monitoring of our behaviours and patterns. Allowing corporate entities to manipulate what we love, what we hate, what we must have. Using the bones of the classic boardgame, Squatter, Denny has amended its gameplay and thematics to reflect our era, our data.  Denny lulls us with space. He gives us room to move and the freedom to interact. With intelligent use of “The O”, augmented reality, designed by the MONA boffins, we are able to see how our interactions with the exhibit are collated and displayed real time. This speaks to the reality of our digital presence being commoditised and with the information space changing around us thanks to surveillance capitalism, one thing is clear, we are the resource. Come and see. Don’t be helpless, all alone. Mines is open until the 13th April 2020. Remember to download “The O”, from the iTunes App Store before you arrive, or collect a device from the lovely crew at MONA. Entry is $28, $25 concession, Tasmanians and under 18s get in for free.

LONDON: Botanist Gin and Little Yellow Door make new chlorophyll cocktail

Botanist cocktail

Notting Hill is known for a lot of things – thanks Hugh Grant – and now, it’s got another notch on its belt thanks to The Botanist Gin and local watering hole, The Little Yellow Door. Together they’ve made the city’s first chlorophyll-based brunch cocktail, served at the eclectic late-night cocktail bar to emulate the rip-roaring brunches their sister venue, The Little Blue Door has been making since last year. The drink’s called the Hangover and is an alcohol-infused body purifying breakfast tipple packs one hell of a punch with more health benefits than drinks can shake a stick at; a fresh, nutritional drink made with The Botanist Gin, elderflower, egg white, chlorophyll, served in a coupette with mint and chlorophyll perfume. It’s all available from 8 June on the Saturday menu forever. See more at the bar’s website.

HOBART: Dark Mofo’s Siloam – The end of the world and the giant iron arsehole

Dark Mofo Hobart Divine Comedy 2

Boys in high-vis have been digging through bedrock. When once we had to turn around and walk where we had been, we can now circumnavigate MONA. An endless loop. No more getting stuck at the entrance to Pharos and Faro.  Through the tunnels we find Confessional, by Oliver Beer. The Ammonoidea shaped construction of a noise dampened chamber, leading to the giant iron asshole flatulating ambience at MONA’s surface. Using a gramophone effect, patrons in the bowels of MONA can confess whatever they wish to be heard by whoever is near.  One level above Confessional is Ai WeiWei’s White House. The fixing free construction coming together like a giant lego set to show the skeleton of a Qing Dynasty home. Absolutely gorgeous. A hot red tunnel ascends from White House. Leading to your very own Virgil, your very own Beatrice. Ready to literally strap you into a harness to experience one of the circles of hell. Inferno for the everyman. For the everyman. A blueprint of a good life; in allegory and analogy. Dante’s, Divine Comedy. Not talking down to the people, talking to the people. Guiding. The Divine Comedy by Alfredo Jaar is the installation for the everyman. When words and science fail the everyman, when the everyman is failed by an ill-intended, overgrown system. Art could fill that void, to bluntly educate by “Look at this. Not good”. The Divine Comedy is an emotive hand-hold through a not too distant future. An experience where you can literally feel the heat and pressure of an Inferno from above and hear the rushing of water beneath your… Read More