Tag: opera australia

Oscar and Lucinda in Sydney: Carriageworks, Sydney Chamber Opera produce world premiere

Oscar Lucinda

Australia’s artistic triumph of a book by the same name will make it onto the stage thanks to Carriageworks Sydney and its resident opera company, the Sydney Chamber Opera. Composer Elliott Gyger will join forces with librettist Pierce Wilcox to transform Peter Carey’s novel Oscar and Lucinda into a new Australian opera from 27 July – 3 August 2019.  Directed by Opera Queensland Artistic Director and CEO Patrick Nolan, the work reimagines the love story between the orphaned proto-feminist industrialist and the man who believes he is touched by God. Having nothing in common, except their addiction to gambling, Oscar and Lucinda find each other in colonial-era Sydney with a wild dream: to build a cathedral of pure glass, and to walk it into the Australian outback. “Elliott is one of this country’s greatest composers, with an originality, refinement and savage beauty that sounds like no one else. Seeing the score develop into our most ambitious and large-scale new work, filled with astonishingly vivid characters, colours and sounds has been a deeply exciting experience. Elliott has created a modern Australian epic without ever relying on the tired clichés of Australiana – a feat worth celebrating as we interrogate the history and stories that make up this complex country. Give him one instrument and he’ll make a world; give him 16 instruments and 6 singers and he’ll create a universe,” said Sydney Chamber Opera artistic director Jack Symonds.  Tickets on Sale 3 May, 2019 at the Carriageworks website.

Something new on Sydney Harbour: West Side Story by Opera Australia

Opera Australia West Side Story HOSH dance

It’s not often Opera Australia strays from the respite of centuries-old, well-loved scores by the likes of Puccini, Bizet and Verdi to try something more contemporary. But the latest production of West Side Story by Opera Australia that headlines this year’s annual Handa Opera on Sydney Harbour does just that, and has done so well. Complete with mid-way surprise fireworks as is now customary by the production company, and a range of 40-strong cast that can easily blur the lines between opera singer, dancer and actor, it’s a remade musical that pays homage to the original, the book and the tale; just makes it better. Directed by Jerome Robbins, the entire production of West Side Story is a shining testament to the classic story that’s given us some of the world’s most memorable show tunes. They were all there in the script. Think Maria, Tonight, America and Gee Officer Krupke to name a few. All of them just as hilarious as they are telling in the play about the horror to come. With OA names like Julie Lea Goodwin and Alexander Lewis as Maria and Tony; Mark Hill and Waldemar Quinones-Villanueva as Riff and Bernardo and Karli Dinardo as Anita, the musical adaptation is done wonders as the story of race hatred and a blossoming romance unfolds to the backdrop of the Sydney Opera House and Sydney Harbour Bridge. Opera Australia’s artistic director, Lyndon Terracini has been wanting to produce West Side Story on the HOSH stage for years. Something about the backdrop and the… Read More

Opera Australia is taking it to the bush in a bold new outback series

Opera Australia Madama Butterfly Capitol Theatre Sydney flowers

Opera Australia is taking it to the Aussie outback in a new series launched in partnership with tour people APT. Opera in the Kimberley will comprise two exclusive concerts in September 2019 at Cathedral Gorge in the heart of the Bungle Bungle Ranges. It’ll come complete with opera singers ready to brave the heat and harsh conditions to deliver a stellar performance in the Purnululu National Park, a World Heritage listed area of Western Australia. What’re they performing? OA’s National Tour in 2019 will see John Bell’s celebrated production of Puccini’s much loved Madama Butterfly travel through Queensland, Northern Territory, Western Australia and South Australia taking in some of Australia’s most iconic landscapes along the way. See more at the Opera Australia website.

4 biggest songs to hear in La Boheme by Opera Australia

You can be a veteran opera-goer or a first-timer, the effect of La Boheme (Puccini) are always the same: complete transfixation. There’s something to be said for the opera’s ability to suck everyone in with the tale of fragility, love and untimely death that draws-out the inner emotion from us all. Puccini was known to have put big stories into the lives of little people with simple tales told well, and the one of his timeless classic, La Boheme, does that all too well. Complete with an international mixing pot of cast this spring-summer season of opera by Opera Australia, that includes the likes of Joyce El-Khoury (Mimi, Maija Kovalevska (2, 4, 9, 11, 21, 23, 31 Jan; 2 Feb–28 Mar)), the Australian production company has turned out another seat-filler of a presentation. Here are the four biggest songs of La Boheme to listen out for in this season’s production… Che gelida manina ‘What an icy little hand’ The first arias of many between protagonists Rodolfo (Ivan Magrì (Jan 3, 5, 8, 10, 12, 17, 19 Jan, and Diego Torre (2, 4, 9, 11, 21, 23, 31 Jan; 2 Feb–28 Mar)) and Mimi, it’s the moment the two characters fall in love as they fumble around for a lost house key. Quando m’en vo When I go along (Musetta’s Waltz) Musetta is Marcello’s occasional girlfriend, who in a club in Paris one night, sings about her apparent irresistibility. She’s stunning, and tries to reclaim the attention of Marcello and kicks her husband out of the bar. Si, mi chiamo Mimi Yes, my name is Mimi Mimi’s song is a feeble one that… Read More

Joyce El-Khoury has joined Opera Australia in 2019 for La Boheme

Mimi sings for Rodolfo in La Boheme

Maria Callas is back! Well… not really, but, she may as well be if any of the articles out there about Canadian-Lebanese soprano, Joyce El-Khoury are anything to go by; she’s one of the most exciting new additions to Opera Australia this spring-summer season of 2019. Opening the season with Puccini’s classic La Boheme, El-Khoury will pick-up the role of Mimi, the innocent little bird who’s swept-up into the drama of the Bohemians in the thick of winter. Joyce headlines the cast of this season’s production, which has fast-proved to be an international explosion of some of the world’s finest singers. In addition to her debut to the Australian opera scene, Latvian soprano Maija Kovalevska will partner with El-Khoury on the role of Mimi, while Italian and Mexican tenors Ivan Magri and Diego Torre will shine in their portrayals of Rodolfo, the poet and male lead. With experience at The Met (NYC), Handa Opera (Sydney Harbour), Royal Opera House Covent Garden (London), The Bolshoi and Teatro Colon (Buenoa Aires) between them all, this production’s cast will leave large shoes to fill. Read more about how Diego Torre did something not many others can. This season’s production comes off the back of last season’s which culminated in a magical production of La Boheme at the Handa Opera on Sydney Harbour. Complete with snow and actual cars, the production was one for the memory books, only surely to be met in quality and transcendentalism with the addition of these stunning new international singers. See more and get your tickets… Read More

Free opera is coming to Melbourne with the Mazda Opera in the Bowl

Opera Sidney Myer Music Bowl

With ol’ faithfuls Natalie Aroyan, Sian Pendry, Virgilio Marino and Luke Gabbedy, Opera Australia about to knock Melbourne’s socks off with the annual Mazda Opera in the Bowl, coming this November. On 24 November, Australia’s premiere opera company will take over the Sidney Myer Music Bowl on the fringe of Melbourne’s CBD to fill the city skyline with some tracking tunes from the world’s most beloved productions. Classics from Carmen, Turandot – which is coming back this season – Tosca and The Barber of Seville, you can get in amongst the action for free from 4pm. Here’s the program for the night… BIZET Overture to Carmen ROSSINI ‘Largo al factotum’ from The Barber of Seville BIZET The Flower Song from Carmen SAINT-SAËNS ‘Mon cœur s’ouvre à ta voix’ from Samson and Delilah VERDI ‘Ritorna vincitor’ from Aida BIZET ‘Au fond du temple saint’ from The Pearlfishers Interval ROSSINI Overture to William Tell BIZET Seguidilla from Carmen BIZET The Toreador Song from Carmen PUCCINI Vissi d’arte’ from Tosca MASCAGNI ‘Intermezzo’ from Cavalleria Rusticana DELIBES ‘Dôme épais, le jasmin’ from Lakmé PUCCINI ‘Nessun dorma’ from Turandot See more info at the Opera Australia website.

Summer is getting cold with Opera Australia and the return of Turandot

Turandot

It’s been a few years since the Chinese princess locked away in her Pagoda tower graced the Sydney stage in Turandot, but she’s back again this summer, and bringing the chill. She’s known for her cold demeanour, ruthlessness and cunning nature – especially toward men – sure to add a bit of frost to Sydney’s revolting humidity right in the thick of the summer months. Opera Australia is bringing back Puccini’s principessa as part of the spring-summer season and it’s sure to be a hit. She’s lauded as one of the ultimate classics in the Opera Australia repertoire. This time around, the production will feature the director’s own famous choreography, sculptural stagecraft and larger than life costumes, this renowned staging of Turandot has transformed this already powerful drama into a spectacular piece of theatre. After stunning audiences with her role debut in Opera Australia’s 2018 digital production of Aida, American powerhouse soprano Amber Wagner makes her triumphant return to Sydney to take on the role of the brutal Turandot. Read more about the last time Opera Australia performed Turandot at the Handa Opera on Sydney Harbour here. Turandot is on in Sydney from January 15-29, February 1-27 and March 1-27. Get tickets for the production from Opera Australia.

Opera Australia has released the new set design for West Side Story in March

West Side Story

It’s back again in March and in 2019, the Handa Opera on Sydney Harbour by Opera Australia is doing something a little less conventional. They’ll bring the full splendour of New York City to Sydney’s waterfront with a dazzling set design offering a brand new take on one of the 20th century’s most iconic musicals. It’s a far cry from previous years’ Turandot, La Boheme and Carmen, but if it’s by Opera Australia, you know it’ll be great. One of Australia’s most accomplished theatrical designers, Brian Thomson, is shaping a spectacular vision for West Side Story that will invigorate Sydney’s iconic harbour with the spirit of New York, the city that never sleeps. Renowned for creating sets that feature huge iconic objects that encapsulate the story, Thomson’s remarkable set design will be dominated by a giant 15 metre tall highway overpass that will soar 30 metres across the length of the stage, symbolising the gritty underbelly of New York’s urban gang culture. Keep your eyes on the Opera Australia website for more.

What to look forward to this spring from Opera Australia in Melbourne

Opera Rigoletto

As we move into spring in Melbourne, Opera Australia really starts to fire-up, putting on some of the country’s most astonishing opera productions for everyone – free and not! If it’s not the classics like Turandot or The Magic Flute, then you know Opera Australia will put on any combination of other sensational productions to whet your appetite. These four must-see productions are sure to get you going. METAMORPHOSIS (Howard) Opera Australia offers a rare and exciting opportunity to experience a chamber opera in an intimate setting this October when it presents the Melbourne premiere of a new production of Australian composer Brian Howard’s Metamorphosis in an all new location; The Coopers Malthouse, Merlyn Theatre. This opera, directed by Tama Matheson, tells the tale of a broken man turned insect and how he and his family grapple with the riveting and terrifying transformation. Brian Howard’s score is percussive, inventive, courageous, and truly reflects a story of social alienation in a modern, inhumane world. The Coopers Malthouse Merlyn Theatre, 113 Sturt Street, Southbank 25, 26, 27 October 2018 | Tickets $79 LA BOHEME (Puccini) Known as one of the world’s all-time favourite operas, and the inspiration behind Moulin Rouge and the musical Rent, Puccini’s La Bohe?me continues to delight audiences. With its lush sets and costumes, soaring music and a world-class cast, this glittering production, set in the bohemian streets of 1930s Berlin is the perfect showcase for this heartbreaking love story. Returning to the Melbourne stage in November, this lavish production brings Puccini’s classic to life in a… Read More

Paolo Bordogna in The Turk in Italy by Opera Australia will make you actually laugh

Paolo Bordogna in The Turk in Italy

So, if there’s one thing you notice about operas that some of the world’s best opera companies like Opera Australia produce, is that a lot of them are really sad. Like, really sad. Everyone dies, there’s lots of heartache and you leave wanting more, but feeling sad about it. In an insatiably excellent way. It’s one doozie of an emotional rollercoaster. But from time-to-time, you come across comedic productions that turn all that around for the better part of two hours, transforming the stage of Joan Sutherland Theatre in the Sydney Opera House into a source of laughs, brought-about by a cast lead by – fastly-becoming favourite – singers, Paolo Bordogna and Melburnian diva, Stacey Alleaume. The latest production by Opera Australia, The Turk in Italy (on until 1 September 2018) is just that and so much more. With new import, Bodogna, alongside the likes of Alleaume, Virgilio Marino (who plays Narciso) and Warwick Fyfe (Geronio), the cast, choir and conductor Andrea Molino do a stupendous job in bringing a 50s-themed tale of sexual tension, debauchery and mischievousness to light for the laugh-out-loud enjoyment of the audience. It’s basically a tale of a bored housewife, a sycophantic husband, a sexy Turkish visitor, a nymphomaniacal gypsy and a poet who’s just after a good storyline, all of whom culminate in a comedic explosion that really does wonders to punctuate the winter season for the opera company. We spoke with Bordogna, the Italian tenor, who admits though it’s a funny production, there’s a hell of a lot of finesse… Read More