Yentl at the Sydney Opera House: Queer, Quirky, and Utterly Captivating
Who knew Yiddish could be this much fun? The latest Yentl production at the Sydney Opera House, directed by Gary Abrahams and produced by Moira Finucane, breathes new life into the 1962 Isaac Bashevis Singer tale, and it’s an absolute riot. It’s not every day you get full frontal nudity and emotional turmoil sprinkled with comedy—but hey, here we are. In this story reimagined with modern flair, Amy Hack dazzles as Yentl, the woman who defies Orthodox Jewish tradition by disguising herself as a man to study religious scripture. Her performance is heart-wrenching, but also hilarious, thanks in large part to Evelyn Krape, who narrates and plays multiple roles, including Yentl’s father. Krape’s witty quips and goofy antics lighten the mood just when things get heavy, ensuring you don’t get lost in the drama. Whether she’s poking fun at the solemnity of faith or teasing Yentl’s romantic entanglements, she keeps the audience giggling. Hack’s emotional portrayal is backed up by the impeccable cast—Nicholas Jaquinot as Avigdor and Genevive Kingsford as Hodes are particularly strong, creating the perfect love triangle. And let’s not forget, these actors learned Yiddish for their roles, adding authenticity and nuance to the performance. Whether in moments of passion or quiet reflection, the cast pulls you into their world, making it feel as though you’re right there in the shtetl with them. While the storyline remains true to the original Yentl—love, faith, and the search for identity—the modern twist of queerness adds depth to the narrative. The exploration of gender, tradition, and… Read More
