Tag: Art London

Discover Constable and The Hay Wain at National Gallery London

Discover Constable and The Hay Wain

In the winter of 2024?25, as part of the NG200 celebrations, the National Gallery will host an extraordinary exhibition titled “Discover Constable and The Hay Wain”. This exhibition will centre on John Constable’s masterpiece, The Hay Wain (1821), and represents the first loan exhibition dedicated to Constable (1776–1837) at the National Gallery. The exhibition aims to explore the social, political, and artistic context in which The Hay Wain was created, highlighting the radical reception the painting initially received and its eventual acclaim. The timing of this exhibition is significant as it marks the bicentenary year of the National Gallery. In 1824, The Hay Wain achieved international recognition and was awarded a gold medal at the Paris Salon by French King Charles X. Today, The Hay Wain is a symbol of the quintessential British countryside and has become an icon in pop culture, though it was once regarded as a revolutionary reimagining of landscape painting. One of the primary goals of this exhibition is to trace the journey of Constable’s work into major collections and to celebrate significant donations to the national collections from Isabel Constable, his daughter, and art collectors such as John Sheepshanks and Henry Vaughan. The exhibition will delve into the acquisition history of The Hay Wain by the National Gallery in 1886 and examine the rise in both the painting’s and Constable’s popularity since then. The Hay Wain depicts a serene rural scene on the River Stour, near Flatford Mill, which was owned by Constable’s father. This setting reflects Constable’s intimate connection… Read More

See Saint Bartholomew by Bernardo Cavallino at National Gallery

Saint Batholomew art painting

Bernardo Cavallino’s Saint Bartholomew is an awe-inspiring Baroque masterpiece that will be on display in The National Gallery this April 2023. This painting, acquired at a Sotheby’s auction in New York and costing $3.9 million, is the only life-size work of the artist to be in a public collection. Cavallino, dubbed ‘the Poussin of Naples’ for his poetic handling of his subjects, was one of the leading Neapolitan artists of the first half of the 17th-century. No doubt influenced by Jusepe de Ribera’s naturalism as well as by Anthony van Dyck and Peter Paul Rubens, Cavallino was renowned for his small, sensitive paintings. His style is characterised by harmonious colours and virtuoso brushwork with stylised compositions. At 178.8 x 127 cm, Saint Bartholomew has been described as one of Cavallino’s best works – indeed it can be said to represent the full glory and emotionality of the Neapolitan Baroque school led by Caravaggio at its height. With its exhibition in Room 32 alongside other masterpieces from Italian Baroque artists such as Artemisia Gentileschi and Orazio Gentileschi, visitors can appreciate how vital a part this painting plays in telling the story of 17th century Italian art. The gallery already has another work by Cavallino – Christ driving Traders from Temple – but it does not have such a grand scale nor show off with quite so much emotional power as Saint Bartholomew does. 30 years after we last saw it go on public display (at Metropolitan Museum in New York), let us rejoice now that we… Read More

Masterpieces from Buckingham Palace: the December exhibition you need to see

Masterpieces from Buckingham Palace

This December, the Queen’s Gallery at the inner sanctum of Buckingham Palace is opening its post-Corona doors again, putting on a show that is a once-in-a-lifetime opportunity to experience Her Majesty’s collection. Bringing together 65 of the most spectacular paintings in the Royal Collection, which usually hang in the Picture Gallery, one of the State Rooms at Buckingham Palace, guests will view paintings widely acknowledged to be among the highlights of the Royal Collection, including spectacular works by Titian, Rembrandt, Vermeer, Van Dyck and Canaletto. The exhibition has been made possible by the removal of the paintings from the Picture Gallery to allow for essential works to take place as part of the Buckingham Palace Reservicing Programme. These works will include the replacement of electrics and pipework, some of which has not been updated since the 1940s. A team of art handlers and conservators have spent four weeks carefully emptying the Picture Gallery of paintings and decorative arts from the Royal Collection. Old Master paintings have hung in the room since it was first created for George IV in the 1820s. While the display of paintings is occasionally refreshed, the Picture Gallery has not been entirely emptied of its contents since it was last redecorated in 1976.  For more, to book a visit and explore more, visit the Royal Collection Trust’s website.

National Gallery London: Artemisia Gentileschi is back with more

Artemisia Gentileschi

The National Gallery London first announced the display of some work by the famed Italian female artist, Artemisia back in 2019 and now, she’s back again. At a time when female artists were not easily accepted, Artemisia Gentileschi was exceptional. Her career spanned more than 40 years and she gained fame and admiration across Europe, counting leading rulers among her patrons. She was the first woman to gain membership to the artists’ academy in Florence.  Although Artemisia was greatly admired during her lifetime, she was essentially rediscovered in the 20th century. Certain elements of her biography – particularly her rape as a young woman and the torture she endured during the trial that followed – have sometimes overshadowed discussions about her artistic achievements, but today she is recognised as one of the most gifted painters of the Italian Baroque period. Her art and life continue to inspire novels, films, documentaries, musical and theatrical productions. The earliest work in the exhibition will be her first signed and dated work, Susannah and the Elders (1610, Kunstsammlungen Graf von Schönborn, Pommersfelden) painted when she was just 17. Artemisia returned to this subject throughout her career, approaching its story afresh with each retelling, and her last-known painting, of the same subject, dating from 42 years later, will also be included in the exhibition (Susannah and the Elders, 1652, Polo Museale dell’Emilia Romagna, Collezioni della Pinacoteca Nazionale, Bologna). Arranged chronologically and complete with supporting texts, documents and other gathered works, the exhibition is not one to miss. Book in advance at the… Read More