Tag: sydney opera house

Sydney Opera: this January Turandot returns to Joan Sutherland

Yonghoon Lee Calaf Turnadot Opera 1

The last time Turandot was such a spectacle, it was the title performance of Handa’s Opera on Sydney Harbour and made for a light, sound and experiential spectacular that had to be experienced. Fast forward to 2022 and it’s taking over the Joan Sutherland Theatre in the Sydney Opera House, offering audiences members the moment, again, to hold their breath as Yonghoon Lee – an OA favourite – hits that famous Vincero note (I will will) at the end of Nessun Dorma (No one will sleep). It’s an especially exciting way to kick of the new year of music after almost two years of music deprivation around the world thanks to the pandemic. We’re aching for the angelic voices of Yonghoon Lee (Calaf), Karah Son and Mariana Hong (Liu) and a spread of other renowned Opera Australia talent. Not to mention, as OA Artistic Director Lyndon Terracini is pleased to announce that rising star Australian sopranoAnna-Louise Cole will share the title role. “Anna-Louise has been a member of our Young ArtistProgram and is ready to tackle these big roles. It is really exciting that she will make her role debutas Turandot so audiences in Sydney can hear what her voice can really do. What’s Turandot about? A fantasy opera of poetry and myth, Turandot transports audiences to an exotic world where fearand love go hand in hand. Viewers will be on the edge of their seats as suitors answer riddles atthe risk of death in an attempt to win the hand of the ice princess… Read More

Life drawing art classes at the Sydney Opera House

Opera-Australia-Tosca-life-drawing

Forget hundreds-year old operatic productions on the Joan Sutherland Theatre stage in the Sydney Opera House: this month it’s all about art. A one-time-only event on 12 March, the most beautiful set in Australian musical production, the first act scenery for John Bell’s acclaimed production of Tosca, will open to the public for the first time ever for a one-off life drawing class. Teaming up with Darlinghurst Life Drawing, Opera Australia is offering budding artists the opportunity to attend a two-hour drawing class, located right on the set of Tosca in the Sydney Opera House. Designed by Michael Scott-Mitchell, Act l of Tosca is a spectacular reproduction of Rome’s stunning Sant’Andrea della Valle church. So warm up those fingers, get those creative juices flowing and prepare for one of life’s once-off experiences like never before. For more info and to book, go to the Opera Australia website. Time: 7:00-9:00pm Cost: $125 + booking fee

Hear the greatest opera arias in 90 mins at Sydney Opera House

Merry Widow Opera

Described as the ‘best of opera without the boring bits’, Opera Australia is putting on a 90-minute show that’s jam-packed with tunes that most people will be familiar with and not realise! The opera masterpieces are famous around the world, not just the soundtrack from a commercial and come from a completely different time by some of the greatest musical minds in history. Performed by an all star operatic cast, they’ll perform tunes that the audience will no doubt recognise from car and pasta adverts, along with films such as Pretty Woman and Star Trek. On now until 3 March 2021, the performances go for 90 minutes for $69 for adults (fees may apply). Concession prices available. Opera Australia Box Office (02) 9318 8200 www.opera.org.au

Opera Australia’s got a new, large season for 2020

Opera-Aida-2

Opera Australia is making good use of those floating 3D digital screens of theirs for the latest season of operatic magic at the Joan Sutherland Theatre at the Sydney Opera House in 2020 – it’s going to be large! They’ll pump out a range of opera’s greatest hits along with some rare gems that will feature the best talent from around the world including a record number of alumni from OA’s Young Artists Program. The likes of Renée Fleming, Jennifer Rowley and Carmen Topciu to name just a few will make their cameos, alongside some other OA favourites. Meanwhile Melbourne will see a return of Graeme Murphy’s Madama Butterfly, which will be the first of the Company’s critically acclaimed digital productions to be performed in the State Theatre. For more, head to the Opera Australia website.

Hear Opera Australia’s orchestra director perform at the Sydney Opera Centre

Jun Yi Ma

If there was ever anyone to play a violin in precisely the way a violin is meant to be played, it’s Jun Yi Ma, Opera Australia’s orchestra director. In the production that is Under an Azure Sky in the Joan Sutherland Studio, Jun Yi Ma will recite the piece on 26 August from 7pm. The studio is known for its rich, acoustic walls and intimate setting, which Opera Australia will harness to continue its series of intimate recitals with a Mediterranean influenced performance. Pianist and Chorus Master Siro Battaglin will accompany Jun Yi Ma as they perform Under an Azure Sky as a small, but poignant ensemble that includes Ravel’s ethereal Introduction and Allergro, and Turnia’s Las musas de Andalucí along with further accompaniment from members of the Opera Australia Orchestra. Find the Joan Sutherland Studio at The Opera Centre, 480 Elizabeth Street, Surry Hills. See more at the Opera Australia website. Tickets from $65 + 8.50 transaction fee.

A chat with Yonghoon Lee, Calaf in Turandot by Opera Australia

Turandot Yonghoon Lee

New to opera, old to opera; it doesn’t matter. If there’s one voice you hear this season by Opera Australia, it’s Yonghoon Lee as Calaf in the company’s production of Turandot, on until 30 March. If there was ever a tenor to belt out the aria made most famous by the late Luciano Pavarotti, Nessun Dorma, it’s Yonghoon, who makes hitting that hair-standingly invigorating high C seem all too easy. Yonghoon is a Korean born opera singer, who’s established himself internationally as a leading tenor of his generation.  He has made debuts at most of the most prestigious theatres in the world, including the Metropolitan Opera, Teatro alla Scala, Chicago Lyric Opera and so many more, and has now joined OA to give some of their singers a taste. We had a chat with him off the back of his more-than-rousing performance in Turandot at the Joan Sutherland Theatre in Sydney Opera House recently. How exciting is it to perform for OA this year?  I’m so happy to work with OA. It has become a favourite place among opera singers, where we all want to perform. This year is especially exciting for me – I get to perform my favourite piece and production with my favourite artists, so it made me so thrilled to be here.  You can really blow the roof off with your rendition of Nessun dorma. How long have you been practising that aria?  I made my Calaf debut in 2012, but of course I sang this beautiful and famous aria long before 2012.  How emotionally invested do… Read More

Paolo Bordogna in The Turk in Italy by Opera Australia will make you actually laugh

Paolo Bordogna in The Turk in Italy

So, if there’s one thing you notice about operas that some of the world’s best opera companies like Opera Australia produce, is that a lot of them are really sad. Like, really sad. Everyone dies, there’s lots of heartache and you leave wanting more, but feeling sad about it. In an insatiably excellent way. It’s one doozie of an emotional rollercoaster. But from time-to-time, you come across comedic productions that turn all that around for the better part of two hours, transforming the stage of Joan Sutherland Theatre in the Sydney Opera House into a source of laughs, brought-about by a cast lead by – fastly-becoming favourite – singers, Paolo Bordogna and Melburnian diva, Stacey Alleaume. The latest production by Opera Australia, The Turk in Italy (on until 1 September 2018) is just that and so much more. With new import, Bodogna, alongside the likes of Alleaume, Virgilio Marino (who plays Narciso) and Warwick Fyfe (Geronio), the cast, choir and conductor Andrea Molino do a stupendous job in bringing a 50s-themed tale of sexual tension, debauchery and mischievousness to light for the laugh-out-loud enjoyment of the audience. It’s basically a tale of a bored housewife, a sycophantic husband, a sexy Turkish visitor, a nymphomaniacal gypsy and a poet who’s just after a good storyline, all of whom culminate in a comedic explosion that really does wonders to punctuate the winter season for the opera company. We spoke with Bordogna, the Italian tenor, who admits though it’s a funny production, there’s a hell of a lot of finesse… Read More

What to know about the opening night of Rigoletto by Opera Australia this July

Opera Rigoletto

Verdi’s Rigoletto hasn’t been performed in Australia for a couple of years now, but since then, you’d be hard done by to find anyone who’s not been counting down until they’re able to hear some of the world’s most famous arias belted out in front of a packed Joan Sutherland Theatre at the Sydney Opera House. Opera Australia is returning the production with no holds barred this July, directed by Elijah Moshinsky with Renato Palumbo behind the baton, the production is set to be one of the many gems in this winter season’s crown. MORE: You should also see Lucia di Lamermoor this season Showcasing the wonderful Dalibor Jenis as the protagonist Rigoletto, alongside Gianluca Terranova as the Duke of Mantua and Irina Lungu as Gilda, the production’s vocal prowess is glaringly obvious, which when coupled with the fabulous set-work of the ever-wowing department led by designer Michael Yeargan, will put the hapless tale of secrets and seduction right into the memory banks. Complete with the renowned La donna e mobile, it’s a production for the ages. What is Rigoletto about? The Duke of Mantua lives only for pleasure of the female kind. No man’s wife or daughter is out of his reach, and while the Duke seduces their women, Rigoletto mocks their misfortune. The men of the court want vengeance, and when they hear Rigoletto has a beautiful woman hidden away, they plot to abduct her. The woman is Rigoletto’s daughter, who despite his best efforts to keep her hidden, has already caught the eye of the lustful Duke. He… Read More

What to know about Lucia Di Lamermoor this season by Opera Australia

Lucia Di Lamermoor Opera

Opera Australia’s Sydney winter season has kicked-off and first cab off the rank is the renowned Lucia Di Lamermoor by Donizetti back in the 19th Century. Here’s what to know about this season’s production by Opera Australia and director, John Doyle. What is the story about? A tale of love, not well-received, resulting in the gradual decline into insanity. Lucia is truly, madly, deeply in love with a man her whole family despises. When her brother Enrico discovers their love, he is furious, and devises a plot to drive the lovers apart. He does it without thought for her heart, but it is Lucia’s mind that will pay the price for his actions. What is the big music you’ll know from the performance? The tale is known for a lot of reasons, but musically, it’s the sextet, ‘Chi mi frena tal momento’, that probably deserves the title of biggest hit. It’s the aria known for its positioning in the most pivotal point of the production, taking place happens at the height of the story and all of the emotional and dramatic tension of the opera is caught up in this lovely, complex ensemble, as each of the characters sing of their part in the tragedy that is to follow. Have a listen below… For more about Lucia Di Lamermoor and to get yourself a seat, try Opera Australia here.