One of the most successful operas ever composed by an Australian, Brett Dean’s internationally acclaimed Hamlet will finally make its long-awaited Sydney Opera House debut with Opera Australia next month.
Directed by Australian theatre royalty, Neil Armfield and based on Shakespeare’s infamous play, Hamlet premiered in 2017 at the Glyndebourne Festival UK and has since been staged at the Adelaide Festival, New York’s Metropolitan Opera, and most recently at the Munich Opera Festival.
With Dean’s evocative music and thrilling libretto by Canadian Matthew Jocelyn offering audiences additional insights into the inner world of thought and emotion of the crazed son trying to avenge his father’s death, Hamlet is an invigoratingly modern interpretation of Shakespeare’s revenge thriller.
Armfield has created a “viscerally physical” (Sydney Morning Herald) production, collaborating with Australian designers Ralph Myers and Alice Babidge to produce a slick royal court with darkness at its heart. Contemporary opera specialist, Anglo-German conductor Tim Anderson will make his Australian debut to guide the Opera Australia Orchestra through Dean’s immensely complex and astoundingly raw, visceral score comprising electronic music and cinema-like surround sound effects.
Known as the ‘tortured tenor’ due to his extraordinary performances, British tenor Allan Clayton will reprise the demanding title role opposite homegrown soprano Lorina Gore, singing her spellbinding Helpmann-winning performance as Ophelia, and tour-de-force American baritone Rod Gilfry as Claudius.
Australian mezzo-soprano Catherine Carby makes a welcome return to Opera Australia to make her role debut as Gertrude alongside an outstanding local cast and the Opera Australia Chorus, while Scottish accordionist James Crabb will join to perform the part written specifically for him.
For more info and tickets head to the Opera Australia website
Feature: Rod Gilfry as Claudius in Glyndebourne’s production of Hamlet in 2017 Photo credit: Richard Hubert Smith